| Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP. $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Isthmus University Of York Music Press
Choir SKU: BT.MUSM570369027 For choir and fixed media. Composed by...(+)
Choir SKU:
BT.MUSM570369027
For choir and fixed
media. Composed by
Evis Sammoutis. CD Only.
Composed 2019. University
of York Music Press
#MUSM570369027. Published
by University of York
Music Press
(BT.MUSM570369027).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP. $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lowdown - The Story of Wire Livre - Pas de partitions Biographie [Livre] Omnibus Press
| | |
| 101 Folk Songs For Buskers Music Sales
| | |
| Complete Balalaika Book Balalaika [Partition + Accès audio] Mel Bay
Composed by Bibs Ekkel. For balalaika. Wire bound. Complete. Beginning-Intermedi...(+)
Composed by Bibs Ekkel.
For balalaika. Wire
bound. Complete.
Beginning-Intermediate.
Book and online audio.
Published by Mel Bay
Publications, Inc
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Die Entführung aus dem Serail Quatuor de Flûtes : 4 flûtes [Conducteur et Parties séparées] Music Distribution Services
4 flutes SKU: M7.KECF-126 Overture. Composed by Wolfgang Amadeus M...(+)
4 flutes SKU:
M7.KECF-126
Overture. Composed
by Wolfgang Amadeus
Mozart. Arranged by
Sabine Gunther. This
edition: Saddle-wire
stitching. Sheet music.
Score and parts. 32
pages. MDS (Music
Distribution Services)
#KECF 126. Published by
MDS (Music Distribution
Services) (M7.KECF-126).
ISBN 9790502361266.
German
English. Since the
demise of a rich
repertoire of
arrangements of classic
overtures, symphonies etc
for flute ensemble,
Edition Con Fuoco is
continuously publishing a
series to fill this need.
Mozart's Musical
excursion into the world
of oriental Music was a
work commissioned ny
Emperor Joseph II. to
vitalize the German
Singspiel (opera) and was
premiered in 1782 with
great success. The
oriental colour in the
Abduction of the Seraglio
is supported in this
arangement for four
flutes by simple
percussion parts (ad
lib.). $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| SOR Collected Works - Set of 14 Volumes 1-14 - Facile Music Distribution Services
1 - 2 guitars - easy to advanced SKU: M7.GHE-800 Composed by Fernando Sor...(+)
1 - 2 guitars - easy to
advanced SKU:
M7.GHE-800 Composed
by Fernando Sor. Edited
by Erik Stenstadvold.
This edition: Saddle-wire
stitching. Sheet music.
Set - complete collected
edition. 1172 pages. MDS
(Music Distribution
Services) #GHE 800.
Published by MDS (Music
Distribution Services)
(M7.GHE-800). ISBN
9783890448008.
English. It is now
close on 50 years since
Brian Jeffery gave
guitarists what was then
considered the first
complete edition of the
guitar works of Fernando
Sor in a facsimile
edition, a landmark
publication in its time,
greatly benefitting the
guitar community. The
intervening four decades
have seen much new
research in historical
guitar matters, and a
re-assessment of many
pertinent matters in
regard to Sor's music. A
significant figure among
today's leading
researchers is Erik
Stenstadvold, a
recognised authority on
Fernando Sor's music.
Guitar Heritage is proud
to have him as the editor
of this important new
critical edition. This
1178-page edition in
concert format (305mm x
230mm) in 14 volumes
includes new and updated
information about Sor and
includes some little
known and recently
discovered works of
his. $403.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Easy Charts Play-Along - Débutant Schott
C/Eb/Bb-instrument - very easy to easy SKU: M7.MF-3606 Die größt...(+)
C/Eb/Bb-instrument - very
easy to easy SKU:
M7.MF-3606 Die
größten Hits
spielerisch leicht
gesetzt. Arranged by
Uwe Bye. This edition:
Saddle-wire stitching.
Sheet music with CD.
Music Factory. Die
erfolgreiche Reihe für
Nachwuchsmusiker. Alle
Bearbeitungen liegen in
C-, B- und Es-Stimmung
vor und können somit
von verschiedenen
Instrumenten gespielt
werden, wie Flöte,
Klarinette, Saxophon,
Trompete oder Oboe.
Performance book. 72
pages. Music Factory #MF
3606. Published by Music
Factory (M7.MF-3606).
ISBN
9783795749439. Mit
Easy Charts Play-Along 6
erscheint die neueste
Ausgabe der erfolgreichen
Reihe von Schott Music,
mit der junge
Nachwuchsmusiker aktuelle
Hits nachspielen
können. Unter den 12
ausgewählten Songs
befinden sich u. a. der
quirlige Hit Shake It Off
von Taylor Swift oder die
gefühlvolle Ballade
All Of Me von John
Legend. Alle
Bearbeitungen liegen in
C-, B- und Es-Stimmung
vor und können somit
von verschiedenen
Instrumenten gespielt
werden, wie Flöte,
Klarinette, Saxophon,
Trompete oder Oboe. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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