| The Book of Urizen - Symphony No. 1 (CD incl.) Orchestre d'harmonie [Conducteur et Parties séparées + CD] - Intermédiaire De Haske Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
$533.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Vincent d'Indy : Trio, Op. 29 Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Vincent d'Indy (1851-1931). For clarinet (violin), cello and piano. This edit...(+)
By Vincent d'Indy
(1851-1931). For clarinet
(violin), cello and
piano. This edition:
Facsimile Editions.
Winds, Strings and Piano.
Challenging, rewarding
work. Seldom performed..
20th Century. Score and
Parts. Published by
Rosewood Publications
$36.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sergei Rachmaninoff: Concerto No. 3 In D Minor, Op. 30
2 Pianos, 4 mains [Conducteur] Schirmer
Composed by Sergei Rachmaninoff. Opus 30. For two pianos four-hands. Schirmer Li...(+)
Composed by Sergei
Rachmaninoff. Opus 30.
For two pianos
four-hands. Schirmer
Library, volume 1610.
Format: piano duet score
(2 copies necessary for
performance). With duet
notation. Romantic
period. D Minor. 79
pages. 9x12 inches.
Published by Schirmer.
(18)$11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Danse Carnivale Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Grand Mesa Music
By Randall D. Standridge. For concert band. Grade 3. Score and set of parts. Dur...(+)
By Randall D. Standridge.
For concert band. Grade
3. Score and set of
parts. Duration 3
minutes, 37 seconds.
Published by Grand Mesa
Music
$70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 5 in D Minor, Op. 47 Orchestre d'harmonie Southern Music Ltd
Transcribed by R. Mark Rogers for Symphonic Wind Band. Composed by Dmitri ...(+)
Transcribed by R. Mark
Rogers
for Symphonic Wind Band.
Composed by Dmitri
Shostakovich (1906-1975).
Edited by Mark Rogers.
Southern Music. Concert.
Softcover. Southern Music
Company #S977CB.
Published by
Southern Music Company
$395.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| À vos guitares, prêts, jouez! Vol. 4 2 Guitares (duo) [Conducteur et Parties séparées] - Intermédiaire Productions OZ
Guitar duet - Intermediate SKU: DZ.DZ-4120 Composed by Various. Score and...(+)
Guitar duet -
Intermediate SKU:
DZ.DZ-4120 Composed
by Various. Score and
parts. Les Productions
d'OZ #DZ 4120. Published
by Les Productions d'OZ
(DZ.DZ-4120). ISBN
9782898520372. This
fourth booklet is
dedicated to ensemble
playing through five
trios and three quartets
of various styles (tango,
ballad, rock, etc.)
appropriate for the end
of primary school with a
few years of experience
and the beginning of
secondary school. Some
pieces are written in a
homorhythmic manner and
can constitute an
introduction to ensemble
music, while others are
rather polyrhythmic. They
can constitute a first
contact with the
following techniques and
effects: staccato,
pizzicato, accent,
louré, natural
harmonic, percussion or
crossed strings. This
volume is therefore
intended for guitarists
who already know the
notes in first position.
Two pieces include a more
advanced part with an
introduction to playing
in 5th position. These
are short pieces that do
not present technical
challenges other than
those allowing you to
achieve the effects and
play
expressively.
You
will find in the scores
indications of nuances,
timbre, attack and
fingerings which
constitute suggestions
for work and not
prescriptions. Teachers
and students are
therefore invited to make
interpretation choices
different from those
proposed or to try to
convincingly render those
already
written.
The
pieces were composed or
arranged by UQAM music
education students as
part of a course aimed at
equipping musicians for
teaching guitar in the
school system. Many of
them are musicians from
different backgrounds
(composition,
performance, world music,
etc.), which explains the
creativity found in the
pieces. All the pieces
have been the subject of
an audio recording
available on the
Productions
dâÂÂOz website
and on YouTube. Search
for ÃÂ vos
guitares, prêt,
joue! Vol.
4.
Isabelle
Héroux, editor,
professor, Department of
Music,
UQAM. Louis-Edouard
Thouin-Poppe, assistant
editor, arranger and
engraver.
Ce
quatrième cahier
est consacré au
jeu en ensemble
grâce ÃÂ
cinq trios et trois
quatuors de styles
variés (tango,
ballade,
rockâ¦)
appropriés pour la
fin du primaire avec
quelques années
dâÂÂexpér
ience et le début
du secondaire. Certaines
pièces sont
écrites de
manière
homorythmique et peuvent
constituer une initiation
ÃÂ la musique
dâÂÂensemble,
alors que
dâÂÂautres sont
plutôt
polyrythmiques. Elles
peuvent constituer un
premier contact avec les
techniques et effets
suivants : staccato,
pizzicato, accent,
louré, harmonique
naturelle, percussion ou
cordes croisées.
Ce volume
sâÂÂadresse donc
aux guitaristes qui
connaissent
déjàles
notes en première
position. Deux
pièces comportent
une partie plus
avancée avec une
initiation au jeu en Ve
position. Ce sont des
pièces courtes qui
ne présentent pas
de défis
techniques outre ceux
permettant de
réaliser les
effets et de jouer de
manière
expressive.
Vous
trouverez dans les
partitions des
indications de nuances,
de timbre,
dâÂÂattaque et
de doigtés qui
constituent des
suggestions de travail et
non des prescriptions.
Ainsi, les enseignants et
les élèves
sont invités
ÃÂ faire des choix
dâÂÂinterprÃ
©tation
différents de ceux
qui sont proposés
ou ÃÂ tenter de
rendre de manière
convaincante ceux
déjÃÂ
écrits.
Les
pièces ont
été
composées ou
arrangées par des
étudiants en
enseignement de la
musique de
lâÂÂUQAM dans le
cadre dâÂÂun
cours qui vise ÃÂ
outiller les musiciens
pour
lâÂÂenseignement
de la guitare dans le
système scolaire.
Beaucoup
dâÂÂentre eux
sont des musiciens
provenant
dâÂÂhorizons
différents
(composition,
interprétation,
musique du monde, etc.)
ce qui explique la
créativité
que lâÂÂon
retrouve dans les
pièces. Toutes les
pièces ont fait
lâÂÂobjet
dâÂÂun
enregistrement audio
disponible sur le site
des Productions
dâÂÂOz et sur
YouTube. Recherchez
ÃÂ vos guitares,
prêts, jouez! Vol.
4.
Isabelle
Héroux,
éditrice,
professeure,
Département de
musique,
UQAM. Louis-Edouard
Thouin-Poppe, assistant
éditeur, arrangeur
et graveur. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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