| Ode to Common Things Chorale SSATBB SSATBB, Piano Schirmer
(featuring Texts of Pablo Neruda Craig Hella Johnson Choral Series). By Cary Rat...(+)
(featuring Texts of Pablo
Neruda Craig Hella
Johnson Choral Series).
By Cary Ratcliff. For
Choral (SSATBB WITH
PIANO). Choral Large
Works. Published by G.
Schirmer
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Organ Preludes (Intermediate Series) - Full Score Only Orgue - Intermédiaire GIA Publications
The New Commonwealth, A Wedding Tune for Ann, Land of Our Birth. Composed by R...(+)
The New Commonwealth, A
Wedding Tune for Ann,
Land of
Our Birth. Composed by
Ralph
Vaughan Williams
(1872-1958).
Arranged by Jack Stamp.
Music
Education. Full score
only.
GIA Publications
#10396FS.
Published by GIA
Publications
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dutch Harp Music Harpe Ut Orpheus
Books and Journals; Harp SKU: UT.LB-4 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-4
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
4. Published by Ut
Orpheus (UT.LB-4).
ISBN 9788881094479.
6.5 x 9.5
inches. â??During
my career spanning half a
century, like all my
fellow harpists I
constantly had to grapple
with the commonly held
view that the harp has
neither music nor history
of its
own. Fortunately, over
the years I have been
able to give the lie to
this myth and have tried
to bring to light some of
the vast repertoire, both
early and modern,
expressly composed for
this instrument which has
been treated somewhat as
an outsider in the
musical world. The
research work for my
books on Italian and
Swiss harp music was
plain sailing because
source materials were
specific titles and title
pages. Were I to write
books on French, German,
Austrian, British,
Bohemian, Spanish,
Portuguese or
Scandinavian harp music,
the work involved would
be equally smooth and
straightforward. Howev
er, where Dutch music is
concerned, the approach
is rather different,
because here it is the
painters,
treatise-writers and
historians who provide
the evidence and guidance
necessary to discover the
musical customs and
traditions where the harp
played a significant
part. Performers
looking for pieces of
music may use this book
as follows: chapter II
deals with treatises,
chapter III with
paintings, chapter IV
with history and research
accounts. Chapters V and
VI are concerned with
confusions in
terminology. Chapter VII
describes recent
developments and chapters
VIII and IX cover
composers and pieces of
music. Libraries and
publishers are listed
with their addresses in
chapters X and XI, and
finally chapter XII
consists of the index
based on the various
groups of
performers. In this
last chapter harpists
will find the composers
most suited to their
programme, and can then
turn to chapters VIII and
IX for details. The
actual pieces can be
obtained by consulting
chapters X and XI. I wish
you every success in your
search, in your
rehearsals and in your
concerts ! In order to
define what is Dutch or
non-Dutch in early music,
I have followed the
current approach, i.e.
all art and history prior
to the separation of the
â??Seven ProvinÂces
in the 16th century is
the common heritage of
the Low Countries,
whereas everything
pertaining to those
courageous lands from
then onwards is
specifically Dutch.. $27.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 15 Solos for Harp Volume 2 Harpe - Intermédiaire/avancé Mel Bay
Composed by Monika Mandelartz. For Folk Harp and Pedal Harp. Saddle-stitched. ...(+)
Composed by Monika
Mandelartz. For Folk Harp
and
Pedal Harp.
Saddle-stitched.
Intermediate-Advanced.
Book.
28 pages. Published by
Mel
Bay Publications, Inc
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| John Joubert: String Quartet No.2 Op.91 (Parts) Quatuor à cordes: 2 violons, alto, violoncelle Music Sales
String Quartet SKU: HL.14031816 Composed by Jean Joubert. Music Sales Ame...(+)
String Quartet SKU:
HL.14031816 Composed
by Jean Joubert. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV12053901.
Published by Music Sales
(HL.14031816).
8.5x11.75x0.3
inches. Though
conceived as four
separate movements, my
second string quartet has
a single motif which is
common to them all. This
is the three-note Muss es
sein? from Beethoven's
last quartet, Op. 135.
But whereas Beethoven's
theme is notated G E A
flat, thus giving it an F
minor connotation, I have
sued an alternative
spelling - G E G sharp -
which suggests an
ambiguous E minor-major.
This ambiguity, in fact,
becomes the tonal basis
of the whole work, only
to be resolved at the end
of the final movement.
Each movement begins with
a variant of the basic
motif on the cello. The
first has the original
form of the theme, while
the second has a
majorised version which
is also expressed as a
chord. The third
movement, with its
scherzoid middle section,
reverts to the
major-minor ambiguity of
the first, and the finale
begins with the majorised
version as an ostinato
accompaniment on
pizzicato cello. The slow
movement is sub-titled In
memoriam DSCH and
concludes with a
quotation of
Shostakovich's motto - D
E flat C B - which is
basically the same as
Beethoven's with the
addition of one note.
This is not to imply that
the work contains no
other thematic material.
One important theme, a
rising fifth and a
second, is also common to
three of the movements,
and is ultimately derived
from my first quartet,
Op. 1 of 27 years
earlier, to which this
second contribution to
the form is in many ways
like a sequel. Like the
earlier work, too, this
quartet is dedicated to
my wife. $60.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6765EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM). ISBN
9790365067657. This
sonata (WeissSW No. 4,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIV comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIV
comes from Weissâ??s
late â??productiveâ??
period, after 1730. The
Sonata has six movements:
Prelude, Ouverture
(including allegro and
largo), Courante,
Bourée, Menuet and
Gavotte. There is another
copy of this Sonata,
known as Parte (or
Partita) no. 11, in a
London Manuscript
(British Library Ms. Add.
30387). The London
Manuscript seems to be
incomplete. It does not
include a Menuet and a
Gavotte. The Sonata in
this Edition is based on
the Dresden Manuscript.
However, both the Prelude
and the Bourée are
coming from the London
copy. The Dresden Prelude
is regarded as spurious,
and the London Bourée
is more lively and in
balance with the other
movements. In a few
passages of the Ouverture
and the Courante I have
made some adaptions on
the basis of the London
manuscript, to create the
best of the two versions.
In the Ouverture I have
omitted the repeat
indications. There are
two Menuets in the
Dresden Sonata. One has
been crossed in the
original manuscript with
the accompanying note:
ist nicht von Mr Weis.
The other one has been
added later, probably by
the compiler of the
volumes. The original
London Prelude of this
particular Sonata is
composed in a
â??simplifiedâ?? style;
a common practice for
adding preludes to lute
sonatas in the 18th
century. I have added the
original example to my
transcribed version.
Perhaps it invites others
to make their own
arrangement. Originally,
the Sonata is written in
B flat major, a key often
used by Weiss as it is
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to G
major. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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