SKU: BA.BA08731
ISBN 9790006506194. 30 x 23 cm inches. Key: E-flat major.
This scholarly-critical volume is the first published edition of Meyerbeer's Clarinet Quintet, which vanished in World War ll and only recently resurfaced in the estate of the clarinetist Carl Bärmann. Meyerbeer wrote the piece in Vienna in 1813 for his friend Heinrich Bärmann, a celebrated clarinettist to whom C. M. von Weber also dedicated several works. The extremely novel and virtuoso handling of the clarinet was unusual for its day: Meyerbeer allows it to stand out clearly from the string ensemble and pushes it to the utmost limits of its technique. The Work enriched the meager chamber music repertoire for the clarinet in the 19th century. Our scholarly-critical edition makes this masterpiece available to performers for the first time in print. Besides the musical text, it offers a critical report and a detailed preface discussing the work's genesis. The parts have been given performance markings by Dieter Klöcker.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: P2.20011
Felix Mendelssohn's Concertpiece No. 1 in F Minor, Opus 113 was originally composed for clarinet, basset horn, and piano and carried the whimsical title: The Battle of Prague, Grand Duet for Dumpling with Pastry and Cream, or Clarinet and Basset Horn, composed and most humbly dedicated to Barmann senior and Barmann junior by their very loyal servant Felix Mendelssohn Bartholdy. The story behind this unique title is equally as charming as the title itself. The famous father-son clarinet duo, Heinrich and Carl Barmann, agreed to reward their friend, Mendelssohn, with his favorite meal of dumplings with pastry and cream if he managed to compose a work for them by 5 o'clock that very day. Mendelssohn completed the composition by the designated hour, and no doubt was rewarded with a full stomach, as the clarinet repertoire was rewarded with a significant addition to its canon. It is now a pleasure to add this arrangement to the list of works for the double reed family. The world premier of this arrangement occurred at the 2015 IDRS conference in Tokyo, Japan, performed by Albie Micklich, Martin Schuring, and Midori Nagahara.
SKU: HF.FH-3410
ISBN 9790203434108. 8.3 x 11.7 inches.
SKU: IS.CC6225EM
ISBN 9790365062256.
Mend elssohn composed the Concert pieces for clarinet, basset horn and piano in 1833 for the German clarinet virtuosos Heinrich and Carl Bärmann (father and son). The intention was to be together as friends, as Mendelssohn himself played the piano part frequently himself. It has been said that Mendelssohn wrote the second Konzertstück in one day, in the amount of time it took for Carl to make his homemade Dampfnudel and Rahmstrudel (sweet dumplings and cheese strudel). Carl Bärmann described the scene of this day, illustrating how both he and Mendelssohn had until five o’clock to complete their respective tasks (for Carl dumplings and strudel, for Mendelssohn the new Konzertstück). When five o’clock came, each man presented their work in a covered dish. Mendelssohn was said to have claimed that Carl’s dumpling composition was more ingenious than his. The events of this particular day are the reason why Mendelssohn’s original title for his second Konzertstück was, The Battle of Prague: A Great Duet for Sweet Dumplings or Cheese Strudel, Clarinet, and Basset Horn... .
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