CHANT - CHORALE

Critical Commentary (Notenteil). By Arnold Schoenberg. Schott. 195 pages. Published by Schoenberg.

Bass Voice and Piano

SKU: HL.14029028

Composed by Arnold Schonberg. Music Sales America. 20th Century. Book [Softcover]. Composed 2002. 14 pages. Edition Wilhelm Hansen #WH18368. Published by Edition Wilhelm Hansen (HL.14029028).

ISBN 9788759857670. 10.25x14.5x0.072 inches. English.

Chorwerke Vol. 1 (S. (Critical Commentary 1). By Arnold Schoenberg (1874-1951). Arnold Schonberg - Samtliche Werke. Critical commentary. 192 pages. Schoenberg #AS1018-21. Published by Schoenberg

Critical Edition. By Arnold Schonberg. (SATB DV A Cappella). Schott. Size 8.25x11.75 inches. 32 pages. Published by Schott.

Critical Commentary 2. By Arnold Schoenberg. Schott. 332 pages. Published by Schoenberg.

Mixed Choir - difficult

SKU: HL.49025381

Composed by Arnold Schoenberg. Sheet music. Edition Schott. Score. 4 pages. Schott Music #C41112. Published by Schott Music (HL.49025381).

Full Score. By Arnold Schonberg. (score). Orchestra. Size 9x12 inches. 40 pages. Published by Associated.

SSAATTBB chorus a cappella - 5

SKU: CA.7070100

Composed by Arnold Schonberg. Edited by Iris Pfeiffer. Carus digital: Extra digital products. Choral Score. Composed 1907. Op. 13. Duration 9 minutes. Carus Verlag #7070100. Published by Carus Verlag (CA.7070100).

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!