| There is Sweet Music Here Carl Fischer
Choral TBB choir, piano SKU: CF.CM9594 Composed by Greg Gilpin. Fold. Per...(+)
Choral TBB choir, piano
SKU: CF.CM9594
Composed by Greg Gilpin.
Fold. Performance Score.
8 pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #CM9594.
Published by Carl Fischer
Music (CF.CM9594).
ISBN 9781491154168.
UPC: 680160912667. 6.875
x 10.5 inches. Key: Bb
major. English. Alfred
Tennyson. Alfred, Lord
Tennyson
(1809-1892). The
text of Alfred, Lord
Tennyson's There is
Sweet Music Here is
a wonderful example of
word painting. Keep this
in mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words. The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 710, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 1417
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
2225, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 3336. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 3738
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson'sA
There is Sweet Music
HereA is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7a10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14a17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22a25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33a36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37a38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson'sA
There is Sweet Music
HereA is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7a10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14a17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22a25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33a36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37a38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson's
There is Sweet Music
Here is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7-10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14-17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22-25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33-36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37-38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson's
There is Sweet Music Here
is a wonderful example of
word painting. Keep this
in mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words. The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7-10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14-17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22-25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33-36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37-38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord
Tennyson's There is
Sweet Music Here is a
wonderful example of word
painting. Keep this in
mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words.The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm.
7–10, the vocals
cascade gently into a
dissonance that develops
into a full, rich sound.
Allow the piano to
support the unison lines
in mm. 14–17 as
well as those that
contain three-part
singing.The piano
establishes a consistent
undulating tempo in mm.
22–25, as if
lulling someone to sleep.
Be intentional with
word/syllabic stress when
singing through the
quarter notes.Maintain a
consistent tempo when
singing the eighth notes
in mm. 33–36. The
chord progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm.
37–38 reflecting
the craggy ledge and
hanging poppy followed by
the unison sleep which
ushers in the return of
the original melody
within the
accompaniment.Linger with
quiet, full and supported
singing during the last
three measures. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aus der Fruhzeit des Mannergesanges Chorale TTBB Doblinger
Edited by Peter Altmann / Franz Gerstacker. For TTBB choir. Choral music. (Chorw...(+)
Edited by Peter Altmann /
Franz Gerstacker. For
TTBB choir. Choral music.
(Chorwerke von Leonard v.
Call, Franz Xaver
Eisenhofer, Michael
Haydn, Adolf Muller sen.,
Hans Georg Nageli,
Benedikt Randhartinger,
Franz Schubert, Carl
Maria von Weber und Carl
Friedrich Zelter).
Sacred, secular.
Collection. Published by
Doblinger Music
Publishers
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Andante und Rondo Ungarese op. 35 Basson, Cordes [Conducteur et Parties séparées] Doblinger
(For Bassoon and String quartet). By Carl Maria von Weber (1786-1826) and Carl M...(+)
(For Bassoon and String
quartet). By Carl Maria
von Weber (1786-1826) and
Carl Maria von Weber
(1786-1826). Arranged by
Michael Rot. For bassoon,
2 violins, viola, cello.
Chamber music. Score and
set of parts. Op. 35.
Published by Doblinger
Music Publishers
$38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Sounds Of Christmas Chorale SATB SATB, Clavier Carl Fischer
Choral SATB Choir, keyboard SKU: CF.CM9230 Composed by Vicki Tucker Court...(+)
Choral SATB Choir,
keyboard SKU:
CF.CM9230 Composed by
Vicki Tucker Courtney.
Christmas and Holiday.
Performance. With
Standard notation. 8
pages. Duration 2:10.
Carl Fischer Music
#CM9230. Published by
Carl Fischer Music
(CF.CM9230). ISBN
9780825883484. UPC:
798408083489. 6.875 x
10.5 inches. Key: C
major. Text: Bert
Stratton. Bert
Stratton. Holiday
cheer abounds in this
charming selection from
Vicki Tucker Courtney and
Bert Stratton. In a
gentle 6/8 meter, we are
reminded that the sounds
of Christmas linger in
our hearts throughout the
year. A beautiful school
selection for a holiday
concert. Duration:
2:10. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sea Squall [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3 SKU: CF.CAS1...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3
SKU: CF.CAS144F
Composed by Eric B.
Davis. Carl Fischer
Concert String Orchestra
Series. Full score. 16
pages. Carl Fischer Music
#CAS144F. Published by
Carl Fischer Music
(CF.CAS144F). ISBN
9781491160787. UPC:
680160919383. Sea
Squall is about the
journey of a ship
traveling across
turbulent seas. It starts
with the primary melody
that comes back
frequently, with every
section having a turn
playing it. The context
of this theme changes as
the piece progresses.
Sometimes it is calm and
safe, and sometimes more
powerful, like a storm
with that lingering
feeling of
unpredictability. The
bowings and dynamics, as
well as what each section
is playing, changes the
mood and feeling of the
music, from calm, to
animated, even heroic in
the louder areas. There
is a new theme introduced
later in the cellos with
the upper parts following
soon after. The focus of
the player should be to
bring out these contrasts
in the parts, by
observing the dynamics
and articulations. Sea
Squall is about the
journey of a ship
traveling across
turbulent seas. It starts
with the primary melody
that comes back
frequently, with every
section having a turn
playing it. The context
of this theme changes as
the piece progresses.
Sometimes it is calm and
safe, and sometimes more
powerful, like a storm
with that lingering
feeling of
unpredictability.
Thebowings and dynamics,
as well as what each
section is playing,
changes the mood and
feeling of the music,
from calm, to animated,
even heroic in the louder
areas. There is a new
theme introduced later in
the cellos with the upper
parts following soon
after. The focus of the
player should be to bring
out these contrasts in
the parts, by observing
the dynamics and
articulations.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |