| Fifers Saxophone Tenor et Piano [Partition + CD] Playintime
By Jean-francois Dandrieu. Arranged by Sandy Feldstein, Larry Clark. For Tenor S...(+)
By Jean-francois
Dandrieu. Arranged by
Sandy Feldstein, Larry
Clark. For Tenor Sax. The
Yamaha Advantage Solo
Series. Play along.
Level: Intermediate -
Level 2. Solo Book with
CD. Published by
Playintime.
$10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fifers Flûte traversière [Livre + CD] Playintime
By Jean-francois Dandrieu (1682-1738). Arranged by Sandy Feldstein and Larry Cla...(+)
By Jean-francois Dandrieu
(1682-1738). Arranged by
Sandy Feldstein and Larry
Clark. For Flute / Oboe.
The Yamaha Advantage Solo
Series. Play along.
Intermediate - Level 2.
Solo Book with CD
$10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fifers Trompette [Partition + CD] Playintime
Composed by Jean-francois Dandrieu (1682-1738). Arranged by Sandy Feldstein and ...(+)
Composed by Jean-francois
Dandrieu (1682-1738).
Arranged by Sandy
Feldstein and Larry
Clark. For Trumpet. The
Yamaha Advantage Solo
Series. Play along.
Intermediate - Level 2.
Solo Book with CD.
Published by Playintime
$10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Character Pieces from the French Baroque Era Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-8029 Piano Lessons by Francois Couperin. Composed...(+)
Piano SKU:
BR.EB-8029 Piano
Lessons by Francois
Couperin. Composed by
Francois Couperin. Edited
by Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 20
pages. Breitkopf and
Haertel #EB 8029.
Published by Breitkopf
and Haertel (BR.EB-8029).
ISBN 9790004174326. 9
x 12 inches. This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesser-known
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. There are
four existing harpsichord
books with a total of 226
compositions by Francois
Couperin le Grand (1668
-1733). His works are as
unknown to pianists as
they are famous among
harpsichord players. The
grace and imaginativeness
of his works lend
themselves especially
well to the sound of the
harpsichord, which is why
the piano interpretation
of works by Couperin,
Rameau, Scarlatti and
other composers of that
time has been
categorically rejected.
But, after all, the works
of Bach and Handel were
written for the
haipsichord and
clavichord, and no one
would dare question their
intetpretation on the
pianoforte. In order to
introduce these
lmpressionists of the
Baroque Era to piano
instruction, the editor
has added to this series
a folio of both
Couperin's and Rameau's
(EB 8033) music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. The
Butterflies and the
Windmills are both
especially typical of
masterful character
pieces. The demands made
on technique certainly
correspond to a level of
moderate difficulty. The
simplifications made are
restricted to the
artistically realized
twopart accompaniment
(eg. p. 4 f. and p. 8 f.)
with regard to finger
stretch and to the
profuse ornamentation of
the original. The
indications for phrasing
and articulation are
those of the editor. The
first two pieces have
been precisely elaborated
on in this respect to
serve as a model, whereas
the remaining pieces
contain only suggestions.
As in other folios of
this series; what is here
to be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
respective footnotes;
these directions,
however, are not
obligatory. lndications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case be used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realization of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Methods & Treatises Continuo Bass - 6 Volumes - France 1600-1800 [Conducteur] Anne Fuzeau Productions
Continuo SKU: FZ.6222 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo SKU:
FZ.6222 Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6222). ISBN
9790230662222. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in six books.
Volume 1: Anonyme -
BARTOLOTTI A. M. - BOYVIN
J. - BUTERNE J-B. - CARRE
A. Sieur de La Grange -
CHARPENTIER M-A. -
CHAUMONT L. - D'ANGLEBERT
J-H. - DE LA BARRE M. -
DELAIR D. - FLEURY N. -
MARAIS M. - NIVERS G. G.
- PERRINE - SAINT-LAMBERT
M. de. Volume 2: CAMPION
F. - CAMPION T. - CHERON
A. - CLERAMBAULT N. -
COUPERIN F. - DANDRIEU
J-F. - DELAIR D. -
LECLAIR J. -M. - RAMEAU
J. -P. Volume 3: Anonyme
- CAMPION F. - DORNEL A.
- FORQUERAY A. - GERVAIS
L. - GOUDAT - GUILLEMAIN
L. -G. - MONNIER Le Cadet
- MONTECLAIR M. P. de -
PINGRE A-G. - RAMEAU J.
-P. - SERRE DE RIEUX J. -
TELEMANN G. P. - TRAVENOL
L. A. Volume 4: ALEMBERT
J. Le Rond d' -
BLAINVILLE C. H. de -
CORRETTE M. - DUBUGRARRE
- GEMINIANI F S. -
LAPORTE C. de. Volume 5:
BETHISY J-L. de - BIFERI
F. (fils) - CLEMENT C-F.
- DUBREUIL J-J. - GARNIER
H. - GIANOTTI P. -
GOUGELET Madame - LABBET
A. J. - LE BOEUF - RAMEAU
J. -P. - ROUSSIER P-J. -
SIMON S. - TAPRAY J.
Volume 6: Anonyme -
BEMETZRIEDER A. -
CORRETTE M. - FROESTLER
B. - GOURNAY B. C. -
LANGLE H-F-M. - RODOLPHE
J-J. - ROUSSIER P-J.
Table of contents: Volume
1: Fleury Nicolas:
Methode pour apprendre
facilement - 1660.
Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Volume 2: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Volume 3: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Volume 4: Alembert Jean
Le Rond d': Elemens de
musique - 1752.
Blainville Charles Henri
de: Essay sur un
troisieme mode - 1751.
Corrette Michel: Le
maitre de Clavecin -
1753. Laporte Claude de:
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio: L'art de bien
accompagner - 1754.
Dubugrarre: Methode plus
courte et plus facile -
1754. Volume 5: Tapray
Jean: Abrege de
l'accompagnement - 1755.
Labbet Antoine Joseph et
Leris Antoine de:
Sentiment d'un
Harmoniphile - 1756.
Clement Charles Francois:
Essai sur
l'accompagnement - 1758.
Gianotti Pietro: Le guide
du compositeur - 1759.
Rameau Jean-Philippe:
Code de musique pratique
- 1760. Bethisy
Jean-Laurent de:
Exposition de la theorie
et de la pratique - 1764.
Roussier Pierre-Joseph:
Traite des accords et de
leur succession - 1764.
Le Boeuf: Traite
d'harmonie et regles
d'accompagnement - 1766.
Garnier Honore: Nouvelle
methode pour
l'accompagnement - 1767.
Dubreuil Jean-Jacques:
Manuel harmonique - 1767.
Biferi Francesco Fils:
Traite de musique abrege,
divise en trois parties -
1770. Simon Simon:
Theorie pratique
d'accompagnement - s. d.
Gougelet Madame: Methode
ou abrege des regles -
1771. Volume 6: Roussier
Pierre-Joseph: L'harmonie
pratique - 1775. Corrette
Michel: Prototipes
contenant des lecons
d'accompagnement - 1775.
Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: -
Conservatory Library of
Geneva (Switzerland). -
Conservatory Library of
Dijon (France). - Royal
Conservatory of Liege
(Belgique). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Royal
Library of Brussels
(Belgium). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Yale University, Music
Library of New Haven
(USA). -
Zentralbibliothek of
Zurich (Switzerland).
Anne Fuzeau Classique
propose the complete
theoretic documentation,
methods, classical music
scores on the
continuo. $459.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Methods & Treatises Harpsichord - Volume I - France 1600-1800 Clavecin [Conducteur] Anne Fuzeau Productions
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord SKU:
FZ.5834 Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834). ISBN
9790230658348. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord. $84.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Methods & Treatises Viola & Pardessus de viole - France 1600-1800 Alto seul [Conducteur] Anne Fuzeau Productions
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe ...(+)
Viola SKU: FZ.5794
Serie I - France
1600-1800. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5794). ISBN
9790230657945. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in one book.
ANCELET - Jean Laurent de
BETHISY - C. R. BRIJON -
Michel CORRETTE -
Francois, le jeune CUPIS
- Encyclopedie - FRAMERY
N. E. et GINGUENE P. L. :
Encyclopedie methodique -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Marin MERSENNE - Michel
WOLDEMAR. Table of
contents: VIOLA. Mersenne
Marin: Harmonie
universelle - 1636.
Bethisy Jean Laurent de:
Exposition de la theorie
- 1754. Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
Memorial raisonne - 1761.
Corrette Michel: Methode
pour apprendre [. . . ]
de la quinte ou alto -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Framery N. E. et Ginguene
P. L. : Encyclopedie
methodique (reprend le
texte de l'Encyclopedie
de Diderot) - 1785. Cupis
Francois, Le jeune:
Methode d'alto - 1800
(ca). Woldemar Michel:
Methode d'alto -
1800/1805 (ca).
PAR-DESSUS DE VIOLE.
Corrette Michel: Methode
pour apprendre facilement
a jouer du par-dessus de
viole - 1748. Ancelet:
Observations sur la
musique - 1757. Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
Memorial raisonne - 1761.
Brijon C. R. : Methode
nouvelle et facile pour
apprendre a jouer du
par-dessus de viole -
1766. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Bayerische
Staatsbibliothek of
Munich (Germany). -
National Library of Paris
(France). - British
Library of London
(England). - Det
Kongelike Bibliothek of
Copenhagen (Denmark). -
Gemeente Museum of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the viola and pardessus
de viole. $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Daphnis et Chloe [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (choir: SATB - orch: 3(2picc).A-fl.2.cor an...(+)
Chorus (with soloists)
and orchestra (choir:
SATB - orch:
3(2picc).A-fl.2.cor
ang.Eb-clar.2.B-clar.3.db
le bsn - 4.4.3.1 -
timp.perc(8) - 2hp.cel -
str) SKU:
BR.PB-5650 Ballet
en 3 parties -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Choir; Softbound.
Partitur-Bibliothek
(Score Library). Music
theatre; Ballet; Early
modern. Full score. 284
pages. Duration 50'.
Breitkopf and Haertel #PB
5650. Published by
Breitkopf and Haertel
(BR.PB-5650). ISBN
9790004215470. 10.5 x 14
inches. Daphnis et
Chloe is certainly not
only one of Ravel's best
works, but also one of
French music's most
beautiful creations,
thus, Stravinsky's view
of this ballet in his
memoirs, published in
1935. Composing the work,
commissioned by the
Ballets Russes, turned
out to be problematic,
involving linguistic
differences and
remuneration
disagreements that
dragged on among the
choreographer,
impresario, and composer.
Too few rehearsals, a
difficult choreography,
tricky 5/4-meter, and
other oddities in the
music probably led,
ultimately, to a subdued
reception of the work at
its Paris premiere in
1912. Only a later
production with costumes
and set by Chagall
significantly contributed
to the ballet's success.
Today the work is a
monument to Impressionist
orchestration,
incorporating the
narration within the
sound material. Each
instrument is treated in
the most effective way
possible. Remarkable are
the strings' extreme
divisi, their harmonics'
glissandi, and other
enigmatic effects, such
as utilizing a wordless
chorus. Individual
performances without
choir likely go back to a
makeshift arrangement
that Ravel produced to
facilitate performance at
less prominent venues.
The appendix to the
Urtext edition includes
this alternative version.
The Ravel specialist
Jean-Francois Monnard has
also edited this ballet
with detailed attention
to the customary Urtext
standard. The preface and
critical report include
numerous references to
both genesis and
performance history as
well as interpretation,
correcting also
previously handed-down
errors. The large format
of the conductor's score
and orchestral parts are
easy to read and support
the clarity and
transparency of the
modern notation without
any loss to the magic of
Ravel's music. Stay tuned
for the publication of
the corresponding suites
in the upcoming
years. $316.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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