Matthew Still PIANO SEUL

By Matthew Culloton. For SATB choir divisi, a cappella and baritone voice solo. Christmas. Moderately Difficult. Octavo. Published by MorningStar Music Publishers

SATB. By Johann Sebastian Bach. Arranged by Robert Shaw. (SATB). Choral Large Works. Size 6.7x10.5 inches. 176 pages. Published by G. Schirmer, Inc.

By Johann Sebastian Bach. Arranged by H Nicholl. (SATB). Choral Large Works. Size 6.7x10.5 inches. 229 pages. Published by G. Schirmer, Inc.

Composed by Matthew Emery. For Choral (SATB a cappella). Pavane Choral. 8 pages. Pavane Publishing #P1488. Published by Pavane Publishing

By Matthew Culloton. For SATB choir, flute or violin and harp or piano. Christmas. Medium. Choral score. Published by MorningStar Music Publishers

Choral (SATB)

SKU: HL.1189332

Excellence in Choral Music Series. Composed by Matthew Emery. Pavane Choral. Concert, Poetry. Octavo. Duration 90 seconds. Pavane Publishing #P1728. Published by Pavane Publishing (HL.1189332).

UPC: 196288130857. 6.75x10.5x0.008 inches.

Sometimes profundity emerges through simplicity. Composer Matthew Emery specializes in making musical statements that carry all the harmonic weight of a divisi choir, while using only four voice parts. This meditative piece matches his musical artistry with the wisdom of polymath Rabindranath Tagore. Sing it through on sounds without words, then add the text, and you will be transported.

SA choir, piano accompaniment - Beginning

SKU: GI.G-8553

Composed by Matthew Emery. Christmastide, Christmas Vigil, Christmas Night, Children. Christmas. Sacred. Octavo. 8 pages. GIA Publications #8553. Published by GIA Publications (GI.G-8553).

UPC: 785147855309. English. Text Source: From 'A Cradle Hymn', Issac Watts, 1674-1748, alt. Text by Isaac Watts.

In the tradition of lullabies past, “Lie Still and Slumber” encompasses the soothing comfort of angelic voices with tender words like those of this text by Isaac Watt. Delicate and smooth, this piece recreates the rocking of a cradle or a mother’s arms through the rhythmic sway created by the rising and falling of the arpeggiated accompaniment.