PARTITIONS GRATUITES : FLûTE SEULE
- Salut

Piano - intermediate

SKU: BT.WA-4097-401

Composed by Edward Elgar. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 4 pages. The Walsh Collection #WA 4097-401. Published by The Walsh Collection (BT.WA-4097-401).

English.

Elgar's delightful Salut d'Amour, one of his earliest successes, dates from 1889, when Elgar had just turned 30: this proved to be a year of great happiness for him, for at that time he married Caroline Alice Roberts - a lady who was to mean so much to him as man and musician. It is not too fanciful to hear, in this charming piece, a musical manifestation of his love for her.This arrangement for piano retains al the beauty of the original.

String Quartet

SKU: BT.MUSM570367283

Composed by George Nicholson. Classical. Set of Parts. 28 pages. University of York Music Press #MUSM570367283. Published by University of York Music Press (BT.MUSM570367283).

English.

George Nicholson's Salut for String Quartet. The death of Peter Cropper in May 2015 was an immeasurable blow to the musical community, especially to those of us who knew him not only as a wonderful, wise musician but also as a warm colleague and friend. His unceasing devotion to the cause of music and to the promotion of excellent standards in performance was, in my experience, beyond compare. The finest tribute we can pay him is to continue to make music to the best of our ability and to go on reaching out, to continue to explore and learn. I always felt that I would need to commemorate Peter in a piece for String Quartet, the medium he was most obviously associated with,and in Salut it is understandably the first Violin part that has pride of place. The piece develops contrasting textures and registers, and above all it is concerned with the influence of the extremely high Violin writing at the beginning on the rest of the ensemble. - George Nicholson Salut was first performed by the Ligeti Quartet, Firth Hall, University of Sheffield, 17 May 2016.

String Quartet

SKU: BT.MUSM570367276

Composed by George Nicholson. Classical. Score Only. 17 pages. University of York Music Press #MUSM570367276. Published by University of York Music Press (BT.MUSM570367276).

English.

George Nicholson's Salut for String Quartet. The death of Peter Cropper in May 2015 was an immeasurable blow to the musical community, especially to those of us who knew him not only as a wonderful, wise musician but also as a warm colleague and friend. His unceasing devotion to the cause of music and to the promotion of excellent standards in performance was, in my experience, beyond compare. The finest tribute we can pay him is to continue to make music to the best of our ability and to go on reaching out, to continue to explore and learn. I always felt that I would need to commemorate Peter in a piece for String Quartet, the medium he was most obviously associated with,and in Salut it is understandably the first Violin part that has pride of place. The piece develops contrasting textures and registers, and above all it is concerned with the influence of the extremely high Violin writing at the beginning on the rest of the ensemble. - George Nicholson Salut was first performed by the Ligeti Quartet, Firth Hall, University of Sheffield, 17 May 2016.

Brass Band - Grade 3

SKU: HL.44010952

Brass Band - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Set (Score & Parts). Composed 2010. Anglo Music Press #AMP309030. Published by Anglo Music Press (HL.44010952).

UPC: 884088613068. 9.0x12.0x0.54 inches. English-German-French-Dut ch.

Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.

Ein Stück namens Centennial Salute (Salut zur Jahrhundertfeier) ist schon per Definition festlich: Es beginnt mit einer prachtigen Fanfare im tiefen Blech, die dann vom gesamten Blasorchester aufgenommen wird. Diese macht einem kontrastiven lyrischen Thema Platz, das dann zusammen mit der Fanfare den ersten Teil beendet. Es folgt ein lebhaftes Vivo im traditionellen Marschstil, inklusive einem Trioteil. Nach der Rückkehr des ursprünglichen Marschthemas führt ein Hohepunkt zu einer Reprise der majestatischen Eroffnung, womit das Stück angemessen triumphal endet.

Centennial Salute debute avec une majestueuse fanfare enoncee aux cuivres graves, puis reprise en tutti. Une ligne melodique vient contraster par son expressivite, avant d'etre rejointe par le theme d'ouverture pour cheminer conjointement vers un vivo passionne (une marche), suivi d'un trio. Le theme de la marche revient ; la trame s'amplifi e et la musique atteint son apogee, alors qu'eclate le contenu solennel des mesures initiales offrant une apotheose triomphale.

Centen nial Salute, come indica il nome, e un brano festivo. La composizione inizia con una splendida fanfara negli ottoni gravi, poi ripresa dall'intero organico. Fa da contrasto un tema lirico che, assieme alla fanfara, chiude la prima parte del brano. Segue un brillante vivo nello stile tradizionale della marcia. Dopo il ritorno del tema della marcia, e riproposto il tema di apertura, che accompagna il brano al suo finale.

Concert Band (Score) - Grade 3

SKU: HL.44010951

Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2010. Anglo Music Press #AMP309. Published by Anglo Music Press (HL.44010951).

UPC: 884088613051. 9x12 inches. English-German-French-Dut ch.

Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.

Ein Stück namens Centennial Salute (Salut zur Jahrhundertfeier) ist schon per Defi nition festlich: Es beginnt mit einer prachtigen Fanfare im tiefen Blech, die dann vom gesamten Blasorchester aufgenommen wird. Diese macht einem kontrastiven lyrischen Thema Platz, das dann zusammen mit der Fanfare den ersten Teil beendet. Es folgt ein lebhaftes Vivo im traditionellen Marschstil, inklusive einem Trioteil. Nach der Rückkehr des ursprünglichen Marschthemas führt ein Hohepunkt zu einer Reprise der majestatischen Eroffnung, womit das Stück angemessen trium phal endet.

Centennial Salute debute avec une majestueuse fanfare enoncee aux cuivres graves, puis reprise en tutti. Une ligne melodique vient contraster par son expressivite, avant d'etre rejointe par le theme d'ouverture pour cheminer conjointement vers un vivo passionne (une marche), suivi d'un trio. Le theme de la marche revient ; la trame s'amplifi e et la musique atteint son apogee, alors qu'eclate le contenu solennel des mesures initiales offrant une apotheose triomphale.

Centen nial Salute, come indica il nome, e un brano festivo. La composizione inizia con una splendida fanfara negli ottoni gravi, poi ripresa dall'intero organico. Fa da contrasto un tema lirico che, assieme alla fanfara, chiude la prima parte del brano. Segue un brillante vivo nello stile tradizionale della marcia. Dopo il ritorno del tema della marcia, e riproposto il tema di apertura, che accompagna il brano al suo finale.

SATB Choir a Cappella (SATB)

SKU: HL.48188647

Composed by Pierre Villette. Heugel. Choral. Softcover. 4 pages. Heugel and Cie #HE33149. Published by Heugel and Cie (HL.48188647).

UPC: 888680954932. 6.75x10.5x0.01 inches.

â??With music composed by Pierre Villette, O Salutaris, Op.21 is a an Eucharistic hyhmn written for the Feast of the Corpus Christi, for SATB choral a cappella. Dedicated to Jules Lambert, director of â?â??La cantateâ?â?? in Rouen, this religious piece is very lyrical and melodious. Written in Latin, this piece necessitates being sung at a slow tempo (58), including three principal verses and finishing with the voices in harmony. It is mainly used for the Adoration and the Blessed sacrament. Pierre Villette (1926-1998) was a French composer of choral and instrumental music. Strongly influenced by Catholicism, his musical heritage ran from Fauré to Messiaen.â?.

Concert band - Grade 3

SKU: CL.012-4492-01

Composed by Edward Elgar. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR388). Extra full score. Composed 2016. Duration 3 minutes, 11 seconds. Opus III Wind Orchestra Publications #012-4492-01. Published by Opus III Wind Orchestra Publications (CL.012-4492-01).

Sir Edward Elgar’s beautiful Salut d’Amour has been skillfully arranged for the Barnhouse Spotlight series by Andrew Glover. Designed to feature your choice of solo instrument with concert band accompaniment, parts are included for solo flute/oboe/violin, clarinet/trumpet, alto saxophone, horn, or euphonium/cello. A great choice for a lyrical solo feature for your outstanding instrumentalist or guest soloist. Lovely music!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments