PARTITIONS GRATUITES : FLûTE ET GUITARE
- Unknow

SKU: GI.G-9247

100 Contemporary Texts to Common Tunes. Composed by Graham Maule and John L. Bell. Sacred. Collection. 216 pages. GIA Publications #9247. Published by GIA Publications (GI.G-9247).

ISBN 9781622772599. English. Text by John L. Bell.

Most of the tunes found in Known Unknowns will be well known to people who have some familiarity with hymns and folk songs. The unknown factor is the texts. Some have appeared in previous Iona publications to known tunes, some to dedicated, original tunes. Almost fifty percent of the texts in Known Unknowns have never appeared in a hymnal or song book. The texts represent a wide gamut of subject matter, from psalm paraphrases to songs about ecology, abuse, money, depression, and delight. They are intended for churches where there is no musician, churches where there is a reticence to sing new songs, or churches where the praise of God has been kept separate from the concerns of the world. Several indexes are provided, including by tune and by topic, the vast majority of the tunes can be found in any hymnal, while the topical index should be helpful when looking for songs to suit a particular theme in the readings or liturgy.

Chamber Ensemble (flute, oboe, clarinet, bassoon, horn, marimba/vibraphone, harp, 2 violin, viola, cello, contrabass)

SKU: SU.91770400

For Chamber Ensemble. Composed by Paul Moravec. Chamber Music, Larger Chamber Ensemble. Study Score. Composed 2004. Subito Music Corporation #91770400. Published by Subito Music Corporation (SU.91770400).

Instrumentation : fl, ob, cl, bn, hn, marimba/vibr, hp, 2vn, va, vc, cb Duration: Movements: I. The Ascent; II. The Unknowns (1); III. Capitol Critters; IV. The Unknowns (2) Full Score & Parts: available on rental Composed: 2004 Published by: Subito Music Publishing.

Performed by Soundgarden. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar notation legend. Metal and hard rock. 112 pages. 9x12 inches. Published by Cherry Lane Music.

Choral SSAA choir

SKU: CF.CM9587

Composed by John Ratledge. Sws. Jbc. Performance Score. 16 pages. Duration 3:30. Carl Fischer Music #CM9587. Published by Carl Fischer Music (CF.CM9587).

ISBN 9781491154090. UPC: 680160912599. 6.875 x 10.5 inches. Key: C major. English. Transcribed by Wilson Hall. Hidegaard Von Bingen translated by William Hall.

I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff.This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within. .

Edited by Nancy Faber, Randall Faber. For Piano. The Developing Artist. Contents include: March in D, March in G and Polonaise in Gm (C.P.E. Bach); Minuet in Cm BWV Anhang 114 (Unknown); Minuet in Dm BWV Anhang 132 (Unknown); Minuet in G (Boehm); Minuet in B BWV Anhang 114 (Pezold); Minuet in G BWV Anhang 116 (Unknown); Minuet in Gm BWV Anhang 115 (Pezold); Musette in D BWV Anhang 126 (Unknown); Polonaise in Gm Helm 1 (C.P.E. Bach); Polonaise in Gm BWV Anhang 119 (Unknown). Baroque Period. Level: Intermediate. Book. Published by The FJH Music Company, Inc.

(Score & Parts)

SKU: HL.44011684

De Haske Concert Band. Hal Leonard #1115087140. Published by Hal Leonard (HL.44011684).

UPC: 884088895808.

(Score)

SKU: HL.44011685

De Haske Concert Band. Score. Hal Leonard #1115087140. Published by Hal Leonard (HL.44011685).

UPC: 884088895815.

Concert Band/Harmonie - Grade 6

SKU: BT.AMP-418-140

Composed by Philip Sparke. Elite Series. Score Only. Composed 2015. 51 pages. Anglo Music Press #AMP 418-140. Published by Anglo Music Press (BT.AMP-418-140).

9x12 inches. English-German-French-Dut ch.

The Unknown Journey was commissioned by Kwansei Gakuin University Symphony Band which was established in 1954 and has grown to become one of the top college bands in Japan. The composer chose the title as the piece seemed to create its ownmomentum as it developed, starting slowly and continuously increasing the tempo. Towards the end it gradually transmogrifies into the closing bars of Ravel’s La Valse, a piece which perfectly characterises the idea of unstoppable momentum.

The Unknown Journey is geschreven in opdracht van de Kwansei Gakuin University Symphony Band, die werd opgericht in 1954 en daarna is uitgegroeid tot een van de beste universiteitsorkesten van Japan. De componist heeft de titel gekozen omdathet werk zijn eigen drijfkracht leek te creëren terwijl het zich ontwikkelde vanuit een langzaam begin en steeds in een wat hoger tempo. Tegen het slot wordt de muziek geleidelijk getransformeerd tot de laatste maten van Ravels La Valse, eencompositie die het concept van een onstuitbare drijfkracht perfect karakteriseert.

The Unknown Journey wurde von der 1954 gegründeten Kwansei Gakuin University Symphony Band, die zu den besten Universitäts-Blasorche stern Japans zählt, in Auftrag gegeben. Der Komponist wählte diesen Titel, da das Stück seinen eigenen Schwungzu entwickeln scheint, indem es langsam beginnt und das Tempo sich kontinuierlich steigert. Zum Ende hin verwandelt es sich allmählich in die Schlusstakte von Ravels La Valse, ein Stück, das die Idee des unaufhaltsamen Schwungs perfektbeschreibt.

The Unknown Journey fut commandé par le Kwansei Gakuin University Symphony Band, un orchestre d’harmonie établi en 1954 qui est désormais l’un des meilleurs orchestres universitaires du Japon. Le compositeur choisit ce titre puisque, pendantle développement du morceau, il semblait créer son propre élan, commençant lentement et accélérant continuellement. Vers la fin il devient progressivement semblable aux dernières mesures de La Valse de Ravel, un morceau qui caractériseparfaitemen t l’idée d’élan irrépressible.