Percussion (Percussion Parts)

SKU: HL.48182624

Composed by Jean Emmanuel Aubain. Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL24016. Published by Alphonse Leduc (HL.48182624).

UPC: 888680834548. 9.0x12.0x0.08 inches.

Born in 1928, French composer and teacher, Jean Aubain studied with Olivier Messiaen at the Paris Conservatoire. In 1955, he won the Premier Prix de Rome and his since composed many other prolific works, including Three Studies for Percussion and Piano. Composed in 1968, Three Studies for Percussion and Piano is made up of three movements; 1) Variations, 2) Scherzo, and 3) Final. With a typical performance lasting around seven minutes, Aubain's piece includes use of Timpani, Xylophone, Temple-Block, Tom-Toms, Vibraphone and Cymbals, as well as other Percussion instruments. For all advanced percussionists seeking solo performance repertoire, Aubain's Three Studies for Percussion and Piano is essential..

SKU: FZ.8945

Serie IX - Renaissance France. Edited by Olivier Trachier. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.8945).

ISBN 9790230689458. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Volume 1 (ref. 5931): Anonymes (1-2) - Guillaume GUERSON - Nicolas WOLLICK. Volume 2 (ref. 5932): Loys BOURGEOIS - Symphorien CHAMPIER - Maximilian GUILLIAUD - Jerome HESDIN - Jacques LEFEVRE D'ETAPLES - Claude MARTIN - Guillaume TELIN. Volume 3 (ref. 5933): Anonyme (3 : Calvin ?) - EUCLIDE - Claude MARTIN - Michel de MENEHOU - Philibert JAMBE DE FER - PONTUS DE TYARD - Pierre VALLETTE. Volume 4 (ref. 5934): Anonyme (4-5-6) - Anthoine de BERTRAND (1-2-3) - Corneille BLOCKLAND de MONTFORT - Fabrice Marin CAIETAIN - Guillaume COSTELEY - Pierre GREGOIRE - Cecile LE JEUNE - Claude LE JEUNE- Benedic MACE et Laurens DANDIN - PLUTARQUE - Pierre de RONSARD - Jean YSSANDON. Table of contents: Volume 1: Guerson Guillaume: Utillissime musicales regule - c. 1500. Anonyme: L'art de la science et praticque de plaine musique - c. 1505-1512. Wollick Nicolas: Enchiridion musices - 1509. Anonyme: Utilissimum gregoriane psalmodie enchiridion - c. 1530. Volume 2: Hesdin Jerome: Regles communes de plain chant - c. 1530. Telin Guillaume: La louenge de Musique - 1533. Champier Symphorien: De musica - 1537. Bourgeois Loys: Le droict chemin de musique - 1550. Martin Claude: Elementorum musices practicae pars prior - 1550. Lefevre d'Etaples Jacques: Musica libris quatuor demonstrata - 1551. Guilliaud Maximilian: Rudiments de musique practique - 1554. Volume 3: Tyard Pontus de: Solitaire second, ou prose de la musique - 1555. Vallette Pierre: A tous fideles, desirans chanter - 1556. Jambe de Fer Philibert: Epitome musical - 1556. Martin Claude: Institution musicale - 1556. Menehou Michel de: Nouvelle instruction familiere - 1558. Anonyme (attribue a J. Calvin): Epistre a tous les chrestiens - c. 1563. Euclide: Le livre de la musique - 1566. Volume 4: Costeley Guillaume: Musique (pieces liminaires) - 1570. Anonyme: De horis canonicis et De musica (concile de Besancon) - 1571. Plutarque: De la musique (traduit par J. Amyot) - 1572. Ronsard Pierre de: Preface au Roy Charles IX - 1572. Gregoire Pierre: De musica - 1576. Bertrand Anthoine de: Au lecteur debonaire (preface au premier livre des amours) - 1578. Bertrand Anthoine de: Advertissement au Lecteur (second livre des amours) - 1578. Bertrand Anthoine de: Advertissement au Lecteur (troisiesme livre de chansons) - 1578. Cai etain Fabrice Marin: Second livre d'airs (dedicace) - 1578. Mace Benedic et Dandin Laurens: Instruction pour apprendre a chanter - 1582. Yssandon Jean: Traite de la musique pratique - 1582. Anonyme: Traicte de musique - 1583. Blockland de Montfort Corneille: Instruction methodique - 1587. Le Jeune Claude: Dodecacorde contenant douze pseaumes (dedicaces) - 1598. Le Jeune Cecile et anonymes: Preface sur la musique mesuree et pieces liminaires du Printemps de Claude Le Jeune - 1603. Anonyme (ms. ): Regle Generalle, Et fort familiere - Reigle des Douzes Modes - c. 1598. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimiles of copies from: - Municipal Library of Bourg en Bresse (France). - Municipal Library of Grenoble (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Albert 1er Royal Library of Brussels (Belgium). - Sainte-Genevieve Library of Paris (France). - Koninklijke Library of The Hague (Netherlands). - University Library of Uppsala (Sueden). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the French Renaissance.

SKU: FZ.5934

Serie IX - Renaissance France. Edited by Olivier Trachier. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5934).

ISBN 9790230659345. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Anonyme (4-5-6) - Anthoine de BERTRAND (1-2-3) - Corneille BLOCKLAND de MONTFORT - Fabrice Marin CAIETAIN - Guillaume COSTELEY - Pierre GREGOIRE - Cecile LE JEUNE - Claude LE JEUNE- Benedic MACE et Laurens DANDIN - PLUTARQUE - Pierre de RONSARD - Jean YSSANDON. Table of contents: Costeley Guillaume: Musique (pieces liminaires) - 1570. Anonyme: De horis canonicis et De musica (concile de Besancon) - 1571. Plutarque: De la musique (traduit par J. Amyot) - 1572. Ronsard Pierre de: Preface au Roy Charles IX - 1572. Gregoire Pierre: De musica - 1576. Bertrand Anthoine de: Au lecteur debonaire (preface au premier livre des amours) - 1578. Bertrand Anthoine de: Advertissement au Lecteur (second livre des amours) - 1578. Bertrand Anthoine de: Advertissement au Lecteur (troisiesme livre de chansons) - 1578. Cai etain Fabrice Marin: Second livre d'airs (dedicace) - 1578. Mace Benedic et Dandin Laurens: Instruction pour apprendre a chanter - 1582. Yssandon Jean: Traite de la musique pratique - 1582. Anonyme: Traicte de musique - 1583. Blockland de Montfort Corneille: Instruction methodique - 1587. Le Jeune Claude: Dodecacorde contenant douze pseaumes (dedicaces) - 1598. Le Jeune Cecile et anonymes: Preface sur la musique mesuree et pieces liminaires du Printemps de Claude Le Jeune - 1603. Anonyme (ms. ): Regle Generalle, Et fort familiere - Reigle des Douzes Modes - c. 1598. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Sainte-Genevieve Library of Paris (France). - Municipal Library of Grenoble (France). - National Library of Paris (France). - University Library of Uppsala (Sweden). - Municipal Library of Bourg en Bresse (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the French Renaissance.

Chamber Music Piano

SKU: PR.110418140

Composed by James Matheson. Performance Score. 24 pages. Duration 25 minutes. Theodore Presser Company #110-41814. Published by Theodore Presser Company (PR.110418140).

ISBN 9781491129432. UPC: 680160640379.

Mathe son’s five-movement work is a setting of stained glass windows created by Marc Chagall and Henri Matisse for a rustic country church adjoining the Rockefeller estate near Sleepy Hollow on the Hudson River. Matheson’s suite draws from four Chagall windows: 1. Jeremiah, 2. Isaiah, 3. Crucifixion, 4. The Good Samaritan, and culminates with Matisse’s 5. The Rose.
In 1954, the Rockefeller family asked Henri Matisse to create a stained glass Rose Window for the Union Church of Pocantico Hills, New York as a memorial to Abby Aldrich Rockefeller, the great art patroness and a founder of the Museum of Modern Art. It was to be the artist’s last work. A few years later, Mrs. Rockefeller’s youngest son, David, acting on behalf of the family, commissioned Marc Chagall to create an entire series of stained glass windows to fill the rest of the small church resulting in the large, majestic “Good Samaritan” window and eight sublime smaller windows, each depicting a biblical figure or scene. In 2015, Premiere Commission commissioned James Matheson to compose WINDOWS to celebrate the centennial of the Union Church of Pocantico Hills and the 100th birthday of David Rockefeller. This deeply touching, epic cycle distills into music the intimate, often heart-rending, visions of Chagall as well as the powerful simplicity of Matisse’s modern design which utilizes the striking collage forms he employed in his final years. Matheson’s work also reflects the influence of Olivier Messiaen’s own theologically-inspired music. Like the French master, Matheson utilizes large-scale blocks of harmonies with organ-like sonorities to support and shift the music’s kaleidoscopic planes of color and set into relief the work’s piercing motifs and intricate patterns. The universal themes of love and sacrifice (“Jeremiah” and “Isaiah”), loss and altruism (“Crucifixion” and “The Good Samaritan”) and the jubilant celebration of life and nature (“The Rose”) are memorably portrayed in this poignant tribute to the human spirit.—Bruce Levingston.