| Dance Evolution (Medley) Chorale SATB SATB Hal Leonard
Arranged by Mark A. Brymer. (SATB). Pop Choral Series. 20 pages. Published by H...(+)
Arranged by Mark A.
Brymer. (SATB). Pop
Choral Series. 20 pages.
Published by Hal Leonard.
$3.25 $3.0875 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dance Evolution (Medley) CD Chorale [CD d'accompagnement] Hal Leonard
Arranged by Mark A. Brymer. (Showtrax CD). Pop Choral Series. CD only. Size 5x5...(+)
Arranged by Mark A.
Brymer. (Showtrax CD).
Pop Choral Series. CD
only. Size 5x5 inches.
Published by Hal Leonard.
(1)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dance Evolution (Medley) Chorale 3 parties SAB Hal Leonard
Arranged by Mark A. Brymer. (SAB). Pop Choral Series. 24 pages. Published by Ha...(+)
Arranged by Mark A.
Brymer. (SAB). Pop
Choral Series. 24 pages.
Published by Hal Leonard.
$3.25 $3.0875 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dance Evolution (Medley) Chorale 2 parties 2 parties Hal Leonard
Arranged by Mark A. Brymer. (2 part). Pop Choral Series. 24 pages. Published by...(+)
Arranged by Mark A.
Brymer. (2 part). Pop
Choral Series. 24 pages.
Published by Hal Leonard.
(1)$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Evolution of Dixie, The Soli, choeur mixte et accompagnement Lucks Music Library
(1.1.2.1/1.2.1.0,timp,per c,org,str) SKU: TM.06022SET Composed by Sol Lak...(+)
(1.1.2.1/1.2.1.0,timp,per
c,org,str) SKU:
TM.06022SET Composed
by Sol Lake. Set Type: C.
Set of parts. Published
by Lucks Music Library
(TM.06022SET).
Piano
(Conductor) in set. Dixie
in played in style of The
Creation, Dance
Aboriginal, The Minuet,
Dixie of 1865, Waltz,
Ragtime, Grand Opera. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Danzón No. 2 Piano seul Peermusic Classical
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano SKU:
PR.701175060 Arranged
by Edison Quintana.
Peermusic Classical
#70117-506. Published by
Peermusic Classical
(PR.701175060). UPC:
888680101268. “Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon.. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Danzón No. 2 Piano seul Peermusic Classical
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano SKU:
PR.701185010 Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010). UPC:
888680101275. “Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon.. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |