PARTITIONS GRATUITES :
CONTEMPORAIN
- Pop

Solo Repertoire and Lead Sheets from Movies, TV, Radio, and Stage. Edited by E. L. Lancaster and Kenon D. Renfrow. Method/Instruction; Promotional Packet. Alfred's Group Piano for Adults. Pop. Book. Alfred Music #00- 106941. Published by Alfred Music

(for Violoncello and Piano) Composed by David Popper, edited by Martin Rummel. Score; Single Part for cello and piano. First modern edition of the complete suite; Two cello parts, one with Popper's fingering and bowing and one modified for the modern cello; With helpful performance tips by the editor. Published by Baerenreiter-Ausgaben (German import). ISBN M006531936.

Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduction). (Cello and Piano Reduction). By David Popper (1843-1913). Cello-Bibliothek (Cello Library). Piano reduction with solo part. 38 pages. Schott Music #CB194. Published by Schott Music

Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. Dan Coates Popular Piano Library. Intermediate; Late Intermediate. 40 pages. Published by Alfred Music

(The Best Hits from Timeless Songwriters). Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. Popular Performer Series. Great American Songbook; Standard. Advanced. 116 pages. Published by Alfred Music

Composed by Mark Hayes. Choral. Octavo. Lorenz Publishing Company #15/3557H. Published by Lorenz Publishing Company (LO.15-3557H).

Guitar

SKU: HL.50607050

Guitar Solo. Composed by Leo Brouwer. Guitar. Classical, Cuban. Softcover. 12 pages. Editions Max Eschig #DF01682000. Published by Editions Max Eschig (HL.50607050).

UPC: 196288292401. 9.0x12.0x0.073 inches.

Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Éditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.