PARTITIONS GRATUITES : VIOLONCELLE ET PIANO
- Xaver-Scharwenka

Piano

SKU: BR.EB-8301

Composed by Xaver Scharwenka. Edited by Xaver Scharwenka. Solo instruments; Softbound. Edition Breitkopf.

Sonatinas by Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Muzio Clementi, Anton Diabelli, Johann Ladislaus Dussek, Joseph Haydn, Friedrich Kuhlau, Wolfgang Amadeus Mozart, Franz Schubert

Music pedagogy. Score. 124 pages. Breitkopf and Haertel #EB 8301. Published by Breitkopf and Haertel (BR.EB-8301).

ISBN 9790004176160. 9 x 12 inches.

Sonatinas by Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Muzio Clementi, Anton Diabelli, Johann Ladislaus Dussek, Joseph Haydn, Friedrich Kuhlau, Wolfgang Amadeus Mozart, Franz Schubert.

Piano

SKU: BR.EB-8300

Composed by Xaver Scharwenka. Edited by Xaver Scharwenka. Solo instruments; Softbound. Edition Breitkopf.

Sonatinas by Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Muzio Clementi, Anton Diabelli, Johann Ladislaus Dussek, Joseph Haydn, Friedrich Kuhlau, Wolfgang Amadeus Mozart, Franz Schubert

Music pedagogy. Score. 124 pages. Breitkopf and Haertel #EB 8300. Published by Breitkopf and Haertel (BR.EB-8300).

ISBN 9790004176153. 9 x 12 inches.

Sonatinas by Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Muzio Clementi, Anton Diabelli, Johann Ladislaus Dussek, Joseph Haydn, Friedrich Kuhlau, Wolfgang Amadeus Mozart, Franz Schubert.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039414

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Violoncello/double bass. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/14. Published by Carus Verlag (CA.1039414).

ISBN M-007-25222-9. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039412

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Violin 2. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/12. Published by Carus Verlag (CA.1039412).

ISBN M-007-25220-5. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039413

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Viola. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/13. Published by Carus Verlag (CA.1039413).

ISBN M-007-25221-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039419

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Complete orchestral parts. Secular choral music. Set of Orchestra Parts. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/19. Published by Carus Verlag (CA.1039419).

ISBN M-007-25223-6. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and parts available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039448

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Pianoforte. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/48. Published by Carus Verlag (CA.1039448).

ISBN M-007-25224-3. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039411

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Violin 1. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/11. Published by Carus Verlag (CA.1039411).

ISBN M-007-25219-9. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.