| Missa Argentina Chorale SATB SATB A Cappella - Intermédiaire Schott
Homenaje al Papa Francisco. Composed by Alwin Michael Schronen. This edition...(+)
Homenaje al Papa
Francisco.
Composed by Alwin Michael
Schronen. This edition:
Saddle stitching. Sheet
music. Schott Choral
Music.
Das Werk deutet auf
einfuhlsame Art und Weise
die
Wirkung Papst
Franziskus' auf
die Menschen. Basierend
auf
drei argentinischen
Volksliedern sorgt es mit
eindringlichen und
stillen
Teilen fur erhebende
Gefuhle.
Ein abwechslungsreiches
Werk
und eine grosse. Choral
score. Composed 2013. 32
pages. Duration 12'
30''.
Schott Music #C56038.
Published by Schott Music
$11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shenandoah Guitare Guitare classique Helicon
For Guitar. By Robert Beaser. Schott. Size 9x12 inches. 12 pages. Published by H...(+)
For Guitar. By Robert
Beaser. Schott. Size 9x12
inches. 12 pages.
Published by Helicon.
$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fidelio Overture [Conducteur] - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4 SKU...(+)
Orchestra Cello,
Contrabass, Timpani,
Viola, Violin 1, Violin 2
- Grade 4 SKU:
CF.SAS1F Composed by
Ludwig van Beethoven.
Arranged by Todd Parrish.
Sws. Cas. Full score. 20
pages. Carl Fischer Music
#SAS1F. Published by Carl
Fischer Music (CF.SAS1F).
ISBN 9781491157510.
UPC: 680160916092. 9 x 12
inches. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 - 3), it
served its purpose as an
opening statement without
overshadowing the music
to come. This string
arrangement transposes
the original key of E
Major into the much more
playable key of D Major.
It retains the original
opening which alternates
between powerful majestic
bursts and lyrical
harmonic progressions
while finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven's writing. The
optional timpani gives
this arrangement a
symphonic quality that
closely resembles the
original. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 – 3),
it served its purpose as
an opening statement
without overshadowing the
music to come. This
string arrangement
transposes the original
key of E Major into the
much more playable key of
D Major. It retains the
original opening which
alternates between
powerful majestic bursts
and lyrical harmonic
progressions while
finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven’s
writing. The optional
timpani gives this
arrangement a symphonic
quality that closely
resembles the
original. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fidelio Overture - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4 SKU...(+)
Orchestra Cello,
Contrabass, Timpani,
Viola, Violin 1, Violin 2
- Grade 4 SKU:
CF.SAS1 Composed by
Ludwig van Beethoven.
Arranged by Todd Parrish.
Folio. Cas. Set of Score
and Parts.
15+32+24+15+15+2+20
pages. Duration 4
minutes, 35 seconds. Carl
Fischer Music #SAS1.
Published by Carl Fischer
Music (CF.SAS1). ISBN
9781491157718. UPC:
680160916290. 9 x 12
inches. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 - 3), it
served its purpose as an
opening statement without
overshadowing the music
to come. This string
arrangement transposes
the original key of E
Major into the much more
playable key of D Major.
It retains the original
opening which alternates
between powerful majestic
bursts and lyrical
harmonic progressions
while finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven's writing. The
optional timpani gives
this arrangement a
symphonic quality that
closely resembles the
original. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 – 3),
it served its purpose as
an opening statement
without overshadowing the
music to come. This
string arrangement
transposes the original
key of E Major into the
much more playable key of
D Major. It retains the
original opening which
alternates between
powerful majestic bursts
and lyrical harmonic
progressions while
finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven’s
writing. The optional
timpani gives this
arrangement a symphonic
quality that closely
resembles the
original. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450). ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches. Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ancient Hunters Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
(Full Score). By Sean O'Loughlin. String orchestra. For String Orchestra. Carl F...(+)
(Full Score). By Sean
O'Loughlin. String
orchestra. For String
Orchestra. Carl Fischer
Beginning String
Orchestra Series. Grade
1. Full Score. Standard
notation. 8 pages.
Published by Carl Fischer
$6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Planeterne, Op. 80 [Conducteur] Wilhelm Hansen
Full Score SKU: HL.50602314 For Voice, Flute, Percussion, Viola, and G...(+)
Full Score SKU:
HL.50602314 For
Voice, Flute, Percussion,
Viola, and Guitar Full
Score. Composed by
Poul Rovsing Olsen.
Score. Classical.
Softcover. 48 pages.
Edition Wilhelm Hansen
#WH31915. Published by
Edition Wilhelm Hansen
(HL.50602314). UPC:
840126906585. The
Planets, op. 80 for
mezzo-soprano, flute,
viola and guitar, was
composed in spring 1978
and given its first
performance on 30 July
the same year at the
Lerchenborg Music Days.
The occasion which led to
the composition of the
work was the 50th
anniversary of the
finding of a block book
from the second half of
the 15th century with
texts on the planets. The
inspiration came from
Louise
Lerche-Lerchenborg, who
organised the Lerchenborg
Music Days, and the work
is dedicated to her. In
connection with the
concert at Lerchenborg,
Poul Rovsing Olsen wrote
the following about his
opus: The Planets derives
from the block book found
in Lerchenborg's library
in 1928. Seven fine,
coloured drawings tell of
the seven celestial
bodies which in many
European languages have
given the weekdays their
names. Each drawing is
accompanied by a Latin
text, under which there
is a two-line dictum that
briefly - though very
concisely - gives an
account of the
characteristics of the
children who belong to
that particular celestial
body. And these
concentrated portrayals
form the basis for the
music. In the music I
have attempted to give
indications of my own
experience of the
particular power and
nature characterizing
each one of the heavenly
bodies, just as I have
allowed this cycle of
planet songs to pass like
a journey through the
ethereal realms with
motifs that appear, are
repeated, are varied and
disappear (but only so as
to be replaced by new
ones), until we finally
return to the point of
departure. The
introduction - Aether -
is purely instrumental.
Two of the planets -
Venus and Luna - are
female; in the music
written for them small
(Indian) cymbals are used
that are also present in
Aether.. $46.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture "La forza del destino" Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor [Set de Parties séparées] Barenreiter
Arrangement for Wind Quintet. By Giuseppe Verdi. Arranged by Linckelmann, Joachi...(+)
Arrangement for Wind
Quintet. By Giuseppe
Verdi. Arranged by
Linckelmann, Joachim. For
Flute (Piccolo), Oboe,
Clarinet (b flat),
Bassoon, Horn. Set of
Parts. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006502837.
(2)$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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