CLASSIQUE MODERNE
Niveau Intermédiaire: Grade 3-5

Composed by Max Reger (1873-1916). Edited by Jurgen Schaarwachter. Carus digital: Extra digital products. Full Score. Op. 131a. Published by Carus Verlag

Piano Accompaniment; Violin - intermediate to advanced

SKU: HL.49017078

For Violin & Piano. Composed by Johanna Senfter. Edited by Wolfgang Birtel. Arranged by Friedemann Eichhorn. This edition: Saddle stitching. Sheet music. String. Classical. Op. 26. 64 pages. Duration 16'. Schott Music #VLB116. Published by Schott Music (HL.49017078).

ISBN 9790001145251. UPC: 884088351410. 9.0x12.0x0.228 inches. Ed. Wolfgang Birtel fing./bowings by Friedemann Eichhorn.

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the public is now taking more and more interest in her works. The present Sonata in A major bears even Brahmsian traits and consists of four movements: moderately fast - slow - leisurely - lively.

By Max Reger. For Organ. Classical. Level: Intermediate. Book. 10 pages. Published by Willemsen (German import).

Piano (4 hands) - intermediate to advanced

SKU: HL.49009111

Composed by Max Reger. Arranged by Heinz Schuengeler. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. Op. 10/7 and 17. 3 pages. Schott Music #ED0 8974. Published by Schott Music (HL.49009111).

ISBN 9790001091190. UPC: 842819120148. 9.0x12.0x0.016 inches.

Violin - intermediate to advanced

SKU: HL.49013019

Violin Solo. Composed by Philipp Jarnach. Edited by Kolja Lessing. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Book only. Composed 1913. Op. 11. 16 pages. Duration 9'. Schott Music #ED 9238. Published by Schott Music (HL.49013019).

ISBN 9790001128247.

Jarn ach wrote three sonatas for solo violin. The second Sonata, Op. 11, was composed in 1913 and is dedicated to Max Reger. With the increase in interest in the music of the early decades of the 20th century, the works of the Busoni pupil Jarnach are experiencing a renaissance in the concert hall.