| Lux illuxit laetabunda Chorale SATB SATB divisi - Facile Oxford University Press
SATB choir, divisi, a cappella (SATB) - Easy to Moderately Difficult SKU: OU....(+)
SATB choir, divisi, a
cappella (SATB) - Easy to
Moderately Difficult
SKU:
OU.9780193355583
Composed by Andrew Smith.
Sacred choral - mixed
voices. New Horizons.
Sacred, Choral Leaflet.
Vocal score. 8 pages.
Duration 5'. Oxford
University Press
#9780193355583. Published
by Oxford University
Press (OU.9780193355583).
ISBN 9780193355583. 10
x 7 inches. For
SATB (with divisions)
unaccompanied. Set to the
text of a 12th-century
Sequence in honour of the
martyr St Olav and
characterized by a
mellifluous
plainchant-style melody,
this glorious motet
pulses with understated
intensity. The opening
drones, performed in free
time and re-stated
throughout, establish a
quiet energy which rises
until the luminescent
final section, in which
the heavens are called to
rejoice. The original
Sequence provides a
stately coda. This is
splendid and original
music, suitable for both
concert and liturgical
use. About
Oxford New
Horizons N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music. $3.25 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Two Pentecost Motets Chorale SATB SATB divisi, A Cappella Oxford University Press
SATB choir, a cappella (SATB) - Moderately Difficult to Difficult SKU: OU.978...(+)
SATB choir, a cappella
(SATB) - Moderately
Difficult to Difficult
SKU:
OU.9780193404854
Composed by Gabriel
Jackson. Sacred choral -
mixed voices. New
Horizons. Vocal score. 12
pages. Duration 7'.
Oxford University Press
#9780193404854. Published
by Oxford University
Press (OU.9780193404854).
ISBN 9780193404854. 12
x 8 inches. For
SATB unaccompanied This
work presents two
contrasting yet coherent
motets: The joyful
'Confirma hoc Deus', with
its jubilant, melismatic
motif; and the solemn
'Factus est', which
features aleatoric
sequences set against
metred music to emphasise
a reflective manner of
worship.
About Oxford
New
Horizons N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music. $3.65 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| A Marian sequence Chorale SATB Crescendo Music Publications
SATB choir SKU: C4.9790902260312 Six motets for unaccompanied chorus(+)
SATB choir SKU:
C4.9790902260312
Six motets for
unaccompanied chorus.
Composed by Michael
Leighton Jones.
Classical. Choral score.
Crescendo Music
Publications
#9790902260312. Published
by Crescendo Music
Publications
(C4.9790902260312).
ISBN 9790902260312.
8.27 x 11.7
inches. Michael
Leighton Jones has
created a brilliant
sequence of six Marian
works that take their
lead from their plainsong
counterparts. These
wonderfully reflective
and carefully-crafted
motets take the practice
of fauxbourdon in new
directions, with free
harmonic invention
linking old to new in a
beautifully warm
soundworld. Motets may be
performed individually on
feast days or within the
appropriate liturgical
season, or the whole
sequence can make an
effective frame for a
concert programme. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Divertimento II, 2 Violines 2 Violons (duo) Editorial de Musica Boileau
By Jordi Cervello. For 2 violins. Bowed Instruments. Duration 10:00. Published b...(+)
By Jordi Cervello. For 2
violins. Bowed
Instruments. Duration
10:00. Published by
Editorial de Musica
Boileau
$22.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Divertimento I Editorial de Musica Boileau
2 violins or violin and flute SKU: BO.B.3102 Composed by Jordi Cervello. ...(+)
2 violins or violin and
flute SKU:
BO.B.3102 Composed by
Jordi Cervello. Woodwind.
Duration 10:00. Published
by Editorial de Musica
Boileau (BO.B.3102).
ISBN
9788480201988. Engl
ish comments:
Divertimento I and
Divertimento II, for two
violins were composed in
1996. These two sister
compositions have the
additional attraction of
being unedited works
which are representative
of the composer's most
recent style. This
etymological description,
which defines a
personality rather than
an established musical
style, takes the form of
a succession of
contrasting dynamic
movements. One of the
most outstanding features
is the way in which the
two instruments break
away from their usual
range of sounds to create
the ideal conditions for
suggesting their latent
extent of sound
possibilities in
compositions that could
be extended perfectly
well into a string
quartet. The interplay
between the two
instruments opens up a
whole range of
possibilities: short
motives in an imitative
style often braking out
into a repetition of
brief themes with a lot
of personality, sequences
of transformations,
repetitive rhythms, etc.
All theses show the
virtuosity of the players
on their own and together
and because of their
characteristics, they are
written in a very clear
tonal language, a times,
modal, oriental, or even
pentatonic. The
progression of the
movements is governed by
a desire for variety:
between the fast opening
and closing movements
there is a sequence of
relaxed andante -some of
which are in an easy
two-part canon style- in
scherzzi -and these are
the lightest, most airy
fragments of the two
Divertimenti. Recordings:
Ilia Ioff and Ilia
Teplyakov (violins),
Columna Musica (1CM0156).
--Lluis
Millet
Comentari
os del
Espanol: Divertimento
I y Divertimento II, para
dos violines fueron
compuestos en el ano
1996. Un atractivo
adicional de estas dos
composiciones hermanas
raya en su condicion de
obras ineditas y
representativas de la
ultima manera del
compositor. La acepcion
etimologica, que define
un caracter mas que una
forma musical
establecida, se concreta
aqui en una sucesion de
movimientos contrastados
de gran dinamismo. Cabe
remarcar la capacidad de
los instrumentos para
superar su estricto
ambito sonoro y crear las
condiciones idoneas para
sugerir toda la amplitud
sonora latente en unas
composiciones que, con
toda propiedad, podrian
ser ampliadas en cuarteto
de cuerda. El juego al
que se someten los dos
instrumentos se halla
abierto a multiples
posibilidades: breves
motivos en estilo
imitativo susceptibles de
desembocar en elementos
tematicos reiterados,
poco desarrollados y de
fuerte personalidad,
mutaciones secuenciales,
ritmos obstinados, etc.,
que propician el
virtuosismo individual y
colectivo de los
ejecutantes y que, por
sus caracteristicas, se
inscriben en un lenguaje
tonal muy claro,
ocasionalmente abierto,
tambien, a trazos modales
y orientalizantes e,
incluso, a lo
pentatonico. El criterio
que rige la progresion de
los movimientos responde
a simples razones de
variedad: entre los
fragmentos extremos
rapidos, inicial y
conclusivo, una sucesion
de andante distendidos -a
veces en un descanso
estilo canonico a dos
voces- y de scherzo los
fragmentos mas ingravidos
y aereos de los
Divertimenti.
Grabaciones: Ilia Ioff y
Ilia Teplyakov
(violines), Columna
Musica (1CM0156). --Lluis
Millet. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 101 Music Activities Hal Leonard
Reinforce Fundamentals, Listening and Literacy. By Mary Donnelly. (music activi...(+)
Reinforce Fundamentals,
Listening and Literacy.
By Mary Donnelly. (music
activities and puzzles).
Expressive Art (Choral).
136 pages. Published by
Hal Leonard.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sundance Sequence [Conducteur] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570208104 Composed by Luís Tinoco. Score On...(+)
Chamber Ensemble SKU:
BT.MUSM570208104
Composed by Luís Tinoco.
Score Only. 25 pages.
University of York Music
Press #MUSM570208104.
Published by University
of York Music Press
(BT.MUSM570208104).
English. For
eleven players. Published
1999. 1(+afl).0.1(=bcl).1
/ 1.0.1.0 / pf.perc /
1.0.1.1.1 Commissioned by
the CCB/Fundacao das
Descobertas. First
performance: Lisbon
Metropolitan Orchestra
Soloists conducted by
Jean-Marc Burfin, Centro
Cultural de Belem, 17th
March 1999. Score. $29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Navigating Music Learning Theory GIA Publications
SKU: GI.G-9691 A Guide for General Music Teachers. Composed by Jil...(+)
SKU: GI.G-9691
A Guide for General
Music Teachers.
Composed by Jill Reese.
Music Learning Theory
(MLT). Music Education.
296 pages. GIA
Publications #9691.
Published by GIA
Publications (GI.G-9691).
ISBN
9781622774029. Edwi
n E. Gordon is widely
regarded as one of the
most influential figures
in the field of music
education, and his
groundbreaking Music
Learning Theory (MLT)
remains one of the most
significant and effective
approaches to teaching
music skills and content
to students. Navigating
Music Learning
Theory, by author and
educator Jill Reese, is
an accessible and
practical guide for
general music teachers
interested in
incorporating the
innovative concepts and
ideas of Music Learning
Theory in their own
instruction. The book is
divided into three parts.
In the first part, Reese
provides an overview of
the core pedagogical
principles of Music
Learning Theory,
including a breakdown of
its foundational Skill
Learning Sequence. The
second and third parts
take a detailed look at
Learning Sequence
Activities (the tonal and
rhythm patterns used to
teach skills and content)
and Classroom Activities
(applying skills and
content to songs, chants,
and recordings). Central
to this resource are over
one hundred pages of
scripted lesson plans
designed to guide
teachers in presenting
tonal patterns, rhythm
patterns, songs, and
chants with efficient and
pedagogically sound
language. The scripted
materials are
intentionally flexible,
allowing teachers to use
them as written or to
modify them for their
unique teaching context.
In keeping with Edwin
Gordon’s ideas,
Reese emphasizes the
importance of balancing
class instruction with
individualized
instruction and provides
a number of tools and
opportunities for
assessment and tracking
toward individual
differences between
students. Regardless of a
teacher’s
experience or familiarity
with Edwin
Gordon’s
ideas, Navigating
Music Learning
Theory is certain to
help any teacher design
and implement a robust
music curriculum with
engaging lessons that
will maximize the musical
potential of each
student. Dr. Jill
Reese is Associate
Professor of Music
Education at The State
University of New York at
Fredonia. She is also on
the teaching faculty for
the Gordon Institute for
Music Learning (GIML).
She holds degrees in
Music Education from
Temple University (PhD),
University of Michigan
(MM), and Michigan State
University (BM). $41.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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