| Dan Haerle : Magic Motives Formation musicale - Solfège [Partition + CD] Jamey Aebersold Jazz
By Dan Haerle. For various instruments. Book and CD. Published by Jamey Aebersol...(+)
By Dan Haerle. For
various instruments. Book
and CD. Published by
Jamey Aebersold Jazz
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wagner Opera Vocal Scores (Version 2.0) Voix seule [CD Sheet Music] Subito Music
By Richard Wagner. For Opera. (Vocal Scores). CD Sheet Music (Version 2.0). PDF ...(+)
By Richard Wagner. For
Opera. (Vocal Scores). CD
Sheet Music (Version
2.0). PDF file on CD.
5000 pages. Published by
Subito Music.
$28.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Ulterior Motifs Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Cabasa,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Hi-hat Cymbal,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Ride Cymbal
and more. - Grade 1.5
SKU: CF.FPS150
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+2+1+3+8+16+2 pages.
Duration 2 minutes, 6
seconds. Carl Fischer
Music #FPS150. Published
by Carl Fischer Music
(CF.FPS150). ISBN
9781491152102. UPC:
680160909605. The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs. $60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ulterior Motifs Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Brake Drum, Cabasa,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Hi-hat Cymbal,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Ride Cymbal
and more. - Grade 1.5
SKU: CF.FPS150F
Composed by Matthew R.
Putnam. First Plus Band
(FPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#FPS150F. Published by
Carl Fischer Music
(CF.FPS150F). ISBN
9781491152782. UPC:
680160910281. The
title is a play on words,
but the composer had his
own ulterior motives in
mind when composing this
piece. He wanted a piece
that was fun to play, but
that helped developing
musicians work on their
rhythmic skills. Matt
Putnam uses the feel of
action film soundtracks
to create the mood of
this interesting new
piece. Interesting
grooves in the percussion
throughout add to the
piece’s feel of
mystery and thrill. To
understand my thoughts in
writing this piece, I
thought it best to define
the two ideas that give
the piece its title:
ulterior motives and
musical motifs. Ulterior
motives occur when you
believe that a person is
doing something for some
unknown or hidden reason.
Often, they are used in
action films or
literature to increase
the drama and tension of
the story. Musically, a
motif is a short rhythmic
and/or melodic idea. When
I wrote this piece, I
must confess that I had
my own ulterior motives:
I wanted to create a
piece that was fun to
play, but I also wanted a
piece that would help
students develop their
rhythmic counting skills.
In this piece, I use a
motif of a two
eighth-note pattern which
jumps from section to
section to help me
achieve my ulterior
motive.Mimicking the mood
of action films whose
characters often have
ulterior motives, the
mood of the piece is
suspenseful and exciting
as the motif jumps from
section to section
throughout the ensemble.
The motif keeps you
guessing as it occurs on
all four different beats
of the measure sometimes
ascending, sometimes
descending, and occurs
sometimes in the interval
of a second and sometimes
the interval of a third.
Interesting grooves in
the percussion throughout
add to the piece’s
feel of mystery and
thrill.I have no ulterior
motives when I say that I
hope you enjoy playing
Ulterior Motifs. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Reflecting Landscapes (Emily Dickinson in memoriam) Fennica Gehrman
Piano, Violin, Violoncello SKU: FG.55011-526-2 Composed by Kai Nieminen. ...(+)
Piano, Violin,
Violoncello SKU:
FG.55011-526-2
Composed by Kai Nieminen.
Score and parts. Fennica
Gehrman #55011-526-2.
Published by Fennica
Gehrman (FG.55011-526-2).
ISBN
9790550115262. The
poetry of Emily Dickinson
has been one of the
sources of inspiration
for Kai Nieminen (1953-).
Piano trio Reflecting
Landscapes was inspired
by Dickinson's poem A
bird came down a walk, a
same poem that also gave
name to a piece for viola
and piano by Toru
Takemitsu. Takemitsu
being one composer that
Nieminen helds in high
esteem. Especially calm,
meditative athmosphere at
the beginning of the
piano trio has much that
reminds listener from
Nieminen's Japanese
collegue. The tolling
chruch bell -like motives
reminds the composer from
the death of his father,
that occurred at the time
of the composition of the
piece. Later in the
piece, bird song -like
motives emerge, like
birds in the calm summer
night somewhere in the
north. The piece was
commissioned by Trio la
Rue and they gave the
first performance at
Saaksmaki Soi -festival
6th July 2011. The
poetry of Emily Dickinson
has been one of the
sources of inspiration
for Kai Nieminen (1953-).
Piano trio Reflecting
Landscapes was inspired
by Dickinson's poem A
bird came down a walk, a
same poem that also gave
name to a piece for viola
and piano by Toru
Takemitsu. Takemitsu
being one composer that
Nieminen helds in high
esteem. Especially calm,
meditative athmosphere at
the beginning of the
piano trio has much that
reminds listener from
Nieminen's Japanese
collegue. The tolling
chruch bell -like motives
reminds the composer from
the death of his father,
that occurred at the time
of the composition of the
piece. Later in the
piece, bird song -like
motives emerge, like
birds in the calm summer
night somewhere in the
north. The piece was
commissioned by Trio la
Rue and they gave the
first performance at
Saaksmaki Soi -festival
6th July 2011. $54.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Adventures for Three Woodwinds Carl Fischer
Chamber Music Bassoon, Clarinet, Flute SKU: CF.N1196 Composed by Randy Na...(+)
Chamber Music Bassoon,
Clarinet, Flute SKU:
CF.N1196 Composed by
Randy Navarre. Set of
Score and Parts. Duration
20 minutes. Carl Fischer
Music #N1196. Published
by Carl Fischer Music
(CF.N1196). UPC:
680160683062. Notes
: This composition was
completed in September of
1978. It was written for
the Kappelle Woodwind
Trio, who performed it
many times including in
Carnegie Recital Hall in
New York City. I am
particularly proud of
this work, because it was
the first truly mature
work that I had written.
Much like a good novel
where every character
introduced is developed
and completed, every
motif that was introduced
was developed at some
point in this work. When
I say developed, I do not
mean in the way Mozart,
Beethoven, or other
classical composers
worked their motives in
the development section,
running through different
keys and tonalities. In
this work, I let the
motives spin their way
into longer themes or
just show up in a
different or disguised
way. For example, a motif
introduced in the first
movement receives its
final development in the
final of the fourth
movement. I hope the
audience enjoys listening
to this composition, and
of course, the performers
enjoy exploring and
playing my music. Thank
you! - Randy
Navarre. Notes:This
composition was completed
in September of 1978. It
was written for the
Kappelle Woodwind Trio,
who performed it many
times including in
Carnegie Recital Hall in
New York City. I am
particularly proud of
this work, because it was
the first truly mature
work that I had written.
Muchlike a good novel
where every character
introduced is developed
and completed, every
motif that was introduced
was developed at some
point in this work. When
I say developed, I do not
mean in the way Mozart,
Beethoven, or other
classical composers
worked their motives in
the development section,
running through different
keys and tonalities. In
this work, I let the
motives spin their way
into longer themes or
just show up in a
different or disguised
way. For example, a motif
introduced in the first
movement receives its
final development in the
final of the fourth
movement.I hope the
audience enjoys listening
to this composition, and
of course, the performers
enjoy exploring and
playing my music.Thank
you!- Randy Navarre. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La Zebu Forte Overture Theodore Presser Co.
Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass SKU: PR.416414510 ...(+)
Orchestra Violin 1,
Violin 2, Viola, Cello,
Contrabass SKU:
PR.416414510 For
String Orchestra.
Composed by Roger Zare.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2008.
24 pages. Duration 9
minutes. Theodore Presser
Company #416-41451.
Published by Theodore
Presser Company
(PR.416414510). ISBN
9781598068191. UPC:
680160611379. 9x12
inches. The
enigmatic title of Roger
Zare’s overture is
an anagram of
Zauberflöte —
the work is based on
Mozart’s The Magic
Flute, breaking down
themes from the
opera’s overture
as well as the Queen of
the Night aria, and
spinning them out of
control. Zare’s
charming and clever work
includes an “Overt
Metrical Fugue,†(a
serendipitous anagram of
Magic Flute Overture)
using a subject that
mashes up all of the
disassembled Mozart
motives. After the fugue
runs its course, Zare
quotes small but
recognizable parts of the
overture almost verbatim,
but only from the players
farthest away from the
conductor to create a
disembodied
sound. This work is
based on Mozart’s
overture to The Magic
Flute, breaking down the
themes and motives from
that overture as well as
the famous Queen of the
Night aria, “Der
Hölle Rache,â€
and spinning them out of
control. While the title
seems to be nonsense, it
is actually an anagram of
“Zauberflöte.â
I’m sure that
Mozart would have
appreciated the humor in
this work, even though
the harmonic language is
quite far removed from
the Classical era. The
piece opens with repeated
E-flats, suggesting the
beginning of the main
theme of the Magic Flute
overture, and it
gradually expands outward
chromatically, creating
gritty dissonances. Other
borrowed motives from
Mozart creep their way
in, as well as complex
polyrhythms on the
repeated notes. I imitate
the structure of
Mozart’s overture
by writing a fugue
(subtitled “Overt
Metrical Fugue,†a
serendipitous anagram of
Magic Flute Overture)
using a subject that
mashes up all of the
disassembled Mozart
motives. Gradually, I
work in references to the
excessively high
coloratura part of
“Der Hölle
Rache,†treating it
as a second subject.
After the fugue runs its
course, I quote small but
recognizable parts of the
overture almost verbatim,
but only from the players
farthest away from the
conductor tocreate a
disembodied sound. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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