PARTITIONS GRATUITES :
BAROQUE
- Open Arms - Drums

Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

By Lawrence Grant (Editor). For Piano. Classical. 128 pages. Published by Music Sales.

Flute and Percussion

SKU: HL.14020140

Composed by Thea Musgrave. Music Sales America. Classical. Set. Music Sales #NOV120853. Published by Music Sales (HL.14020140).

9.75x14.25x0.195 inches.

1. EOS: The Goddess of the Dawn, who travelled on the winds and sprinkled down dew upon the earth 2. PAN: The God of the countryside, of flocks, shepherds and animals, a famous player of the syrinx, or pan pipes, - the shepherd's pipe. 3. BOREAS: The God of the North Wind who had two faces - one facing where he was going, the other from whence he came. He was the male counterpart to Eos. 4. CIRCE: The Enchantress who changed men into beasts. Ulysses was given a sprig from a certain plant by Hermes which allowed him to resist her charms. 5. PANDORA: When Pandora was created by Zeus, he ordered all the Gods to endow her with some of their attributes. She was also given a box, but forbidden to open it. Her curiosity about its contents overwhelmed her - she opened it and all the evils of the world flew out. Too late she closed it, but she managed to prevent the escape of Hope. 6. SELENE: The Goddess of the Moon who drives across the night sky in her chariot to visit the sleeping Endymion. She was once seduced by Pan.

By Gwyneth W. Walker. Text: Jelaluddin Rumi, translated by C. Barks. For High voice and piano. Vocal Music. Published by E.C. Schirmer Publishing.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103513

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Viola. Composed 1726. BWV 35. 8 pages. Duration 31 minutes. Carus Verlag #CV 31.035/13. Published by Carus Verlag (CA.3103513).

ISBN 9790007205652. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103511

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Violin 1. Composed 1726. BWV 35. 12 pages. Duration 31 minutes. Carus Verlag #CV 31.035/11. Published by Carus Verlag (CA.3103511).

ISBN 9790007205638. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103549

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Organ. Composed 1726. BWV 35. 28 pages. Duration 31 minutes. Carus Verlag #CV 31.035/49. Published by Carus Verlag (CA.3103549).

ISBN 9790007205676. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103512

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Violin 2. Composed 1726. BWV 35. 12 pages. Duration 31 minutes. Carus Verlag #CV 31.035/12. Published by Carus Verlag (CA.3103512).

ISBN 9790007205645. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and part available separately - see item CA.3103500.