| Fuga Libre For Viola Solo Alto, Cor, Piano - Avancé Schott
For Viola Solo. Composed by Garth Knox. This edition: Saddle stitching. Sheet mu...(+)
For Viola Solo. Composed
by Garth Knox. This
edition: Saddle
stitching. Sheet music.
String Solo. Special
Import. Composed 2008. 16
pages. Duration 7'.
Schott Music #VAB71.
Published by Schott Music
$17.99 - Voir plus => Acheter | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Compatible Duets for Winds 2 Tubas (duo) Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. For Tuba. 48
pages. Published by Carl
Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compatible Duets for Winds 2 Flûtes traversières (duo) Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. For Flute,
Oboe. 48 pages. Published
by Carl Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata For Harpsichord Harpe Theodore Presser Co.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720). UPC:
680160001316. I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto in E-flat major for Horn and Orchestra No. 3 Cor, Orchestre [Reduction] Barenreiter
By Wolfgang Amadeus Mozart. Edited by Martin Schelhaas. Arranged by Timothy Brow...(+)
By Wolfgang Amadeus
Mozart. Edited by Martin
Schelhaas. Arranged by
Timothy Brown; Dennis
Brain. For Horn Solo,
Clarinet (B Flat) (2),
Bassoon (2), Strings.
Piano Reduction/Vocal
Score; Single Part;
Urtext Edition. KV 447.
Duration 15'. Published
by Baerenreiter-Ausgaben
(German import). (BA5312
90)
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Horn and Orchestra No. 4 [Reduction] Barenreiter
By Wolfgang Amadeus Mozart. Edited by Martin Schelhaas. Arranged by Dennis Brain...(+)
By Wolfgang Amadeus
Mozart. Edited by Martin
Schelhaas. Arranged by
Dennis Brain; Timothy
Brown; Dominic Nunns. For
Horn Solo, Oboe (2), Horn
(2), Strings. Piano
Reduction/Vocal Score;
Single Part; Urtext
Edition. KV 495. Duration
17'. Published by
Baerenreiter-Ausgaben
(German import). (BA5313
90)
$27.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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