SKU: HL.49015300

Seine geistlichen italienischen Oratorien. Composed by Susanne Oschmann. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 288 pages. Schott Music #ED 7449. Published by Schott Music (HL.49015300).

ISBN 9783795717940. German.

Diese Abhandlung bildet einen Beitrag zur Geschichte des noch wenig behandelten Oratoriums im deutschsprachigen Raum und eroffnet den analytischen Zugang zur Musik eines bemerkenswerten Komponisten; Jan Dismas Zelenka.Die Vita des Komponisten, Contrabassist und Compositeur der Koniglich-Polnischen und Kurfurstlich-Sachsischen Kapelle, der zumeist im Schatten anderer stand, erschliesst sich nicht leicht. Umfangreiche Sichtung und sorgfaltige Auswertung der Dokumente und Zeitzeugnisse sowie der alteren, vornehmlich lexigraphischen Literatur munden in eine ausfuhrliche Biographie; die Kenntnisse uber Zelenkas Lebensweg werden damit auf einen aktuellen Stand gebracht.Ein vermischter Geschmack, dem wir neben franzosischen und italienischen auch musikalische Elemente aus der bohmischen Heimat des Komponisten anmerken, charakterisiert Zelenkas in den dreissiger Jahren des 18. Jahrhunderts entstandene italienische Oratorien. Zelenkas musikalische Handschrift, etwa die pragnante Rhythmik oder seine Neigung zu feinnerviger Instrumentalbehandlung, wird in detaillierten Untersuchungen ebenso vorgestellt wie seine Mittel der Affektdarstellung, sein Gebrauch der musikalisch-rhetorischen Figuren, die formalen und die satztechnischen Vorstosse.

Composed by Jan Dismas Zelenka (1679-1745). Edited by Vaclav Luks. Arranged by Pablo Kornfeld. This edition: urtext edition. Paperback. Vocal score. ZWV 12. Published by Baerenreiter Verlag (BA.BA9594-90).

Chorus (with soloists) and orchestra (solo: S - choir: SATB - 0.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.PB-5594

Urtext. Composed by Jan Dismas Zelenka. Edited by Matthias Hutzel and Thomas Kphlhaase. Arranged by Wolfgang (Cont.) Horn. Choir; stapled. Partitur-Bibliothek (Score Library).

The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka, it was the only one to be reprised in Dresden's Hofkirche after his death.

Baroque period. Full score. 64 pages. Duration 18'. Breitkopf and Haertel #PB 5594. Published by Breitkopf and Haertel (BR.PB-5594).

ISBN 9790004214046. 10 x 12.5 inches.

Very Expressive, Please! Jan Dismas Zelenka's musical setting of Psalm 50, Miserere mei Deus, was presumably intended for the 1738 Holy Week. Thus, the composition is situated chronologically between the Missa Sanctissimae Trinitatis (1736)* and the Missa votiva (1739), two compositions from the cycle of Zelenka's five late masses, considered the culmination of his sacred-music work. Strong contrasts are a conspicuous stylistic feature of the Miserere c-moll, which Zelenka moderates by embedding them within the entire work's cyclic arch form. The score and parts of this new edition are based on volume 108 of the series Das Erbe deutscher Musik, which was comprehensively revised by Wolfgang Horn in 2018, especially the preface and the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo realization (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-11

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 48 pages. Duration 50'. Breitkopf and Haertel #OB 5565-11. Published by Breitkopf and Haertel (BR.OB-5565-11).

ISBN 9790004342695. 12.5 x 10 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Woodwinds (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 52 pages. Duration 50'. Breitkopf and Haertel #OB 5565-30. Published by Breitkopf and Haertel (BR.OB-5565-30).

ISBN 9790004342763. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 1 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-15

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 50'. Breitkopf and Haertel #OB 5565-15. Published by Breitkopf and Haertel (BR.OB-5565-15).

ISBN 9790004342718. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5565

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 136 pages. Duration 50'. Breitkopf and Haertel #PB 5565. Published by Breitkopf and Haertel (BR.PB-5565).

ISBN 9790004213759. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Double bass (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 20 pages. Duration 50'. Breitkopf and Haertel #OB 5565-27. Published by Breitkopf and Haertel (BR.OB-5565-27).

ISBN 9790004342756. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).