| String Quintets Op. 18 MWV R 21, [Op. 87] MWV R 33 Breitkopf & Härtel
Quintet (2vl,2va,vc) SKU: BR.PB-5655-07 Urtext based on the Leipzig Me...(+)
Quintet (2vl,2va,vc)
SKU: BR.PB-5655-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Clemens
Harasim. Chamber music;
Softbound.
Partitur-Bibliothek
(Score Library). Felix
Mendelssohn Bartholdy
devoted to the
string-quintet genre only
two works sharing quite a
few formal and musical
similarities, though they
were composed almost two
decades apart.
Romantic period. Study
Score. 192 pages.
Breitkopf and Haertel #PB
5655-07. Published by
Breitkopf and Haertel
(BR.PB-5655-07). ISBN
9790004215524. 6.5 x 9
inches. In view of
Mendelssohn's strong
revising obsession, the
quintets pose some
challenges to the editor:
in the A-major quintet,
after he replaced an
inner movement and
switched the order of the
movements from the early
version, a somewhat
recognizable final
version was published in
1833; the B flat-major
quintet underwent several
further rounds of
revision after its
provisional conclusion in
1845, presumably
extending into the year
of the composer's death
(1847). The set of parts
includes beside the
second string quintet in
B flat major both the
complete early version as
well as the complete
published version of the
first quintet in A major,
so that both versions can
be played as independent
works. Appearing
alongside the parts
edition to facilitate
further engagement with
the music text is also a
study score.
Felix
Mendelssohn Bartholdy
devoted to the
string-quintet genre only
two works sharing quite a
few formal and musical
similarities, though they
were composed almost two
decades apart. $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quintets Op. 18 MWV R 21, [Op. 87] MWV R 33 Breitkopf & Härtel
Quintet (2vl,2va,vc) SKU: BR.EB-8998 Urtext based on the Leipzig Mende...(+)
Quintet (2vl,2va,vc)
SKU: BR.EB-8998
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Chamber music; Folder.
Edition Breitkopf.
Felix Mendelssohn
Bartholdy devoted to the
string-quintet genre only
two works sharing quite a
few formal and musical
similarities, though they
were composed almost two
decades apart.
Romantic period. Set of
parts. 232 pages.
Breitkopf and Haertel #EB
8998. Published by
Breitkopf and Haertel
(BR.EB-8998). ISBN
9790004187357. 9 x 12
inches. In view of
Mendelssohn's strong
revising obsession, the
quintets pose some
challenges to the editor:
in the A-major quintet,
after he replaced an
inner movement and
switched the order of the
movements from the early
version, a somewhat
recognizable final
version was published in
1833; the B flat-major
quintet underwent several
further rounds of
revision after its
provisional conclusion in
1845, presumably
extending into the year
of the composer's death
(1847). The set of parts
includes beside the
second string quintet in
B flat major both the
complete early version as
well as the complete
published version of the
first quintet in A major,
so that both versions can
be played as independent
works. Appearing
alongside the parts
edition to facilitate
further engagement with
the music text is also a
study score.
Felix
Mendelssohn Bartholdy
devoted to the
string-quintet genre only
two works sharing quite a
few formal and musical
similarities, though they
were composed almost two
decades apart. $59.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 1-2-3 Jazz DVD Guitare [DVD] EMedia
1-2-3 Jazz, Frank Vignola presents an intuitive approach for learning how to pla...(+)
1-2-3 Jazz, Frank Vignola
presents an intuitive
approach for learning how
to play jazz guitar
without a trace of
theory, no tedious
exercises and no long
drawn out hyperbole about
modes, altered chords and
similar rocket science.
DVD. Published by eMedia
Music (EI.TF06141).
$24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Philip Glass: First Classics 1968-1969 Piano Score Piano seul Chester
Piano SKU: HL.14041540 Composed by Philip Glass. Music Sales America. TV-...(+)
Piano SKU:
HL.14041540 Composed
by Philip Glass. Music
Sales America.
TV-Film-Musical-Show.
Score. 44 pages. Chester
Music #DU10813. Published
by Chester Music
(HL.14041540). ISBN
9781847729620.
9.0x12.0x0.14
inches. Contents:
1+1, Music In Contrary
Motion, Music In Fifths,
Music In Similar Motion,
Two Pages. $21.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In These or Similar Words GIA Publications
SKU: GI.G-017176 Composed by Paul Turner. Sacred. GIA Publications #01717...(+)
SKU: GI.G-017176
Composed by Paul Turner.
Sacred. GIA Publications
#017176. Published by GIA
Publications
(GI.G-017176).
In this
resource for clergy,
renowned author Father
Paul Turner examines
sections in the revised
translation of The Roman
Missal that allows the
celebrant to either
follow the prescribed
text or to use similar
words of his own. This
book includes a glossary
to help celebrants and
all Catholics better
comprehend some of the
more challenging or
unfamiliar words in the
revised English
translation of the
missal. $18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Philip Glass: Music In Similar Motion Music Sales
Music Sales America. Post-1900. 4 pages. Music Sales #DU10600. Published by Musi...(+)
Music Sales America.
Post-1900. 4 pages. Music
Sales #DU10600. Published
by Music Sales
$10.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Violinist’s Daily Warm-Ups and Scale System Carl Fischer
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131). ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches. Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chants du Rhin for Trombone and Piano Trombone et Piano - Avancé Cherry Classics
Trombone and Piano - advanced SKU: CY.CC2718 Composed by Georges Bizet. A...(+)
Trombone and Piano -
advanced SKU:
CY.CC2718 Composed by
Georges Bizet. Arranged
by Ralph Sauer. 19th
Century French. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2718).
The Chants du
Rhin (Songs of the
Rhine), a cycle of six
pieces, based on poems by
Joseph Mery, were written
in 1865, and Bizet
performed two of them on
16 April 1866 at a soiree
of the Beaujolais
Philharmonic Society. The
songs are grouped
symmetrically around La
bohemienne as the central
piece, framed by two
meditatively yearning
pieces (in E and D flat
major) and two vividly
exuberant ones (similarly
in E and D flat major),
with L'aurore serving as
an
introduction.
In
this cycle Bizet takes up
the theme of the gypsy
girl which had already
entered European music in
the operas The Bohemian
Girl by the Irish
composer Michael William
Balfe and Verdi's Il
trovatore, as well as in
Franz Liszt's Hungarian
Rhapsodies for piano.
Bizet will return to it
one year later in La
jolie fille de Perth and
ten years later in
Carmen. The fourth piece
Les confidences shows
similarities in tonality,
structure and motifs to
the middle part of the
third movement of
Chopin's Sonata in B
minor. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Plus de résultats boutique >> |