Choral TBB choir, piano

SKU: CF.CM9594

Composed by Greg Gilpin. Fold. Performance Score. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9594. Published by Carl Fischer Music (CF.CM9594).

ISBN 9781491154168. UPC: 680160912667. 6.875 x 10.5 inches. Key: Bb major. English. Alfred Tennyson. Alfred, Lord Tennyson (1809-1892).

The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 710, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 1417 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 2225, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 3336. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 3738 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words.The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7–10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14–17 as well as those that contain three-part singing.The piano establishes a consistent undulating tempo in mm. 22–25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes.Maintain a consistent tempo when singing the eighth notes in mm. 33–36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37–38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment.Linger with quiet, full and supported singing during the last three measures.

Edited by Peter Altmann / Franz Gerstacker. For TTBB choir. Choral music. (Chorwerke von Leonard v. Call, Franz Xaver Eisenhofer, Michael Haydn, Adolf Muller sen., Hans Georg Nageli, Benedikt Randhartinger, Franz Schubert, Carl Maria von Weber und Carl Friedrich Zelter). Sacred, secular. Collection. Published by Doblinger Music Publishers

(For Bassoon and String quartet). By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Michael Rot. For bassoon, 2 violins, viola, cello. Chamber music. Score and set of parts. Op. 35. Published by Doblinger Music Publishers

Choral SATB Choir, keyboard

SKU: CF.CM9230

Composed by Vicki Tucker Courtney. Christmas and Holiday. Performance. With Standard notation. 8 pages. Duration 2:10. Carl Fischer Music #CM9230. Published by Carl Fischer Music (CF.CM9230).

ISBN 9780825883484. UPC: 798408083489. 6.875 x 10.5 inches. Key: C major. Text: Bert Stratton. Bert Stratton.

Holiday cheer abounds in this charming selection from Vicki Tucker Courtney and Bert Stratton. In a gentle 6/8 meter, we are reminded that the sounds of Christmas linger in our hearts throughout the year. A beautiful school selection for a holiday concert. Duration: 2:10.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS144F

Composed by Eric B. Davis. Carl Fischer Concert String Orchestra Series. Full score. 16 pages. Carl Fischer Music #CAS144F. Published by Carl Fischer Music (CF.CAS144F).

ISBN 9781491160787. UPC: 680160919383.

Sea Squall is about the journey of a ship traveling across turbulent seas. It starts with the primary melody that comes back frequently, with every section having a turn playing it. The context of this theme changes as the piece progresses. Sometimes it is calm and safe, and sometimes more powerful, like a storm with that lingering feeling of unpredictability. The bowings and dynamics, as well as what each section is playing, changes the mood and feeling of the music, from calm, to animated, even heroic in the louder areas. There is a new theme introduced later in the cellos with the upper parts following soon after. The focus of the player should be to bring out these contrasts in the parts, by observing the dynamics and articulations.
Sea Squall is about the journey of a ship traveling across turbulent seas. It starts with the primary melody that comes back frequently, with every section having a turn playing it. The context of this theme changes as the piece progresses. Sometimes it is calm and safe, and sometimes more powerful, like a storm with that lingering feeling of unpredictability. Thebowings and dynamics, as well as what each section is playing, changes the mood and feeling of the music, from calm, to animated, even heroic in the louder areas. There is a new theme introduced later in the cellos with the upper parts following soon after. The focus of the player should be to bring out these contrasts in the parts, by observing the dynamics and articulations.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians