PARTITIONS GRATUITES : PIANO ET VOIX
- Never Change

Choral (ShowTrax CD)

SKU: HL.345531

(Choral Highlights). Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Mac Huff. Disney Choral. Collection, Disney, Medley, Movies, Musicals, Show Choir, Winter. CD. Duration 730 seconds. Published by Hal Leonard (HL.345531).

UPC: 840126919684. 5.0x5.0x0.15 inches.

Frozen composers Kristen Anderson-Lopez and Robert Lopez were challenged to expand and deepen the themes explored through song in the 2019 Disney animated sequel, Frozen II. With a more mature, genre-blending mix of folk, rock and Broadway tunes, these six brand new songs run the gamut of emotions, further enchanting listeners with the continuing adventures of two sisters from Arendelle! Includes: All Is Found, Into the Unknown, Lost in the Woods, Show Yourself, Some Things Never Change and When I Am Older.

Concert Band (Score) - Grade 3

SKU: HL.4006502

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Paul Murtha. Flex-Band Grade 3. Children, Disney, Movies. Softcover. 32 pages. Duration 330 seconds. Published by Hal Leonard (HL.4006502).

UPC: 840126908916. 9.0x12.0x0.069 inches.

From the powerful movie blockbuster Frozen II here is an exciting and well-paced medley scored for flexible instrumentation. Included is the opening chant Vuelie followed by Some Things Never Change, Into the Unknown, Lost in the Woods, and Show Yourself.

Concert Band (Score) - Grade 3

SKU: HL.4006500

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Michael Brown. Young Concert Band. Children, Disney, Movies. Softcover. Duration 330 seconds. Published by Hal Leonard (HL.4006500).

UPC: 840126908893. 9.0x12.0x0.056 inches.

The highly anticipated follow-up to the original Frozen movie features an equally powerful collection of songs. This marvelous concert setting includes the haunting Vuelie chant melody along with the songs All Is Found, Some Things Never Change, Into the Unknown, Lost in the Woods, and Show Yourself.

Composed by Heather Sorenson. Shawnee Sacred. General Worship, Sacred. Octavo. 16 pages. Duration 280 seconds. Published by Shawnee Press

The Gospel Never Changes. (A Musical Drama for the Senior Choir). By Martha Bolton and Marty Parks. For SATB choir. This edition: Paperback. Musical. Multicultural and Sacred. Easy. Book. 76 pages. Published by Lillenas Publishing Company

By Melodie Tunney and Dick Tunney. Arranged by Bruce Greer. For Choral (SATB). PraiseSong Choral. 12 pages. Published by PraiseSong

(16 Great New Pieces for Piano Solo and Duet). By Pam Wedgwood. For piano solo. Book; Method/Instruction; Piano Method. Faber Edition: It's Never Too Late. 24 pages. Published by Faber Music

Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice

SKU: CF.CM9743IN

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN).

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the seven  stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!