| Rejoice, Dolce, and Dance - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum, Suspended
Cymbal and more. - Grade
2.5 SKU: CF.YPS237
Composed by Quincy C.
Hilliard. Set of Score
and Parts.
21+16+2+8+8+4+2+6+4+4+4+4
+4+4+6+6+4+6+6+2+1+4+3+3
pages. Duration 4
minutes, 25 seconds. Carl
Fischer Music #YPS237.
Published by Carl Fischer
Music (CF.YPS237).
ISBN 9781491159538.
UPC:
680160918126. Rejoi
ce, Dolce, and Dance is
written in three
different and distinct
styles. Rejoice is
fanfare-like in quality
and should be played in a
bold majestic manner;
balance is important in
this section. Care should
be taken to not let the
battery percussion
overpower the ensemble
The forzandos are very
important to the
character of the fanfare
and should be carefully
observed. Dolce is slow
and more lyrical in
manner. This section
should be played in a
legato style. The
director is encouraged to
add his own
interpretative elements
in this section. The
Dance is fast and light
in character. Keep the
tempo moving and pay
special attention to the
articulations and
dynamics. Phi Beta Mu
International Bandmasters
Fraternity is an honorary
fraternity for band
directors. There are
currently 35 active
chapters in the United
States, Canada, and
Brazil. Phi Beta Mu is a
non-political, non-profit
fraternity promoting
fellowship among its
members, encouraging the
building of better bands,
developing better
musicians throughout the
world, fostering a deeper
appreciation for quality
wind literature, and
encouraging widespread
interest in band
performance. Consortium
Members: Commissioned by
the International
Bandmasters Fraternity,
Phi Beta Mu Alpha
Chapter (Texas) Theta
Chapter (South Carolina)
Delta Chapter
(Mississippi) Omicron
Chapter (Arkansas) Alpha
Theta Chapter (Nebraska)
Alpha Gamma Chapter
(North Dakota) Gamma
Chapter (Indiana) Nu
Chapter (Pennsylvania)
Psi Chapter (Kentucky) Mu
Alpha Chapter (Alberta,
Canada) Lambda Iota
(Ontario, Canada) Iota
Chapter (Kansas) Kappa
Chapter (Colorado) Eta
Chapter (Tennessee) Zeta
Chapter (Georgia) Keith
and June Bearden (Alpha
Chapter) Steven Moss
(Alpha Chapter) Jay
Watkins (Omega Chapter)
Anonymous, David Lambert
for his service to Phi
Beta Mu International
Anonymous, Scott Coulson,
for his service to Alpha
Chapter Jacqueline Gilley
(Beta Chapter), In
Memoriam, Francis McBeth
Dennis Beck, (Lambda Iota
Chapter) In Memoriam,
Donald McKeller Brek
Hufnus (Xi Chapter), In
Memory of David Wuersig,
Roosevelt Middle School,
River Forest, IL,
1974-2014 David and
Sheryl Gary Lambert
(Alpha Chapter), In
Memory of James D Gary,
John Foster Dulles High
School, Sugar Land, TX
1959-1968 Phil Min (Rho
Chapter), In Honor of
William T. Robinson Julia
Reynolds (Omicron
Chapter), In Honor of
Wendell O. Evanson Julia
Reynolds (Omicron
Chapter), In Honor of Hal
D. Cooper, Senior Steve
Shoop (Alpha Chapter) In
Honor of Patsy Dickerson
Nelson David L. Wenerd
(Nu Chapter), In Honor of
the Chambersburg Area
Senior High School Band
 . Rejoice,
Dolce, and Dance is
written in three
different and distinct
styles. Rejoice is
fanfare-like in quality
and should be played in a
bold majestic manner;
balance is important in
this section. Care should
be taken to not let the
battery percussion
overpower the ensemble
The forzandos are very
important to the
character of the fanfare
and should be carefully
observed. Dolce is slow
and more lyrical in
manner. This section
should be played in a
legato style. The
director is encouraged to
add his own
interpretative elements
in this section. The
Dance is fast and light
in character. Keep the
tempo moving and pay
special attention to the
articulations and
dynamics.Phi Beta Mu
International Bandmasters
Fraternity is an honorary
fraternity for band
directors. There are
currently 35 active
chapters in the United
States, Canada, and
Brazil. Phi Beta Mu is a
non-political, non-profit
fraternity promotingÂÂ
fellowship among its
members, encouraging the
building of better bands,
developing better
musicians throughout the
world, fostering a deeper
appreciation for quality
wind literature, and
encouraging widespread
interest in band
performance.  Conso
rtium
Members:Commissioned by
the International
Bandmasters Fraternity,
Phi Beta Mu  Alpha
Chapter (Texas) Theta
Chapter (South Carolina)
Delta Chapter
(Mississippi) Omicron
Chapter (Arkansas) Alpha
Theta Chapter (Nebraska)
Alpha Gamma Chapter
(North Dakota) Gamma
Chapter (Indiana) Nu
Chapter (Pennsylvania)
Psi Chapter (Kentucky) Mu
Alpha Chapter (Alberta,
Canada) Lambda Iota
(Ontario, Canada) Iota
Chapter (Kansas) Kappa
Chapter (Colorado) Eta
Chapter (Tennessee)ÂÂ
Zeta Chapter (Georgia)
Keith and June Bearden
(Alpha Chapter)ÂÂ
Steven Moss (Alpha
Chapter) Jay Watkins
(Omega Chapter)
Anonymous, David Lambert
for his service to Phi
Beta Mu International
Anonymous, Scott Coulson,
for his service to Alpha
Chapter Jacqueline Gilley
(Beta Chapter), In
Memoriam, Francis McBeth
Dennis Beck, (Lambda Iota
Chapter) In Memoriam,
Donald McKeller Brek
Hufnus (Xi Chapter), In
Memory of David Wuersig,
Roosevelt Middle School,
River Forest, IL,
1974-2014 David and
Sheryl Gary Lambert
(Alpha Chapter), In
Memory of James D Gary,
John Foster Dulles High
School, Sugar Land, TX
1959-1968 Phil Min (Rho
Chapter), In Honor of
William T. Robinson Julia
Reynolds (Omicron
Chapter), In Honor of
Wendell O. Evanson Julia
Reynolds (Omicron
Chapter), In Honor of Hal
D. Cooper, Senior Steve
Shoop (Alpha Chapter) In
Honor of Patsy Dickerson
Nelson David L. Wenerd
(Nu Chapter), In Honor of
the Chambersburg Area
Senior High School
Band  . $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rejoice, Dolce, and Dance [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion
1, Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Snare Drum, Suspended
Cymbal and more. - Grade
2.5 SKU:
CF.YPS237F Composed
by Quincy C. Hilliard.
Full score. 21 pages.
Carl Fischer Music
#YPS237F. Published by
Carl Fischer Music
(CF.YPS237F). ISBN
9781491159545. UPC:
680160918133. Rejoi
ce, Dolce, and Dance is
written in three
different and distinct
styles. Rejoice is
fanfare-like in quality
and should be played in a
bold majestic manner;
balance is important in
this section. Care should
be taken to not let the
battery percussion
overpower the ensemble
The forzandos are very
important to the
character of the fanfare
and should be carefully
observed. Dolce is slow
and more lyrical in
manner. This section
should be played in a
legato style. The
director is encouraged to
add his own
interpretative elements
in this section. The
Dance is fast and light
in character. Keep the
tempo moving and pay
special attention to the
articulations and
dynamics. Phi Beta Mu
International Bandmasters
Fraternity is an honorary
fraternity for band
directors. There are
currently 35 active
chapters in the United
States, Canada, and
Brazil. Phi Beta Mu is a
non-political, non-profit
fraternity promoting
fellowship among its
members, encouraging the
building of better bands,
developing better
musicians throughout the
world, fostering a deeper
appreciation for quality
wind literature, and
encouraging widespread
interest in band
performance. Consortium
Members: Commissioned by
the International
Bandmasters Fraternity,
Phi Beta Mu Alpha
Chapter (Texas) Theta
Chapter (South Carolina)
Delta Chapter
(Mississippi) Omicron
Chapter (Arkansas) Alpha
Theta Chapter (Nebraska)
Alpha Gamma Chapter
(North Dakota) Gamma
Chapter (Indiana) Nu
Chapter (Pennsylvania)
Psi Chapter (Kentucky) Mu
Alpha Chapter (Alberta,
Canada) Lambda Iota
(Ontario, Canada) Iota
Chapter (Kansas) Kappa
Chapter (Colorado) Eta
Chapter (Tennessee) Zeta
Chapter (Georgia) Keith
and June Bearden (Alpha
Chapter) Steven Moss
(Alpha Chapter) Jay
Watkins (Omega Chapter)
Anonymous, David Lambert
for his service to Phi
Beta Mu International
Anonymous, Scott Coulson,
for his service to Alpha
Chapter Jacqueline Gilley
(Beta Chapter), In
Memoriam, Francis McBeth
Dennis Beck, (Lambda Iota
Chapter) In Memoriam,
Donald McKeller Brek
Hufnus (Xi Chapter), In
Memory of David Wuersig,
Roosevelt Middle School,
River Forest, IL,
1974-2014 David and
Sheryl Gary Lambert
(Alpha Chapter), In
Memory of James D Gary,
John Foster Dulles High
School, Sugar Land, TX
1959-1968 Phil Min (Rho
Chapter), In Honor of
William T. Robinson Julia
Reynolds (Omicron
Chapter), In Honor of
Wendell O. Evanson Julia
Reynolds (Omicron
Chapter), In Honor of Hal
D. Cooper, Senior Steve
Shoop (Alpha Chapter) In
Honor of Patsy Dickerson
Nelson David L. Wenerd
(Nu Chapter), In Honor of
the Chambersburg Area
Senior High School Band
 . Rejoice,
Dolce, and Dance is
written in three
different and distinct
styles. Rejoice is
fanfare-like in quality
and should be played in a
bold majestic manner;
balance is important in
this section. Care should
be taken to not let the
battery percussion
overpower the ensemble
The forzandos are very
important to the
character of the fanfare
and should be carefully
observed. Dolce is slow
and more lyrical in
manner. This section
should be played in a
legato style. The
director is encouraged to
add his own
interpretative elements
in this section. The
Dance is fast and light
in character. Keep the
tempo moving and pay
special attention to the
articulations and
dynamics.Phi Beta Mu
International Bandmasters
Fraternity is an honorary
fraternity for band
directors. There are
currently 35 active
chapters in the United
States, Canada, and
Brazil. Phi Beta Mu is a
non-political, non-profit
fraternity promotingÂÂ
fellowship among its
members, encouraging the
building of better bands,
developing better
musicians throughout the
world, fostering a deeper
appreciation for quality
wind literature, and
encouraging widespread
interest in band
performance.  Conso
rtium
Members:Commissioned by
the International
Bandmasters Fraternity,
Phi Beta Mu  Alpha
Chapter (Texas) Theta
Chapter (South Carolina)
Delta Chapter
(Mississippi) Omicron
Chapter (Arkansas) Alpha
Theta Chapter (Nebraska)
Alpha Gamma Chapter
(North Dakota) Gamma
Chapter (Indiana) Nu
Chapter (Pennsylvania)
Psi Chapter (Kentucky) Mu
Alpha Chapter (Alberta,
Canada) Lambda Iota
(Ontario, Canada) Iota
Chapter (Kansas) Kappa
Chapter (Colorado) Eta
Chapter (Tennessee)ÂÂ
Zeta Chapter (Georgia)
Keith and June Bearden
(Alpha Chapter)ÂÂ
Steven Moss (Alpha
Chapter) Jay Watkins
(Omega Chapter)
Anonymous, David Lambert
for his service to Phi
Beta Mu International
Anonymous, Scott Coulson,
for his service to Alpha
Chapter Jacqueline Gilley
(Beta Chapter), In
Memoriam, Francis McBeth
Dennis Beck, (Lambda Iota
Chapter) In Memoriam,
Donald McKeller Brek
Hufnus (Xi Chapter), In
Memory of David Wuersig,
Roosevelt Middle School,
River Forest, IL,
1974-2014 David and
Sheryl Gary Lambert
(Alpha Chapter), In
Memory of James D Gary,
John Foster Dulles High
School, Sugar Land, TX
1959-1968 Phil Min (Rho
Chapter), In Honor of
William T. Robinson Julia
Reynolds (Omicron
Chapter), In Honor of
Wendell O. Evanson Julia
Reynolds (Omicron
Chapter), In Honor of Hal
D. Cooper, Senior Steve
Shoop (Alpha Chapter) In
Honor of Patsy Dickerson
Nelson David L. Wenerd
(Nu Chapter), In Honor of
the Chambersburg Area
Senior High School
Band  . $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Il Flauto Dolce. Dallo scolaro al virtuoso Ut Orpheus
Books and Journals; Recorder; Early Music SKU: UT.LB-1 Edited by Vittorio...(+)
Books and Journals;
Recorder; Early Music
SKU: UT.LB-1
Edited by Vittorio
Nicolucci. Paperback
(Soft Cover). Classical.
Books and Journals. Ut
Orpheus #LB 1. Published
by Ut Orpheus (UT.LB-1).
ISBN 9788881094417.
6.5 x 9.5
inches. Scritti
di Sergio Balestracci,
Andrea Bornstein, Peter
Hauge, Francesco Li
Virghi, Gerd
Lünenburger, Patricio
Portell, Pietro Sopranzi,
Karel van Steenhoven,
Giovanni Toffano, John
Tyson, Angelo
Zaniol
Lâ€â
„¢idea del volume Il
flauto dolce. Dallo
scolaro al virtuoso nasce
nel ’94 grazie al
prezioso contributo di
Marcos Volonterio che
nella fase iniziale cura
con Vittorio Nicolucci il
progetto e la scelta
degli autori. La
contemporaneitàdi
questo lavoro con la
nascita della
manifestazione Musica
Umanità, con la
preparazione
dell’Annuario
Italiano della Musica
Antica e Danza Storica e
con la partenza
dall’Italia di
Marcos Volonterio ne
avevano posticipato la
pubblicazione. Il
Convegno Nazionale sul
Flauto Dolce, organizzato
dall’Associazione
Consort Veneto, avvenuto
a Padova il 6-7 giugno
’98, costituì
l’occasione per
presentare questa
monografia in una forma
ormai quasi definitiva.
Rimanendo quanto
più possibile fedeli
alla forma giÃÂ
esistente, priva sin
dall’origine di
una prefazione tecnica,
si è lavorato, da
aprile a oggi, a una
nuova stesura definitiva,
dando
l’opportunitàa
tutti gli autori di
rivedere i testi. Le sole
modifiche riguardano
aggiornamenti,
integrazioni e
post-scriptum. Per quanto
concerne invece alcuni
contributi stranieri, gli
adattamenti delle
traduzioni sono stati
curati e, dove
necessario, completati da
Giuliana
Montanari.
Vitt
orio Nicolucci,
laureato in ingegneria ed
esperto in elaborazione
dati, ha sempre
coltivato, sin
dall’epoca degli
studi universitari,
interessi diversificati e
interdisciplinari. Ha
studiato pianoforte,
violoncello e flauto
dolce, ha seguito corsi e
seminari di organo,
teoria del temperamento,
basso continuo, danza
storica. Diplomato a
Parigi in Analisi della
scrittura si è
dedicato, oltre al
proprio lavoro
professionale, a ricerche
sulla Psicologia dei
colori e a 415
Associazione Italiana per
la Musica e la Danza
Antiche che ha fondato
nel 1990 e di cui
è stato il
Presidente. . $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Il Congegno Del Sole Passante Per Flauto Dolce Soprano (+ Flauto Piccolo), Flauto Dolce Flûte traversière [Conducteur] Ricordi
Flute SKU: HL.50498960 Per Flauto Dolce Soprano (+ Flauto Piccolo), Fl...(+)
Flute SKU:
HL.50498960 Per
Flauto Dolce Soprano (+
Flauto Piccolo), Flauto
Dolce Contrabbasso.
Composed by Manca G. MGB.
Score Only. Composed
2008. Ricordi #NR136528.
Published by Ricordi
(HL.50498960).
$40.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dolce Orchestre [Conducteur] - Débutant Highland/Etling
Orchestra - Grade 1.5 SKU: AP.48082S Composed by Chris M. Bernotas. MakeM...(+)
Orchestra - Grade 1.5
SKU: AP.48082S
Composed by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Duration 2:00.
Highland/Etling
#00-48082S. Published by
Highland/Etling
(AP.48082S). UPC:
038081556505.
English. Dolce by
Chris M. Bernotas will
make your young string
orchestra sound full and
mature. Smooth flowing
melodies and rich
harmonies are presented
to all sections of the
orchestra. Featuring a
variety of dynamics, this
piece will provide a
wonderful opportunity to
teach phrasing to your
students. Dolce, which
means sweet, is the
perfect selection for any
concert setting. (2:00)
This title available in
MakeMusic Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flauto dolce. Formazione musicale attraverso un’esperienza strumentale Ut Orpheus
Methods and Music for Children; Recorder SKU: UT.DM-30 Composed by Alessa...(+)
Methods and Music for
Children; Recorder
SKU: UT.DM-30
Composed by Alessandra
Anceschi. Saddle
stitching. Fare Musica.
Classical. Ut Orpheus #DM
30. Published by Ut
Orpheus (UT.DM-30).
ISBN 9790215305687. 9
x 12 inches. La
scelta di questo
strumento come uno dei
mezzi di conoscenza del
linguaggio musicale
(meglio sarebbe dire la
sua riconferma, dato
l’utilizzo assai
frequente in molte scuole
italiane), ha ragioni
semplici e perciò
tanto più
convincenti: innanzi
tutto il basso costo e un
ingombro ed un peso
minimi; in secondo luogo
la facile comprensione e
messa in pratica della
tecnica d’uso oltre
alla sua secolare
tradizione ricca anche di
repertorio originale;
infine la
possibilità dello
strumento di costituire
un valido sostegno
all’intonazione e
all’emissione
vocale. Per queste
ragioni il testo presenta
un breve itinerario,
indispensabile al bambino
per procedere con la
lettura intonata e la
tecnica
strumentale. Questo
quaderno comprende un
percorso graduale di
avviamento allo strumento
utilizzando il linguaggio
tradizionale. Il lavoro
qui raccolto ha come
presupposto la
consapevolezza di aver
tralasciato quegli ambiti
di espressione che non si
avvalgono dei codici
tradizionali, vale a dire
quelle esperienze che
presumono
l’utilizzo e la
conoscenza di repertori
che si allontanano dal
linguaggio tonale e che
si esprimono attraverso
altre grafie di codifica.
In questa direzione il
volume avrebbe avuto
tutt’altra
impostazione e, pur
ribadendo
l’importanza di un
approfondimento dei
terreni musicali meno
battuti e della loro
esplicitazione anche
attraverso uno strumento
forse poco flessibile ad
esperienze di questo tipo
(almeno per i
principianti) come il
flauto dolce, si è
ritenuto di mettere a
disposizione un
itinerario strumentale
che ha dalla sua una
validità
consolidata nel
tempo. Il repertorio,
certamente non esaustivo,
ha avuto come criteri di
scelta quegli ambiti
geografici e temporali
che più hanno
messo in evidenza le
caratteristiche dello
strumento. È per
questo motivo che per i
brani d’autore si
è privilegiato
l’ambito
rinascimentale e barocco
e per ciò che
riguarda la provenienza
geografica ci si è
rivolti verso quelle
tradizioni che hanno
fatto del flauto uno
strumento
protagonista. Per
ciò che riguarda i
brani d’insieme, ci
preme sottolineare che le
indicazioni degli
strumenti non sono
vincolanti poiché
a tutti è nota la
proverbiale carenza di
attrezzature nelle scuole
che impedisce
l’utilizzo di
diversi organici. Ogni
insegnante si adatti
quindi alle risorse che
la scuola fornisce.
Inoltre, le brevi
strumentazioni dei brani
proposti sono da
considerarsi solo un
supporto di completezza
qualora si intenda dare
forma più compiuta
all’esecuzione. Il
percorso, pertanto,
può proseguire
anche con la semplice
esecuzione dei brani al
flauto dolce senza il
corredo delle
elaborazioni per un
organico più
ampio. Relativamente
agli equilibri sonori e
timbrici tra le parti,
ogni insegnante li adatti
in base al numero degli
allievi delle proprie
classi e degli strumenti
disponibili. In linea
generale è bene
ricordare che, in fase
esecutiva, una
sufficiente
intensità sonora
si ottiene con almeno 5-6
flauti dolci, ma se il
registro sale
all’acuto possono
essere sufficienti anche
la metà.
Un’utile strategia
di lavoro può
essere quella di decidere
insieme agli allievi le
possibilità di
distribuzione numerica
degli strumenti. Sostegno
sempre indispensabile
all’insegnante
è uno strumento
armonico (chitarra o
pianoforte) utilizzato
per accompagnare e
sostenere le
esecuzioni. I brani
qui raccolti serviranno
di collegamento e
supporto alle
attività di
esercitazione ritmica,
melodica, armonica,
vocale, di ascolto e di
analisi delle forme,
tutti temi approfonditi
dagli altri quaderni
della collana. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Tre Laude Dolce For Solo Cello Violoncelle Schott
Cello - difficult SKU: HL.49018052 For solo cello. Composed by Gav...(+)
Cello - difficult SKU:
HL.49018052 For
solo cello. Composed
by Gavin Bryars. This
edition: Saddle
stitching. Sheet music.
String. Composed 2007. 10
pages. Duration 12'.
Schott Music #ED13257.
Published by Schott Music
(HL.49018052). ISBN
9790220131585. UPC:
884088567095.
9.0x12.0x0.075
inches. In addition
to Bryars' many vocal
laude there are a growing
number of connected
instrumental works. Tre
Laude Dolce for solo
cello is the second of
these to be released as a
Schott Edition
publication and follows
Bryars' Lauda (con
sordino) originally for
cello and piano. Based on
the same principals as
the composer's vocal
laude and as always,
attempting to retain the
purity and austerity of
the original form, Tre
Laude Dolce is
characterised by long
phrases and open
structures; a beautiful
work perfect for any good
cellist. $20.99 - Voir plus => Acheter | | |
| Dolce Orchestre - Débutant Highland/Etling
Orchestra - Grade 1.5 SKU: AP.48082 Composed by Chris M. Bernotas. MakeMu...(+)
Orchestra - Grade 1.5
SKU: AP.48082
Composed by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 62 pages.
Duration 2:00.
Highland/Etling
#00-48082. Published by
Highland/Etling
(AP.48082). UPC:
038081556499.
English. Dolce by
Chris M. Bernotas will
make your young string
orchestra sound full and
mature. Smooth flowing
melodies and rich
harmonies are presented
to all sections of the
orchestra. Featuring a
variety of dynamics, this
piece will provide a
wonderful opportunity to
teach phrasing to your
students. Dolce, which
means sweet, is the
perfect selection for any
concert setting. (2:00)
This title is available
in MakeMusic Cloud. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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