ORCHESTRE

Harpsichord/piano (vl.rec(fl)ob.trp conc.- str - bc)

SKU: BR.OB-4064-12

Urtext. Composed by Johann Sebastian Bach. Edited by Armin Schneiderheinze. Arranged by Walther Heinz Bernstein. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 12 pages. Duration 21'. Breitkopf and Haertel #OB 4064-12. Published by Breitkopf and Haertel (BR.OB-4064-12).

ISBN 9790004303375. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze).

Harpsichord/piano (2va.2vagb.vc.db - bc)

SKU: BR.OB-4068-12

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Arranged by Walter Heinz Bernstein. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 12 pages. Duration 19'. Breitkopf and Haertel #OB 4068-12. Published by Breitkopf and Haertel (BR.OB-4068-12).

ISBN 9790004303719. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)

T he aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Solo voices, orchestra (3 Soprano Voice Solo, 2 Tenor Voice Solo, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, trombone, Str, Continuo)

SKU: BA.BA04513-01

Part I of the sacred singspiel. Composed by Wolfgang Amadeus Mozart. Edited by Franz Giegling. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series I, Werkgruppe 4, No. 1. Complete edition, Score. K. 35. Duration 1 hour, 24 minutes. Baerenreiter Verlag #BA04513_01. Published by Baerenreiter Verlag (BA.BA04513-01).

ISBN 9790006449453. 33 x 25.8 cm inches. Text: Ignaz A Weiser.

This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models.

The first performance took place in the Knights' Hall of the prince's palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701-1785), town councillor and mayor of Salzburg .

Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart.


The piano reduction, by K.-H. Muller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Johann Sebastian Bach (1685-1750). Edited by W. Felix / W. H. Bernstein. Arranged by Bernstein. This edition: urtext. Orchester-Bibliothek (Orchestral Library). Baroque. Individual part. 12 pages. Published by Breitkopf and Haertel (BR.OB-4065-12).

By Johann Sebastian Bach (1685-1750). Edited by Armin Schneiderheinze. Arranged by W. H. Bernstein. For orchestra (piano/harpsichord). This edition: urtext. Orchester-Bibliothek (Orchestral Library). Piano reduction. 28 pages. Published by Breitkopf and H. Reduction.