PARTITIONS GRATUITES : FLûTE ET GUITARE
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(Psalm 46). Composed by Zachary Westermeyer. For SATB choir, a cappella. St. Olaf Choral Series. Reformation; Sacred. Octavo. 12 pages. Published by Augsburg Fortress

Composed by Alice Parker. For TTBB choir (a cappella). Randy and Rachel Stenson Choral Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1215. Published by Santa Barbara Music Publishing

By William Billings. Arranged by Russell L. Robinson. For Choir. (SAB, a cappella). Choral Octavo. Sacred. Choral Octavo. 12 pages. Published by Alfred Publishing.

(Traditional Spiritual) Arranged by Alice Parker. Vocal score for SATB choir (a cappella, with solo). From the collection Take Me To the Water. Easy. F Major. 6 pages. Published by GIA Publications.

Composed by Matthew Larkin. For SSA choir, a cappella. Octavo. Published by Cypress Choral Music

(Folk Songs from Here, There and Everywhere - A Presentation for Unison and 2-Part Voices). By Sally K. Albrecht. This edition: Performance Pack (Director's Score and 10 Singer's Editions). Children's Musicals and Programs. Choral. Director's Score and 10 Singer's Editions. Published by Alfred Music Publishing

Woodwinds (solos: SST - choir: SATB(SATB) - 2.2.2.2 - 4.2.3.0 - timp - org - str)

SKU: BR.OB-5102-30

Symphony-Cantata - Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Wulf Konold. Choir; Folder. Orchester-Bibliothek (Orchestral Library). The Urtext edition of the Lobgesang Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings. Have a look into CHB 5296. Cantata; Romantic. Set of parts. 224 pages. Duration 65'. Breitkopf and Haertel #OB 5102-30. Published by Breitkopf and Haertel (BR.OB-5102-30).

ISBN 9790004332481. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy was commissioned by the city of Leipzig to write the Symphony Cantata Lobgesang for the 400th anniversary of the invention of the printing press by Johannes Gutenberg. The work was given its first performance in Leipzigs Thomaskirche on 25 June 1840. Another performance took place at the Birmingham Music Festival on 23 September 1840. The composer created a hybrid genre here, a formal designation that he took quite literally and which he used here for the first and only time: after the three symphonic movements have flowed one into the other attacca, comes the Lobgesang Cantata in several sections Alles, was Odem hat. The present Urtext edition is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.,,Der Herausgeber hat sich die Muhe gemacht, die 1841 im selben Verlag erstveroffentlichte Partitur mit dem Erstdruck der Stimmen zu vergleichen und konnte mit im Stimmensatz gefundenen Angaben zur Artikulation, Dynamik etc. die neue Partitur enorm bereichern. (Hans Gebhard, Chor und Konzert )

The Urtext edition of the Lobgesang Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.

Violin 1 (solos: SST - choir: SATB(SATB) - 2.2.2.2 - 4.2.3.0 - timp - org - str)

SKU: BR.OB-5102-15

Symphony-Cantata - Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Wulf Konold. Choir; stapled. Orchester-Bibliothek (Orchestral Library). The Urtext edition of the Lobgesang Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings. Have a look into CHB 5296. Cantata; Romantic. Part. 36 pages. Duration 65'. Breitkopf and Haertel #OB 5102-15. Published by Breitkopf and Haertel (BR.OB-5102-15).

ISBN 9790004332436. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy was commissioned by the city of Leipzig to write the Symphony Cantata Lobgesang for the 400th anniversary of the invention of the printing press by Johannes Gutenberg. The work was given its first performance in Leipzigs Thomaskirche on 25 June 1840. Another performance took place at the Birmingham Music Festival on 23 September 1840. The composer created a hybrid genre here, a formal designation that he took quite literally and which he used here for the first and only time: after the three symphonic movements have flowed one into the other attacca, comes the Lobgesang Cantata in several sections Alles, was Odem hat. The present Urtext edition is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.,,Der Herausgeber hat sich die Muhe gemacht, die 1841 im selben Verlag erstveroffentlichte Partitur mit dem Erstdruck der Stimmen zu vergleichen und konnte mit im Stimmensatz gefundenen Angaben zur Artikulation, Dynamik etc. die neue Partitur enorm bereichern. (Hans Gebhard, Chor und Konzert )

The Urtext edition of the Lobgesang Symphony is the first to take into account the parts which were written for the first performances in Leipzig and which help clear up a number of discrepant readings.