| Furtwaengler Ton Und Wort 1918 Schott
(LN) SKU: HL.49020856 Aufsatze und Vortrage 1918 bis 1954. Compose...(+)
(LN) SKU:
HL.49020856
Aufsatze und Vortrage
1918 bis 1954.
Composed by Jean-Pierre
Rampal. This edition:
Hardback/Hard Cover.
Book. Edition Schott. 276
pages. Schott Music #ATL
6199. Published by Schott
Music (HL.49020856).
ISBN 9783254001993.
German. Das
kunstlerische Wirken des
Komponisten und
Dirigenten Wilhelm
Furtwangler war ein Leben
lang begleitet von dem
Bemuhen, sich daruber
auch theoretisch
Rechenschaft zu geben.
Zahlreiche Aufzeichnungen
belegen das. So spannt
sich ein weiter Bogen
uber diese Aufsatze und
Vortrage aus den Jahren
1918 bis 1954. Der
Reichtum der Themen, die
Allgemeingultigkeit der
Problemstellung, die
Gedanken und Auffassungen
sind aus der Schule des
Lebens selbst, aus der
unmittelbaren Erfahrung
von Werk und Publikum
erwachsen. Furtwangler
setzt sich in diesen
Arbeiten mit
grundsatzlichen Fragen,
so u.a. der Werktreue,
der Programmgestaltung,
der kunstlerischen
Verantwortung, der
modernen Musik,
auseinander und
entwickelt seine Gedanken
uber Bach, Beethoven,
Brahms, Bruckner, Wagner,
Hindemith, Strawinsky und
andere Komponisten. $41.95 - Voir plus => Acheter | | |
| Im Volkston
Rosmarin /, Eugen d'Albert, 1864-1932, Niederländisches Wiegenlied /, Reinhold ...(+)
Rosmarin /, Eugen
d'Albert, 1864-1932,
Niederländisches
Wiegenlied /, Reinhold
Becker, 1842-1924, Nein
und ja /, Wilhelm Berger,
1861-1911, Schön
Rohtraut /, Leo Blech,
1871-1958, Nachtwandler
/, Ignaz
Brüll,1846-1907, Frau
Holle /, August Bungert,
1846-1915, So einer war
auch er, op. 33 /,
Johannes Doebber,
1866-1921, Wir beide /,
Philipp Fürst zu
Eulenburg, 1847-1921,
Abendlied /, Friedrich
Gernsheim, 1839-1916,
Gebet /, Adalbert von
Goldschmidt, 1848-1906,
Das Ringlein sprang
entzwei /, Hans Hermann,
1870-1931, Der Schnitter
/, Eugen Hildach,
1849-1924, Der schönste
Tod /, Bolko Graf von
Hochberg, 1843-1926,
Rosmarin /, Engelbert
Humperdinck, 1854-1921,
Volkslied /, Robert Kahn,
1865-1951, Rieke im
Manöver singt /, Wilhelm
Kienzl, 1857-1941, Ich
denke oft an's blaue Meer
/, Arno Kleffel,
1840-1913, Unterwegs :
für TTBB Chor, op. 132
/, Thomas Koschat,
1845-1914, Die Verlassene
/, Henning von Koss,
1855-1913, Hoppoldey /,
Eduard Lassen, 1830-1904,
Vom Mond und den
Sternlein /, Siegfried
Ochs, 1858-1929, Untreu
und Trost /, Hans
Pfitzner, 1869-1949,
Rheinisches Volkslied /,
Carl Reinecke, 1824-1910,
Ach herzigs Herz /, Max
von Schillings,
1868-1933, Vögleins
Begräbnis /, Georg
Schumann, 1866-1952,
Soldaten-Abschied /, Hans
Sommer, 1837-1922, Von
alten Liebesliedern /,
Ludwig Thuille,
1861-1907, Schäfer und
Schäferin /, Siegfried
Wagner, 1869-1930, Im
Laubengang /, Bogumil
Zepler, 1858-1919, Aus
dem schöne
Schwabeländche /,
Hermann Zumpe, 1850-1903,
Lebe wohl /, Alfred
Bortz, 1882-, Wenn die
Buben Steckenpferd reiten
/, Simon Breu, 1858-1933,
Minnelied /, Fritz Char,
1865-1932, Wenn die Linde
blüht /, Anna Cramer, um
1903, Rheinweinlied /,
Peter Fassbaender,
1869-1920, Schlaflied
für's Peterle /, Alwine
Feist, 1873-1924,
Wiegenlied /, Gustav
Fischer, um 1903, Wenn
ich ein Waldvöglein wär
/, Johann Peter Gotthard,
1839-1919, Scheiden /,
Philipp Gretscher,
1859-1937, Und hab so
grosse Sehnsucht doch /,
Willy Herrmann, 1868-,
Vom Vögelein /, Victor
Hollaender, 1866-1940,
Die Bachstelze /,
Ferdinand Hummel,
1855-1928, Agnes /,
Robert Kahn, 1865-1951,
Volksweise /, Gustav
Lazarus, 1861-1920, Daz
iuwer min Engel walte /,
Karl Adolf Lorenz,
1837-1923, Volkslied /,
Heinrich Lorenz, um 1903,
In Würzburg /, Adolf
Mohr, 1841-, Mägdlein
sass im Wald und Moos /,
Arthur Müller-Buessow,
1867-, Schatzerl klein /,
Edmund Parlow, 1855-1911,
Es steht eine Lind im
tiefen Thal /, Friedrich
Renger, 1866-1937,
Herziges Schätzle du /,
Philipp Rödelberger,
1865-, Es ist ein Schnee
gefallen /, Louis
Roessel, um 1903, Mai /,
Richard Sahla, 1855-1931,
Trost /, Robert Schwalm,
1845-1912, Was das
Vöglein sang /, Max
Stange, 1856-1932, Da
draussen im Garten /,
Oscar Straus, 1870-1954,
Kinderlied /, Edmund von
Strauss, 1869-1919, Die
Spröde /, Frank van der
Stucken, 1858-1929,
Verscheucht /, Johannes
Techritz, 1864-1940,
Volkslied /, Hermann
Zilcher, 1881-1948, Und
die Rosen die prangen /,
Hermann Anderson, um
1904, Lied des
Harfenmädchens /, Max
Ansorge, 1862-1940, Die
Nachtigall /, Franz
Bothe, 1867-1923, Im
Schlehendorn /, Martin
Grabert, 1868-1951,
Tränen ohne Ende /, Hans
Hermann, 1870-1931, Die
Kapelle /, Alexis
Holländer, 1840-1924,
Ein geistliches Abendlied
/, Emil Kahl, um 1904,
Auf einer Meierei /,
Robert Klein, um 1904,
Warte noch ein kleines
Weilchen /, Heinrich
Knaak, um 1904, De junge
Wetfru /, Otto Kohlmann,
1851-1889, Ich hab die
Nacht geträumet /, Max
Laurischkus, 1876-1929,
Lieber Schatz sei wieder
gut mir /, Otto
Lindemann, 1879-1946,
Juchhe /, Max Loewengard,
1860-1915, Umzug /,
August von Othegraven,
1864-1946, Abendlied /,
Arthur Perleberg,
1876-1910, Das Lied vom
Scheiden /, Georg
Raphael, 1865-1904, Es
ist kein grösser Freud
/, Felix Rosenthal,
1867-1936, Am Brünnele
/, Arnold Rust, um 1904,
Liebesscherz /, Ferdinand
Saffe, 1867-1906,
Morgenserenade auf dem
Lande /, Hermann
Schröder, 1843-1904,
März /, Richard
Sternfeld, 1858-1926,
Unter einem Schirm /,
Albert Ulrich, 1855-1921,
Goldammer /, Paul
Umlauft, 1853-1934, Lied
in der Nacht /, Adolf
Wallnöfer, 1854-1946,
Stille Liebe /, Bruno
Wandelt, 1856-1933,
Tanzlied /, Elisabeth
Wintzer, 1863-1933, In
alten Tagen /, Richard
Wintzer, 1866-1952,
Jugendliebe /, Leopold
Karl Wolf, 1859-1932, Im
Wald /, Max Zoder,
1860-1924, Glück /,
Hermann Zumpe, 1850-1903
$173.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Reger-Werkausgabe, Vol. II/3: Songs III (1901-1903) [Conducteur] Carus Verlag
SKU: CA.5281000 Edited by Knud Breyer, Stefan König. Gesamt- und Werka...(+)
SKU: CA.5281000
Edited by Knud Breyer,
Stefan König. Gesamt-
und Werkausgaben: Max
Reger. Hybrid Edition of
works. Songs III
(1901–1903). Full
score (complete edition /
selected edition). Carus
Verlag #5281000.
Published by Carus Verlag
(CA.5281000). ISBN
9790007297220. The
third volume in the Songs
and Choral Works Series
of the Reger Complete
Works (RWA) contains the
songs Max Reger composed
(almost entirely in
Munich) between 1901 and
February 1903. With these
compositions, Reger not
only entered into direct
competition with the
so-called “Munich
School†around
Ludwig Thuille, Max von
Schillings, and Richard
Strauss, but also
attempted to establish
himself more widely as an
uncompromising renewer of
the genre. The songs
contrast with the
Romantic song aesthetic
through their
forward-looking
declamatory style and
they display a treatment
of the piano which goes
far beyond conventional
song
accompaniment.
In
January 2008 the
Max-Reger-Institut (MRI)
in Karlsruhe began
publishing a
scholarly-critical
edition of the works of
Reger (RWA). This is
supported by the Mainz
Academy of Sciences and
Literature, and as a
Hybrid Edition is
exploring new approaches
in editorial
techniques.
The
digital offer belonging
to the volume is
published in an online
portal.
Content Kompositionen. Acht
Lieder op. 79c Lieder
WoO VII/31und VII/32
Sechzehn Gesänge
op. 62 Schlummerlied
WoO VII/33 Zwölf
Lieder op. 66 Sechs
Gesänge op. 68
Siebzehn Gesänge
op. 70 Wiegenlied WoO
VII/35. $305.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Der erste Ton / Jubel-Kantate Schott
Chorus; Orchestra; Vocal (Complete Edition) SKU: HL.49042473 Carl Mari...(+)
Chorus; Orchestra; Vocal
(Complete Edition)
SKU: HL.49042473
Carl Maria von Weber
Complete Edition.
Composed by Carl Maria
von Weber. Edition
Schott. Classical.
Hardcover. 180 pages.
Schott Music #WGA1089.
Published by Schott Music
(HL.49042473).
Carl Maria von
Weber's fame rests mainly
on Der Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as Preciosa, Oberon,
and Euryanthe, the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Webers work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for eachwork.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant toeach other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cro. $160.00 - Voir plus => Acheter | | |
| Der Freischutz Schott
Complete Edition, Score Score (Full Score) SKU: HL.49045854 Carl Maria...(+)
Complete Edition, Score
Score (Full Score)
SKU: HL.49045854
Carl Maria von Weber
Complete Edition
Score. Composed by
Carl Maria von Weber.
Edited by Solveig
Schreiter. Opera.
Classical, German
Edition. Hardcover. 484
pages. Schott Music
#WGA1034-10. Published by
Schott Music
(HL.49045854).
Carl Maria von
Weber's fame rests mainly
on 'Der Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for eachwork.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant toeach other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cro. $457.00 - Voir plus => Acheter | | |
| Der Freischuetz Schott
Hardcover Vocal Score Vocal (Complete Edition) SKU: HL.49042467 Romant...(+)
Hardcover Vocal Score
Vocal (Complete Edition)
SKU: HL.49042467
Romantische Oper in
drei Aufzugen Hardcover
Vocal Score. Composed
by Carl Maria von Weber.
Edited by Joachim Veit.
Edition Schott.
Classical. Hardcover. 332
pages. Schott Music
#WGA1083. Published by
Schott Music
(HL.49042467).
Carl Maria von
Weber's fame rests mainly
on 'Der Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-relatedand
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information
an. $318.00 - Voir plus => Acheter | | |
| Jubel-Kantate WeV B.15 Schott
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversa...(+)
(Score) SKU:
HL.49042437 For
the Celebration of the
Fiftieth Anniversary of
the Reign of King
Friedrich August I of
Saxony. Composed by
Carl Maria von Weber.
Edition Schott.
Classical. Hardcover. 312
pages. Schott Music
#WGA1024. Published by
Schott Music
(HL.49042437). ISBN
9783795794507. Carl
Maria von Weber's fame
rests mainly on Der
Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was notconducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer,ritic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold.This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Webers
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based
on. $299.00 - Voir plus => Acheter | | |
| Weber Cm Klav Kzt Nr2 (jv155) Ga 5-4/2 Schott
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455). ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $201.00 - Voir plus => Acheter | | |
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