| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Triptych Sonata Guitare Guitare classique Sikorski
Guitar SKU: HL.50600660 For Guitar Solo. Composed by Krzysztof Mey...(+)
Guitar SKU:
HL.50600660 For
Guitar Solo. Composed
by Krzysztof Meyer.
Guitar. Classical.
Softcover. 16 pages.
Duration 900 seconds.
Sikorski #SIK1457.
Published by Sikorski
(HL.50600660).
8.25x12.0x0.05
inches. â??I
already wrote the
Concerto for Guitar,
Tympani and Strings for
the outstanding Polish
guitarist Lukasz
Kuropaczewski. The
'Triptych' for guitar
solo is my second work
for this interpreter. The
individual titles of the
'Triptych' movements â??
Fantasia, Aria and
Impromptu furioso â??
refer to the characters
of the individual
movements. I completed
'Triptych' for guitar
solo in December 2014.
The piece is permeated by
double contrasts: in
terms of harmony, the
guitar's own mood and
sound world are
contrasted with my
harmonic thinking. In
terms of technique, on
the other hand,
performance gestures of
the Flamenco tradition
are contrasted with those
of the practice of
classical guitar playing.
The dialogue between
different harmonic and
historical levels can
thus be discovered
through a complex,
clearly demarcated
discourse. The
performance duration of
the work is about 15
minutes.â? (Krzysztof
Meyer).
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays. $12.99 - Voir plus => Acheter | | |
| Peter Maxwell Davies: Sonata For Guitar Chester
Guitar (Guitar) SKU: HL.14008399 Composed by Sir Peter Maxwell Davies. Mu...(+)
Guitar (Guitar) SKU:
HL.14008399 Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 10 pages. Chester
Music #CH58941. Published
by Chester Music
(HL.14008399). ISBN
9780711923911.
9.0x12.0x0.08
inches. The guitar,
for Davies, seems to be
an updated lute, and like
his Elizabethan and
Jacobean predecessors, he
finds the sound of
plucked strings suited
both to dancing and to
contemplation. The outer
movements of this short
sonata are quick, the
first being in clear ABAB
form with a short
recitando introduction,
the finale being a kind
of hobbledehoy galliard.
In between comes a slow
movement of counterpoint
and ornament. Duration c.
11mins. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Best of Niccolo Paganini: 38 Pieces for Guitar Guitare Guitare classique Eschig
Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Edition...(+)
Composed by Nicolo
Paganini
(1782-1840). Edited by
Frederic Zigante.
Editions
Durand. Softcover. 92
pages.
Editions Max Eschig
#DF16375. Published by
Editions Max Eschig
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suzuki Guitar School, Volume 7 Guitare [Partition] Alfred Publishing
(Guitar Part). For Guitar. Guitar (Suzuki); Method/Instruction. Book. 24 pages. ...(+)
(Guitar Part). For
Guitar. Guitar (Suzuki);
Method/Instruction. Book.
24 pages. Published by
Alfred Music Publishing
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata In A Minor ( Arpeggione ), D. 821 Violoncelle , Guitare (duo) [Set de Parties séparées] Theodore Presser Co.
Arranged For Cello And Guitar. Composed by Franz Schubert (1797-1828). Ed...(+)
Arranged For Cello And
Guitar. Composed by
Franz Schubert
(1797-1828). Edited by
Zuill Bailey. Arranged by
David Leisner / Zuill
Bailey. Romantic. Set of
parts. With Standard
notation. Composed 1824.
D. 821. 32 pages.
Duration 24 minutes.
Theodore Presser Company
#144-40627. Published by
Theodore Presser Company
(PR.144406270).
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Guitar Solos - Favorite Sonatinas Guitare - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Bo...(+)
Guitar - Intermediate
SKU: MB.30989
Saddle-stitched, Solos.
Sonatinas. Book. 152
pages. Mel Bay
Publications, Inc #30989.
Published by Mel Bay
Publications, Inc
(MB.30989). ISBN
9781513466705. 8.75x11.75
inches. In this
book, guitarist and music
historian David Grimes
presents 20 â??small
sonatasâ? or
sonatinas, complete
with detailed performance
notes and bio sketches of
each of the contributing
composers: Leonhard von
Call, Matteo Carcassi,
Ferdinando Carulli, Mauro
Giuliani, Francesco
Molino, and Antonio
Nava. While flexible,
the early 19th-century
sonatina form usually
consists of 2 - 4
contrasting movements,
here in guitar-friendly
keys, making these pieces
ideal for performance by
intermediate-level
students.Â
In
all but the most
challenging passages,
Grimes has intentionally
kept fingering to a
minimum to allow students
to form their own concept
of this critical skill.
Then, as many bass notes
in these pieces are
played on open strings,
the player must develop a
sense of when to
selectively damp
dissonant tones or
observe a restâ??
exposing and overcoming
yet another shortcoming
in the education of many
guitarists.  Most classic guitar
teachers are familiar
with the easy didactic
studies by Carcassi,
Carulli and Giuliani;
Favorite
Sonatinas offers
more highly developed,
but not yet virtuoso
pieces by the same
Italian triumvirateâ??
plus three more composers
in a similar veinâ??
promoting confident,
enjoyable sight-reading
by guitarists of all
levels. . $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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