| ABBA: Mama Mia! - Concert Band (Conductor's Score) Orchestre d'harmonie [Conducteur] Alfred Publishing
By ABBA. Edited by George Megaw. Arranged by Roy Phillippe. Concert band. Publis...(+)
By ABBA. Edited by George
Megaw. Arranged by Roy
Phillippe. Concert band.
Published by Alfred
Publishing.
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Granger's Fiddle Tunes for Guitarß Guitare notes et tablatures [Partition + Accès audio] - Débutant Mel Bay
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M). ISBN
9781513468792. 8.75x11.75
inches. Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book. This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles. There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book. In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read. The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes. The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other. Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
<
div> $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lovely Sirens Orchestre d'harmonie Theodore Presser Co.
Band Concert Band SKU: PR.11540239L I. from Mythology Suite. Compo...(+)
Band Concert Band SKU:
PR.11540239L I.
from Mythology Suite.
Composed by Stacy Garrop.
Large Score. Duration
5:30. Theodore Presser
Company #115-40239L.
Published by Theodore
Presser Company
(PR.11540239L). UPC:
680160680221. The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Lovely Sirens Orchestre d'harmonie [Conducteur] Theodore Presser Co.
Band Concert Band SKU: PR.11540239S I. from Mythology Suite. Compo...(+)
Band Concert Band SKU:
PR.11540239S I.
from Mythology Suite.
Composed by Stacy Garrop.
Full score. Duration
5:30. Theodore Presser
Company #115-40239S.
Published by Theodore
Presser Company
(PR.11540239S). UPC:
680160680214. The
Sirens were sea nymphs,
usually pictured as part
woman and part bird, who
lived on a secluded
island surrounded by
rocks. Their enchanting
song was irresistible to
passing sailors, who were
lured to their deaths as
their ships were
destroyed upon the rocks.
The Lovely Sirens
presents three ideas: the
Sirens' beautiful song,
an unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors' peril is
represented by the Morse
code S.O.S. signal (three
dots, three dashes, and
three dots--represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their
demise. The Sirens
were sea nymphs, usually
pictured as part woman
and part bird, who lived
on a secluded island
surrounded by rocks.
Their enchanting song was
irresistible to passing
sailors, who were lured
to their deaths as their
ships were destroyed upon
the rocks. The Lovely
Sirens presents three
ideas: the Sirens’
beautiful song, an
unfortunate group of
sailors whose course
takes them near the
island, and the disaster
that befalls the sailors.
The sailors’ peril
is represented by the
Morse code S.O.S. signal
(three dots, three
dashes, and three
dots—represented
musically by short and
long rhythms). The S.O.S.
signal grows increasingly
more insistent and
distressed as it becomes
obvious that the sailors,
smitten with the voices
of the Sirens, are headed
for their demise. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Three O's of Christmas Orchestre d'harmonie - Débutant Belwin
Concert Band - Grade 1 SKU: AP.29564 Composed by Traditional. Arranged by...(+)
Concert Band - Grade 1
SKU: AP.29564
Composed by Traditional.
Arranged by Elena
Roussanova Lucas. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Christmas; Sacred;
Traditional; Winter.
Score and Part(s). 130
pages. Duration 2:38.
Belwin Music #00-29564.
Published by Belwin Music
(AP.29564). UPC:
038081327990. English.
Traditional. A
through-played medley,
The Three O's of
Christmas contains O
Come, O Come Emmanuel, O
Come Rejoicing and O
Come, All Ye Faithful. A
cherished new addition to
the beginning holiday
repertoire. (2:38). $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Titanic Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0991533-010 Composed by Piet ...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-0991533-010
Composed by Piet Swerts.
Sovereign Series. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991533-010. Published by
De Haske Publications
(BT.DHP-0991533-010).
Following the
spectacular movie
Titanic, the story of the
world famous ship stood
in the spotlights once
again. Piet Swerts was
inspired by this
catastrophic saga to
compose this beautifully
narrative piece,
reflecting the masses of
people in Southampton,
playing children and the
undulating sea. The piece
gradually picks up
impetuously culminating
with the looming iceberg
and the dramatic sinking
of the Titanic.
Le prologue
dépeint l'excitation
de cette foule impatiente
d'embarquer sur le
Titanic amarré dans le
port de Southampton en
Angleterre. Le motif
principal de ce passage
d’ouverture fait
référence Big Ben,
remarque touchante pour
mieux installer le
décor d'une scène
typiquement britannique.
L'agitation des futurs
passagers s'exprime par
des sections
polyrythmiques. Le
premier thème aux
accents héro ques
dérivé du motif Big
Ben est exposé. La
trame devient plus
constante, fluide,
répétitive, symbole
du doux départ du
célèbre palais
flottant. Le tableau
suivant est une aquarelle
riche en couleurs ;
motifs ascendants et
descendants rappellent le
voyage en haute mer. On
entend lesenfants jouer,
le Capitaine Smith donner
des ordres. On perçoit
aussi les différences
d’atmosphère
entre les ponts de
première et
deuxième classes ; la
pression ronflante des
moteurs. Tout est
présent dans cette
fresque musicale. On
entend surtout
l'accélération des
moteurs suite un ordre du
Capitaine soumis la
pression de l'armateur.
Faisant suite un
accelerando, le piccolo
et la percussion font
écho d'un signal en
morse provenant d'un
autre bateau qui
prévient d'un danger
immédiat : la
proximité d'un
iceberg. Hélas, ce
message est ignoré et
les moteurs continuent de
tourner plein régime
jusqu'au moment fatidique
où le Titanic heurte
l'iceberg. Le motif
plaintif du saxophone,
accompagné de trilles
des clarinettes, traduit
l'arrêt des moteurs
après la collision. La
percussion marque le
tristement célèbre
S.O.S. en code morse :
trois points, trois
traits, trois points. Les
passagers sont pris de
panique. Finalement, nous
assistons au lent
naufrage du paquebot.
L'épilogue reprend le
motif initial qui se
métamorphose en une
fin dramatique. $268.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Titanic Saga Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0991533-140 Composed by Piet ...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-0991533-140
Composed by Piet Swerts.
Sovereign Series. Concert
Piece. Score Only.
Composed 1999. 136 pages.
De Haske Publications
#DHP 0991533-140.
Published by De Haske
Publications
(BT.DHP-0991533-140).
Le prologue
dépeint l'excitation
de cette foule impatiente
d'embarquer sur le
Titanic amarré dans le
port de Southampton en
Angleterre. Le motif
principal de ce passage
d’ouverture fait
référence Big Ben,
remarque touchante pour
mieux installer le
décor d'une scène
typiquement britannique.
L'agitation des futurs
passagers s'exprime par
des sections
polyrythmiques. Le
premier thème aux
accents héro ques
dérivé du motif Big
Ben est exposé. La
trame devient plus
constante, fluide,
répétitive, symbole
du doux départ du
célèbre palais
flottant. Le tableau
suivant est une aquarelle
riche en couleurs ;
motifs ascendants et
descendants rappellent le
voyage en haute mer. On
entend lesenfants jouer,
le Capitaine Smith donner
des ordres. On perçoit
aussi les différences
d’atmosphère
entre les ponts de
première et
deuxième classes ; la
pression ronflante des
moteurs. Tout est
présent dans cette
fresque musicale. On
entend surtout
l'accélération des
moteurs suite un ordre du
Capitaine soumis la
pression de l'armateur.
Faisant suite un
accelerando, le piccolo
et la percussion font
écho d'un signal en
morse provenant d'un
autre bateau qui
prévient d'un danger
immédiat : la
proximité d'un
iceberg. Hélas, ce
message est ignoré et
les moteurs continuent de
tourner plein régime
jusqu'au moment fatidique
où le Titanic heurte
l'iceberg. Le motif
plaintif du saxophone,
accompagné de trilles
des clarinettes, traduit
l'arrêt des moteurs
après la collision. La
percussion marque le
tristement célèbre
S.O.S. en code morse :
trois points, trois
traits, trois points. Les
passagers sont pris de
panique. Finalement, nous
assistons au lent
naufrage du paquebot.
L'épilogue reprend le
motif initial qui se
métamorphose en une
fin dramatique. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Titanic Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-0991533-040 Composed by Piet Swerts. S...(+)
Concert Band - Grade 5
SKU:
BT.DHP-0991533-040
Composed by Piet Swerts.
Sovereign Series. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991533-040. Published by
De Haske Publications
(BT.DHP-0991533-040).
Following the
spectacular movie
Titanic, the story of the
world famous ship stood
in the spotlights once
again. Piet Swerts was
inspired by this
catastrophic saga to
compose this beautifully
narrative piece,
reflecting the massesof
people in Southampton,
playing children and the
undulating sea. The piece
gradually picks up
impetuously culminating
with the looming iceberg
and the dramatic sinking
of the Titanic.
Le
prologue dépeint
l'excitation de cette
foule impatiente
d'embarquer sur le
Titanic amarré dans le
port de Southampton en
Angleterre. Le motif
principal de ce passage
d’ouverture fait
référence Big Ben,
remarque touchante pour
mieux installer le
décor d'une scène
typiquement britannique.
L'agitation des futurs
passagers s'exprime par
des sections
polyrythmiques. Le
premier thème aux
accents héro ques
dérivé du motif Big
Ben est exposé. La
trame devient plus
constante, fluide,
répétitive, symbole
du doux départ du
célèbre palais
flottant. Le tableau
suivant est une aquarelle
riche en couleurs ;
motifs ascendants et
descendants rappellent le
voyage en haute mer. On
entend lesenfants jouer,
le Capitaine Smith donner
des ordres. On perçoit
aussi les différences
d’atmosphère
entre les ponts de
première et
deuxième classes ; la
pression ronflante des
moteurs. Tout est
présent dans cette
fresque musicale. On
entend surtout
l'accélération des
moteurs suite un ordre du
Capitaine soumis la
pression de l'armateur.
Faisant suite un
accelerando, le piccolo
et la percussion font
écho d'un signal en
morse provenant d'un
autre bateau qui
prévient d'un danger
immédiat : la
proximité d'un
iceberg. Hélas, ce
message est ignoré et
les moteurs continuent de
tourner plein régime
jusqu'au moment fatidique
où le Titanic heurte
l'iceberg. Le motif
plaintif du saxophone,
accompagné de trilles
des clarinettes, traduit
l'arrêt des moteurs
après la collision. La
percussion marque le
tristement célèbre
S.O.S. en code morse :
trois points, trois
traits, trois points. Les
passagers sont pris de
panique. Finalement, nous
assistons au lent
naufrage du paquebot.
L'épilogue reprend le
motif initial qui se
métamorphose en une
fin dramatique. $268.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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