Partitions gratuites de Johann Christoph Altnickol - If I Ain

Piano

SKU: PE.EP11503

Composed by Johann Sebastian Bach. Masterworks; Piano - Intermediate / Advanced Collection; Piano Resources. Baroque; Classical; Masterwork. Book. 112 pages. Edition Peters #98-EP11503. Published by Edition Peters (PE.EP11503).

ISBN 9790014127084.

The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach's Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections.

This first Urtext edition Notebook for Bach's son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian's initial attempts at composition (minuets and polonaises), and pieces by the older brothers Carl Philipp Emanuel and Johann Christoph Friedrich and son-in-law Johann Christoph Altnickol. The collection is completed by two sets of short preludes and fughettas from Bach's early Leipzig teaching practice, which may have come from other lost notebooks for his family, possibly the one for C.P.E. Bach.

Clavier-Bà¼chlein für Johann Christian Bach

Nach den hochgelobten Ausgaben der Clavier-Büchlein für Anna Magdalena Bach und Wilhelm Friedemann Bach vervollständigt das Clavier-Büchlein für Johann Christian Bach die Sammlung an überlieferten Unterrichtswerken innerhalb der Bachfamilie. In ihrer Gesamtheit bieten Bachs Clavier-Büchlein einen faszinierenden Einblick in das häusliche Musizieren der Familie Bach. Sie enthalten Originalkompositionen, Übungen für den Unterricht sowie beispielhafte Werke anderer Komponisten, die alle gesammelt wurden, um den Familienmitgliedern Literatur für eine umfassende musikalische Ausbildung bereitzustellen. In e.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708703

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Vocal score. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/03. Published by Carus Verlag (CA.2708703).

ISBN 9790007166021. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708700.

SATB choir, basso continuo

SKU: CA.2708800

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 2 minutes. Carus Verlag #CV 27.088/00. Published by Carus Verlag (CA.2708800).

ISBN 9790007165987. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

Unison choir, 4 violins, basso continuo

SKU: CA.2708700

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 3 minutes. Carus Verlag #CV 27.087/00. Published by Carus Verlag (CA.2708700).

ISBN 9790007166014. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708719

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. Duration 3 minutes. Carus Verlag #CV 27.087/19. Published by Carus Verlag (CA.2708719).

ISBN 9790007166274. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and parts available separately - see item CA.2708700.

SATB choir, basso continuo

SKU: CA.2708805

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Choral Score. 4 pages. Duration 2 minutes. Carus Verlag #CV 27.088/05. Published by Carus Verlag (CA.2708805).

ISBN 9790007200213. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708800.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708714

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Basso continuo. Sacred vocal music, Mass sections. Single Part, basso continuo. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/14. Published by Carus Verlag (CA.2708714).

ISBN 9790007200206. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708713

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Viola. Sacred vocal music, Mass sections. Single Part, Viola. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/13. Published by Carus Verlag (CA.2708713).

ISBN 9790007200190. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.