| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Orgelsinfonie No. 16 'Martin Luther' Orgue - Avancé Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU:
HL.49045437 For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437). ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches. On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'. $28.99 - Voir plus => Acheter | | |
| Flute Styles Rhythm Accompaniment - Avancé Schott
2 Flutes; rhythm accompaniment ad libitum (RHYTHM.GR) - advanced SKU: HL.4900...(+)
2 Flutes; rhythm
accompaniment ad libitum
(RHYTHM.GR) - advanced
SKU: HL.49007467
20 Duets. Composed
by Leslie Searle. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 54 pages. Schott
Music #ED 7715-01.
Published by Schott Music
(HL.49007467). ISBN
9790001080330.
9.0x12.0x0.145
inches. In this
collection, the British
jazz musician Leslie
Searle presents his own
compositions in a variety
of the most common
musical styles of modern
jazz and dance music.
With the accompanying CD
containing an audio and
play-along version of
each piece, you will
enjoy listening to the
different styles and
playing along with the
backing tracks recorded
live with piano, bass and
percussion. Those who
want to perform the
pieces without CD can use
the available
accompanying book for the
rhythm section which
contains accompanying
parts for piano, bass and
percussion. $19.99 - Voir plus => Acheter | | |
| Burlesque Scenes 4 (der Mond) Set Orchestre d'harmonie - Avancé Schott
Concert band - advanced SKU: HL.49016216 From the opera Der Mond. ...(+)
Concert band - advanced
SKU: HL.49016216
From the opera Der
Mond. Composed by
Carl Orff. Arranged by
Hermann Regner. This
edition: Folding. Sheet
music. Schott Harmonie
Serie (Concert Band).
Classical. Set of Parts.
Schott Music #SHS
1017-50. Published by
Schott Music
(HL.49016216). ISBN
9790001113229.
8.5x11.75x1.75
inches. Carl Orff
wrote his little
world-theatre Der Mond
[The Moon], based on old
fables, between 1936 and
1938. The score written
for actors who sing, a
narrator and large
orchestra, also contains
parts important for wind
band. Four scenes have
been selected for the
present arrangements
which are best performed
on different sets of
instruments. The
arranger, Hermann Regner
(born 1928), worked very
closely with Carl Orff
for many years. This work
is sure to be a success
in concerts for bands at
an advanced
level.
2 Fl. (2.
auch Picc.) * 2 Ob. *
Fag. - Klar. in Es * 3
Klar. in B * B.-Klar. * 2
Altsax. * 2 Tenorsax. *
Baritonsax. in B - 4 Hr.
* 3 Trp. * 3 Pos. * 2
Flhr. * Tenhr. * Bar.
(Euph.) * 2 Tb. - Kb. -
Zither (ossia Keyb.) - P.
S. (Glspl. * Xyl. * Trgl.
* Beck. * hg. Beck. *
Tamt. * kl. Tr. * Ruhrtr.
* Schellentr. * gr. Tr. *
Ratsche) (4 Spieler). $331.00 - Voir plus => Acheter | | |
| Burlesque Scenes 4 (der Mond)score Orchestre d'harmonie [Conducteur] - Avancé Schott
Concert band - advanced SKU: HL.49012057 From the opera Der Mond. ...(+)
Concert band - advanced
SKU: HL.49012057
From the opera Der
Mond. Composed by
Carl Orff. Arranged by
Hermann Regner. This
edition: Saddle
stitching. Sheet music.
Schott Harmonie Serie
(Concert Band).
Classical. Score. 68
pages. Duration 11'.
Schott Music #SHS 1017.
Published by Schott Music
(HL.49012057). ISBN
9790001113212.
8.25x11.75x0.259
inches. Carl Orff
wrote his little
world-theatre Der Mond
[The Moon], based on old
fables, between 1936 and
1938. The score written
for actors who sing, a
narrator and large
orchestra, also contains
parts important for wind
band. Four scenes have
been selected for the
present arrangements
which are best performed
on different sets of
instruments. The
arranger, Hermann Regner
(born 1928), worked very
closely with Carl Orff
for many years. This work
is sure to be a success
in concerts for bands at
an advanced
level.
2 Fl. (2.
auch Picc.) * 2 Ob. * Fg.
- Klar. in Es * 3 Klar.
in B * B.-Klar. * 2
Altsax. * 2 Tenorsax. *
Baritonsax. in B - 4 Hr.
* 3 Trp. * 3 Pos. * 2
Flhr. * Tenhr. * Bar.
(Euph.) * 2 Tb. - Kb. -
Zither (ossia Keyb.) - P.
S. (Glsp. * Xyl. * Trgl.
* Beck. * hg. Beck. *
Tamt. * kl. Tr. * Ruhrtr.
* Schellentr. * gr. Tr. *
Ratsche) (4 Spieler). $68.00 - Voir plus => Acheter | | |
| Cristallo Di Rocca 1 Piano, 4 mains - Avancé Schott
Reduction for Piano Four Hands (1949-1950) 1 Piano, 4 Hands; Piano Four Hands (P...(+)
Reduction for Piano Four
Hands (1949-1950) 1
Piano, 4 Hands; Piano
Four Hands (Performance
Score) - advanced SKU:
HL.49019354
Reduction for Piano
Four Hands. Composed
by Nino Rota. Edited by
Rodolfo Alessandrini and
Sara Bartolucci. This
edition: Saddle
stitching. Sheet music.
Piano Duet. Classical,
Duet. Softcover. Composed
1949/1950. 35 pages.
Duration 22'. Schott
Music #ED21391. Published
by Schott Music
(HL.49019354). ISBN
9790001187527. UPC:
888680697372.
9.0x12.0x0.182
inches. On
Christmas Eve 1950, the
Italian Radio broadcast a
radio play based on
Adalbert Stifter's
novella Rock Crystal. The
music was written by Nino
Rota, the translation was
made by Gabriella Benci
and Ippolito Pizzetti
(the son of the composer
Ildebrando Pizzetti, one
of Rota's teachers).
Here, too, the duo
carefully edited the
existing piano version.
With these two pieces,
the piano duet repertoire
has taken on a whole new
colour, and both
performers and listeners
can plunge into the
atmosphere of Rota's film
music. Contents: I
Allegretto, con intimo
fervore * II Andante con
moto * III Andantino * IV
Andante immobile * V
Allegro * VI Lento, non
troppo * VII Allegro *
VIII Andantino mosso * IX
Mosso e leggero, appena
rubato * X Andante
sostenuto * XI Allegretto
agitato * XII Grandioso *
XIII Allegretto. $31.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Frederic Chopin : Etude in E Major, Op. 10, No. 3 Piano seul [Feuillet] - Avancé Alfred Publishing
By Frederic Chopin. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwo...(+)
By Frederic Chopin.
Edited by Willard A.
Palmer. For Piano. Piano
Solo. Masterwork. Level:
Early Advanced (grade 6
). 8 pages. Published by
Alfred Publishing.
(1)$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Teresa's Dance on the Red Planet Violon et Piano - Avancé Schott
Piano Accompaniment; Violin - advanced SKU: HL.49045439 For Violin and...(+)
Piano Accompaniment;
Violin - advanced SKU:
HL.49045439 For
Violin and Piano (With
Wineglass). Composed
by Wilfried Hiller. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 2001.
12 pages. Duration 5'.
Schott Music #VLB209.
Published by Schott Music
(HL.49045439). ISBN
9790001160865. UPC:
841886029408. The
short two-part
composition refers to two
persons by the name of
Teresa. One of them was a
beautiful Polish actress,
the other the favourite
model of the painter
Balthus. I tried to fuse
the characteristics of
both female persons with
each other in the merging
parts. The three-line D
produced by rubbing a
wine glass sounds like a
faraway, almost inaudible
planet tone that ends
with a brief sigh.
Wilfried Hiller. $20.99 - Voir plus => Acheter | | |
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