SKU: BT.EMBZ14661

Volume 9 in the series includes two works by Georg Goltermann (1824-1898) written for four cellos. The first work in the volume is the well-known Ständchen by Schubert, and the last is a transcription for four cellos of the equally popular Humoresque by Dvo ák. Since parts III and IV are easy, if the members of the ensemble are of equal ability it is possible in the repeated sections for an exchange of parts to take place between I and III, and between II and IV.

Inhoud:
1. Schubert, Franz: Ständchen
2. Goltermann, Georg: Nocturne
3. Goltermann, Georg: Religioso
4. Dvoák, Anton n: Humoresque

Der 9. Band der Serie beinhaltet zwei auch ursprünglich für vier Violoncelli geschriebene Werke von Georg Goltermann (1824-1898). Das Eröffnungs- und Endstück der Ausgabe sind Transkriptionen, das erste das allgemein bekannte ‚Ständchen' von Schubert, letzteres die ebenfalls beliebte Humoresque von Dvo ák. Da die dritten und vierten Stimmen eher einfach sind, wenn die Musiker des Ensembles am selben Niveau spielen, besteht in den repetierenden Abschnitten die Möglichkeit, die ersten und dritten bzw. zweiten und vierten Stimmen vertauscht zu spielen.

Sommaire:
1. Schubert, Franz: Ständchen
2. Goltermann, Georg: Nocturne
3. Goltermann, Georg: Religioso
4. Dvoák, Anton n: Humoresque

Contents:
1. Schubert, Franz: Ständchen
2. Goltermann, Georg: Nocturne
3. Goltermann, Georg: Religioso
4. Dvoák, Anton n: Humoresque

SKU: HL.49019267

ISBN 9790001180689. UPC: 841886018143. 9.0x12.0x0.074 inches. Edited with fingerings and bowings by Fritz Zumkley.

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limitsof what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.