Daniel Po`i est né en Belgique. Aprés avoir étudié et travaillé comme ingénieur (Electronics & System Engineering)
à l´Université de Bruxelles, il émigre au Canada en 1982, oú il travaille comme consultant pour l´Université de Montréal, et pour les entreprises privées.
A la fin de l´année 1986, il prend la nationalité canadienne, et laisse ainsi la nationalité de son pays d´origine.
En 1999, il rencontre le célèbre harpiste Eralio Gill. Durant le printemps de l´année suivante, il entreprend de suivre des études de la harpe paraguayenne sous la direction de Eralio Gill.
Le premier janvier 2001, il déménage au Costa Rica, où il vit presque 3 ans.
A partir de là, il commence à voyager dans toutes l´Amérique Latine où il développe la maîtrise de l´instrument. Daniel Po´i a ainsi étudié avec des professeurs au Costa Rica, au Panama, au Chili et au Paraguay.
Au Paraguay, il étudie avec des professeurs tels que Heribierto Leguizamon, Bebito Vargas, Idualbert Romero, et Papi Galan.
Il commence aussi à étudier la théorie musicale
et le solfège avec Idualbert Romero et sous forme autodidacte depuis 2007, commence à écrire ses propres compositions. (Retracter)...(lire la suite)
Piano Solo SKU: IS.PN7175EM Composed by Ward De Vleeschhouwer. Keyboards ...(+)
Piano Solo
SKU:
IS.PN7175EM
Composed
by Ward De Vleeschhouwer.
Keyboards - Piano.
Metropolis Music
Publishers #PN7175EM.
Published by Metropolis
Music Publishers
(IS.PN7175EM).
ISBN
9790365071753.
Ward
De Vleeschhouwer began
his piano training at the
E. Hullebroeck Academy in
his hometown of Ghent,
Belgium. After graduating
from the Academy, he
continued his studies at
the Royal Conservatoire
of Ghent, studying piano
with Claude Coppens and
Daan Vandewalle,
composition with Luc
Brewaeys and Frank Nuyts,
and improvisation with
Peter Vermeersch. Further
he followed piano
masterclasses with Jan
Michiels, Daniel
Blumenthal, Mariko
Kaneda, Thomas Rozenkrans
and Tae Yoshioka.
Powernotes I is a
collection of eleven
studies for piano solo,
for both young and
advanced pianists.
Voice,guitar SKU: OT.28104 Composed by Daniel Akiva. Sephardic Anthology ...(+)
Voice,guitar
SKU:
OT.28104
Composed by
Daniel Akiva. Sephardic
Anthology for voice and
guitar. Classical,Jewish.
Performance score. OR-TAV
Music Publications
#28104. Published by
OR-TAV Music Publications
(OT.28104).
ISBN
9789655051100. 8.27 x
11.69
inches.
Daniel
Akiva Alma i Vida i
Korason Sephardic
Anthology for voice and
guitar
The 18
songs of the collection
Alma i Vida i Korason
include romansas,
cantigas, life cycle
songs and original music
composed to poems by
Avner Perez, a journey in
Ladino song from the
Middle Ages through the
21st century. Alma i Vida
i Korason was recently
recorded by Sivan
Goldman, soprano and
Daniel Akiva, guitar,
together with a special
series of short videos
filmed at the Ralli
Museum in Caesarea,
Israel. For further
information, please visit
the YouTube and Spotify
channels of the
composer.
Contents: 1. A la una
Naci yo 2. Kisa Agora
el Amor 3. Durme
Durme Mi Andjeliko 4.
Morena me Yaman 5. La
Serena 6. Durme Durme
Mi Alma Donzeya 7.
Noches Noches 8. Mama
Yo no Tengo Visto 9.
Ya Abasha La Novia
10. Esta Noche 11. Ya
Viene El Kativo 12.
Komo La Roza 13. Ay
Linda Amiga 14. El
Prisionero 15.
Kantiga de Kune Para
Selanik 16. Puncha
Puncha 17. Durme
Hermozo Hiziko 18.
Sirkiji
Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have
earned international
acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies of
lute with Jonathan Rubin
and composition with Jean
Ballisa at the Geneva
Conservatorium in
Switzerland. In 1986 he
founded the Music
Department at the WIZO
High School for the Arts
in Haifa which he headed
for over thirty years. As
part of his work at WIZO
High School, he developed
a method for teaching
free improvisation which
has been incorporated
into the music program at
the school. He also
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2018. Mr. Akiva
has performed in concerts
as a guitarist and
lutenist and given master
classes in Israel,
Europe, Russia, the
United States, and Latin
America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in 2014.
Akiva's work Psalms for
guitar solo was awarded
the ACUM prize for
composition in 1990, and
his string quartet Ciclos
was awarded the ACUM
prize for composition in
2002. In 2006 his CD
Hope, recorded with
Laurel Zucker (flute) and
Ronit Widmann-Levy
(soprano) was awarded the
Amazon prize. In 2017
Akiva was awarded the
Prime Minister's Prize
for composers in
Israel. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
A large part of his
oeuvre has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue
throughout the years with
poets and writers Amnon
Shemesh, Rivka Miriam,
and Avner Perez. 105
pages, softcover.
SKU: NR.99030 Za sopran i piano =. Composed by Artin Bedros Poturl...(+)
SKU: NR.99030
Za sopran i piano
=. Composed by Artin
Bedros Poturlian. Vocal
music. Za sopran i piano
= Three songs after poems
by Daniel Varuzhan and.
Score. Noten Roehr
#99030. Published by
Noten Roehr (NR.99030).
Vaagn Davtian :
for soprano and piano,
1987 (ar), Varuzhan,
Daniel, 1884-1915, text,
Davtian, Vaagn
Armenakovich, 1922-1996,
text.
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral A...(+)
SKU: GI.G-10678
A Philosophical and
Practical Approach to the
Choral Art. Composed
by Will Kesling. Music
Education. 472 pages. GIA
Publications #10678.
Published by GIA
Publications
(GI.G-10678).
ISBN
9781622776436.
Draw
ing from his five decades
of success as a conductor
and educator in the
choral field, Will
Kesling has compiled a
comprehensive choral
methods resource that
addresses every necessary
fundamental for achieving
artistry in the choral
art. Written in clear and
conversational language,
this resource covers:
Building a healthy and
beautiful choral sound
Dealing with vocal issues
Selecting repertoire and
programming concerts
Developing score study
skills and interpretive
insights Understanding
the characteristics of
musical periods and
composers Planning,
preparing for, and
running rehearsals The
Voices I Hear also
explores important but
often overlooked topics,
including a discussion of
performing sacred music
in secular education
settings, techniques for
performing
choral-orchestral works,
choral versus orchestral
conducting, and how to
become a true
“maestro.â€
Individual chapters also
function as standalone
topics of study. A
valuable read for
emerging and seasoned
conductors alike, The
Voices I Hear is an
expert study of the
aesthetic, intellectual,
and practical aspects of
the choral art. Dr. Will
Kesling is Professor of
Choral and Orchestral
Conducting at the
University of Florida,
where he has taught for
two decades. He has
conducted hundreds of
choral ensembles and
nearly fifty of the
world’s finest
symphony orchestras. His
ensembles have received
international attention
for their excellence and
musical expression. Â
Thank you, Dr. Kesling,
for the decade you gave
of yourself to write the
most complete and
comprehensive writing on
the topics of choral
techniques, methods, and
conducting I have seen.
It is in-depth yet
practical, to the point
of being a valuable
resource for both the
young conductors entering
the choral field to the
well-established
professionals. You have
given us a solid
foundation in all
significant areas of the
choral art, including,
among many others, the
production of beautiful
vocal tone, detailed
physical vocal
production, textual and
physical components of
English diction,
repertoire programming,
appropriate style,
interpretation and
phrasing, and a pathway
to successful conducting
of combined choral and
orchestral forces. Your
enormous and highly
successful career, with
worldwide performances
and numerous awards and
honors, has enabled you
to bring validity and
integrity to the entire
writing. —Donald
Neuen  Â
Distinguished Professor
Emeritus, UCLA Â Â
Former member of the
Robert Shaw Chorale Â
 Mr. Shaw’s
Assistant Conductor with
the Atlanta Symphony
Orchestra and Choruses
For more than 50 years,
Dr. Will Kesling has been
and continues to be a
prominent figure and
voice in the
International and
American choral
profession. His new book,
The Voices I Hear, is the
distillation of his long
and distinguished career
as a conductor and choral
music educator. The
driving and consuming
passion throughout
Kesling’s life is
the preparation and
performance of the
world’s rich and
diverse choral and
orchestral repertoire and
the education,
development, and growth
of those who perform and
conduct it. This book is
a summation of a lifetime
immersed in the choral
art and all its many
aspects. It overflows
with insights into the
choral art that will not
only instruct the
beginning conductor but
also will enlighten and
entertain the seasoned
professional conductor
and educator. It is
filled with wit, wisdom,
and practical advice to
all practitioners of the
choral arts. I
enthusiastically
recommend
Kesling’s
enlightening new book as
an important addition to
the choral pedagogy
bibliography and for use
as an invaluable new text
for choral practicum
classes for both graduate
and undergraduate
students. Dr. Kesling has
brought to the choral
profession significant
new insights to all
lovers of the choral art.
—Craig Jessop Â
 Professor of Music,
University of Utah Â
 Former Music
Director of the
Tabernacle Choir and
Orchestra at Temple
Square   and the
United States Air Force
Singing Sergeants Will
Kesling’s book,
The Voices I Hear, is
practical and
philosophical, useful and
inspirational, focused
and comprehensive. The
observations and advice
are based on his vast
personal experiences on
the podium with choirs
and orchestras, and the
book is a monumental
resource for both the
young conductor and the
veteran. Containing a
broad spectrum of musical
styles, composers, and
topics, Kesling’s
direct and practical
writing connects
immediately with
today’s choral
musician. Keep The Voices
I Hear nearby as there
will be many times down
the road where the
information and opinions
in Dr. Kesling’s
book will answer the
questions you have, as
well as the ones you
didn’t even know
to ask! —Jerry
Blackstone  Â
Professor Emeritus of
Music (conducting) and
Director of Choirs
(retired) Â Â
School of Music, Theatre
& Dance, University of
Michigan This is the
textbook I wish had been
available when I was
beginning my studies. It
is comprehensive in
scope, practical and
helpful in its
suggestions, and, perhaps
most surprising in a book
from an academic,
superbly written in clear
and powerful English.
Kesling speaks with
conviction, clarity, and
polish, and he finds
colorful and memorable
ways of making his points
and presents the material
from the perspective of
one who has done all
these things for decades
at a highly professional
level. I give this volume
the highest possible
recommendation.
—Daniel Gawthrop
  Composer &
Conductor.