| Weber-studien Vol. 3 Schott
SKU: HL.49015504 Edited by Frank Ziegler and Joachim Veit. This edition: ...(+)
SKU: HL.49015504
Edited by Frank Ziegler
and Joachim Veit. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Neue Aufsatze zu
Leben und Werk Carl Maria
von Webers. Classical.
475 pages. Schott Music
#ED 8583. Published by
Schott Music
(HL.49015504). ISBN
9783795703257.
German. Das
Anliegen der Herausgeber,
mit der Arbeit an der
Carl-Maria-von-Weber-Gesa
mtausgabe auch den
naheren Umkreis des
Komponisten zu beleuchten
und so das gesamte Umfeld
fruhromantischer Musik
und Kunstanschauung in
ein helleres Licht zu
setzen, wird in diesem
Band mit Beitragen aus
germanistischer,
musikwissenschaftlicher,
musikpraktischer und
psychologischer Sicht
weitergefuhrt.Nach
Aufsatzen zu E. T. A.
Hoffmann und zur
Musikanschauung des
fruhen 19. Jahrhunderts
folgen Beitrage, die
unbekannte Dokumente aus
Webers Umkreis erstmals
prasentieren, danach
werden editorische Fragen
der Gesamtausgabe
behandelt. Es folgen
analytische Betrachtungen
von Kompositionen sowie
Beitrage zur Rezeption
des Weberschen ouvres.
Auffuhrungspraktische und
musikpsychologische
Studien runden diesen
Teil ab. Der
abschliessende Aufsatz
zur
Entwicklungsgeschichte
des Klavierquartetts
zeigt, welche neuen und
interessanten Bezuge eine
aus der Sicht des
praktischen Musikers
verfasste Musikhistorie
offenlegen kann. $62.00 - Voir plus => Acheter | | |
| Beck/ziegler F Weber U Die Schauspielmusiken Schott
(HC) SKU: HL.49033205 Carl Maria von Weber und die Schauspielmusik sei...(+)
(HC) SKU:
HL.49033205 Carl
Maria von Weber und die
Schauspielmusik seiner
Zeit. Composed by
Peteris Vasks. Edited by
Dagmar Beck and Frank
Ziegler. This edition:
Hardback/Hard Cover.
Book. Edition Schott. 332
pages. Schott Music #ED
9623. Published by Schott
Music (HL.49033205).
ISBN 9783795703837.
German. Bis vor
wenigen Jahren wurde der
Schauspielmusik,
abgesehen von einzelnen
herausragenden Werken,
von der Musikwissenschaft
kaum Beachtung geschenkt;
eine historiographische
Gesamtdarstellung bzw.
editorische
Auseinandersetzung steht
noch aus. Gerade das
letzte Drittel des 18.
und das erste Drittel des
19. Jahrhunderts konnen
als eine Blutezeit der
Schauspielmusik angesehen
werden. In diesen
Jahrzehnten entstand
nicht nur eine
unuberschaubare Menge
solcher Kompositionen;
die Problematik der
musikalischen Untermalung
bzw. Bereicherung des
Sprechtheaters wurde auch
im asthetischen Diskurs,
anknupfend an Gottsched,
Scheibe und Lessing,
immer wieder
thematisiert. Am Beispiel
ausgewahlter Buhnenwerke,
beginnend mit
Kompositionen von Johann
Andre, G. J. Vogler und
J. F. Reichardt bis hin
zu Mendelssohn, Lortzing
und Wagner, wird
deutlich, wie
verschiedenartig die
Anspruche von Autoren und
Theaterleitern in Bezug
auf die Schauspielmusik
sein konnten, und wie die
unterschiedlichen
Moglichkeiten der
Theater-Ensembles die
Komponisten
beeinflussten. Die Spanne
reicht von weitgehend
beliebigen Arrangements
mit grosstmoglichem
'Wiederverwendungswert'
bis hin zu gross
angelegten 'analogen', d.
h. ausschliesslich auf
ein bestimmtes Schauspiel
bezogenen, vorbildhaften
Kompositionen (z. B.
Beethovens Egmont, Webers
Preciosa, Mendelssohns
Sommernachtstraum-Musik).
Besonderes Interesse gilt
der Problematik der
Edition von
Schauspielmusiken, die
durch ihre enge Bindung
an das Drama einen
fachubergreifenden
Austausch unter
Literatur-, Theater- und
Musikwissenschaftlern
erforderlich macht. Hier
zeigt sich, dass kaum
eine 'Patentlosung' zu
finden ist; vielmehr
stellt jeder Komponist,
jedes Werk andere
Anspruche an den Editor.
Ausgehend von einem
Grundkonsens, der die
wechselseitige
Bedingtheit von Drama und
Musik unterstreicht,
fuhren nur individuelle,
vom einzelnen Werk
ausgehende Strategien zu
einer adaquaten
Wiedergabe in der
Edition. $76.95 - Voir plus => Acheter | | |
| Weber Cm Klav Kzt Nr2 (jv155) Ga 5-4/2 Schott
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455). ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $201.00 - Voir plus => Acheter | | |
| Weber Complete Edition 2/5 Schott
(P+KRB) SKU: HL.49042438 Together with Other Occasional Works for Birt...(+)
(P+KRB) SKU:
HL.49042438
Together with Other
Occasional Works for
Birthdays or
Funerals. Composed by
Carl Maria von Weber.
Edited by Frank Ziegler.
This edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 312
pages. Schott Music
#WGA1025. Published by
Schott Music
(HL.49042438). ISBN
9783795794811.
10.0x13.5x1.098
inches. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $299.00 - Voir plus => Acheter | | |
| Weber Complete Edition 2/1 Chorale SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2
flutes, 2 oboes, 2
clarinets, 2 bassoons - 2
horns, 2 trumpets, 3
trombones, timpani and
strings (P+KRB) SKU:
HL.49042434 Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434). ISBN
9783795794491.
10.25x13.5x1.141 inches.
German. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $257.00 - Voir plus => Acheter | | |
| Weber Complete Edition 6/1 Schott
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB) SKU:
HL.49042459 Composed
by Carl Maria von Weber.
Edited by Andreas
Fukerider and Claudia
Theis. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Score and critical
commentary, complete
edition. 274 pages.
Schott Music #WGA1061.
Published by Schott Music
(HL.49042459). ISBN
9783795794682.
8.75x12.25x1.022
inches. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $244.00 - Voir plus => Acheter | | |
| Weber Complete Edition 7/1 Piano seul Schott
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB) SKU:
HL.49042462 No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462). ISBN
9783795794637. German -
English. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $354.00 - Voir plus => Acheter | | |
| Der erste Ton / Jubel-Kantate Schott
Chorus; Orchestra; Vocal (Complete Edition) SKU: HL.49042473 Carl Mari...(+)
Chorus; Orchestra; Vocal
(Complete Edition)
SKU: HL.49042473
Carl Maria von Weber
Complete Edition.
Composed by Carl Maria
von Weber. Edition
Schott. Classical.
Hardcover. 180 pages.
Schott Music #WGA1089.
Published by Schott Music
(HL.49042473).
Carl Maria von
Weber's fame rests mainly
on Der Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as Preciosa, Oberon,
and Euryanthe, the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Webers work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for eachwork.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant toeach other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
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