CLASSIQUE

By Thomas Tallis (1505-1585). Choir Sacred. For with Piano (SATB choir). Book; Choral (Sacred); Choral Worship Collection; Masterworks; Worship Resources. Faber Edition: Choral Programme Series. Masterwork; Renaissance; Sacred. Published by Faber Music

By Thomas Tallis. For Choir. (5-7 Part, a cappella). Choral Worship Collection. Kalmus Edition. Masterwork; Sacred. Book. 36 pages. Published by Alfred Publishing.

SATB Choir

SKU: HL.14032616

(Edited By John West). Composed by Thomas Tallis. Music Sales America. Classical. Choral Score. Music Sales #NOV400108. Published by Music Sales (HL.14032616).

SATB Choir

SKU: HL.14032614

Composed by Thomas Tallis. Music Sales America. Classical. Choral Score. Music Sales #NOV400017. Published by Music Sales (HL.14032614).

SATB Choir

SKU: HL.14032301

Composed by Thomas Tallis, The Eagles. Music Sales America. Classical. Choral Score. Music Sales #NOV441039. Published by Music Sales (HL.14032301).

SATB Choir

SKU: HL.14009368

Composed by Thomas Tallis. Music Sales America. Classical. Choral Score. Music Sales #NOV290455. Published by Music Sales (HL.14009368).

20 iconic pieces of British classical music specially arranged for intermediate piano solo, plus a pull-out print of the striking cover artwork. Graded Standard Repertoire; Piano Collection. The Piano Player Series. Classical; Masterwork Arrangement; Traditional. Book. Faber Music #12- 0571541690. Published by Faber Music

Wind Ensemble (Score)

SKU: HL.278656

Wind Ensemble Score. Composed by Nico Muhly. Music Sales America. Classical. Softcover. 48 pages. St. Rose Music #SRO100159. Published by St. Rose Music (HL.278656).

UPC: 840126949490. 11.5x16.5 inches.

Composed in 2005.

First performed by the Boston Conservatory Wind Ensemble, conducted by Eric Hewitt.

Program Note:

So To Speak is an extended meditation on an anthem for Pentecost by Thomas Tallis entitled Loquebantur Variis Linguis (they spoke in many tongues). After organizing the material for the piece, I wrote a melody that works against, underneath, and above Tallis's lines to create counterpoint made of old and new elements. Patterns of aggressive woodwind scales and ornaments evoke some of the hysteria inherent in glossolalia (ecstatic speaking in tongues). The central section of the piece gestures towards an insect-like musical and religious fervor.