| Blues Editions Marc Reift (Swiss import)
Complaining Blues / Thinking It Over Blues / Free Time Blues / Determination Blu...(+)
Complaining Blues /
Thinking It Over Blues /
Free Time Blues /
Determination Blues
$39.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Blues Editions Marc Reift (Swiss import)
Thinking It Over Blues / Free Time Blues / Determination Blues / Complaining Blu...(+)
Thinking It Over Blues /
Free Time Blues /
Determination Blues /
Complaining Blues
$35.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Into the Golden Vessel of Great Song Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418800 No. 4
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41880.
Published by Theodore
Presser Company
(PR.312418800). ISBN
9781491138151. UPC:
680160640225. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The final
movement, INTO THE GOLDEN
VESSEL OF GREAT SONG is
an appassionato call to
overcome! The poem
exhorts us to “sing
out” with hope,
determination, and
strength. The music
contrasts turmoil and
times of strife with a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, with the
closing music in major,
resonant and strong.
. SECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let Me Fly Carl Fischer
Choral 3-part choir mixed Voices, Piano SKU: CF.CM9643 Composed by Tradit...(+)
Choral 3-part choir mixed
Voices, Piano SKU:
CF.CM9643 Composed by
Traditional Spiritual.
Arranged by Catherine
DeLanoy. Fold.
Performance Score. 12
pages. Duration 2:30.
Carl Fischer Music
#CM9643. Published by
Carl Fischer Music
(CF.CM9643). ISBN
9781491157152. UPC:
680160915712. 6.875 x
10.5 inches. Key: F
major. English, English.
Traditional
Spiritual. For the
emerging mixed choir,
Delanoy's arrangement of
this timeless spiritual
favorite offers energy,
variety and is sure to
inspire through its
uplifting melody of hope
and determination for a
better life -no matter
the obstacle. Concert and
festival
approved!. Let Me Fly
is an American spiritual
which, on the surface,
tells of a yearning for
the promised land of
heaven. On a deeper
level, its early singers
envisioned an escape from
slavery, with the
Underground Railroad
serving as the chariot.
In either case, the song
is an uplifting melody of
hope and determination
for a better life, no
matter the obstacle.
Please take note of the
layered section in mm.
55-62, which starts with
Part II, adds Part I in
m. 57, and completes the
layering with Part III at
m. 59. The repeated
measures of 59-60 allow
for an accompanist or
soloist to improvise
while the choir sings and
claps along for as many
repeats as desired. The
number of repeats is up
to the discretion of the
conductor. If there is no
improvisation, it is
recommended that mm.
59-60 be sung three times
before moving on. Let
Me Fly is an American
spiritual which, on the
surface, tells of a
yearning for the promised
land of heaven. On a
deeper level, its early
singers envisioned an
escape from slavery, with
the Underground Railroad
serving as the chariot.
In either case, the song
is an uplifting melody of
hope and determination
for a better life, no
matter the
obstacle.Please take note
of the layered section in
mm. 55-62, which starts
with Part II, adds Part I
in m. 57, and completes
the layering with Part
III at m. 59. The
repeated measures of
59-60 allow for an
accompanist or soloist to
improvise while the choir
sings and claps along for
as many repeats as
desired. The number of
repeats is up to the
discretion of the
conductor. If there is no
improvisation, it is
recommended that mm.
59-60 be sung three times
before moving on. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Violin and Viola Ergonomics - DVD Violon [DVD] Hal Leonard
(Determine the Optimum Playing Position and Support for Your Body Type). DVD. D...(+)
(Determine the Optimum
Playing Position and
Support for Your Body
Type). DVD. DVD.
Published by Hal Leonard
(2)$23.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Road Not Taken Carl Fischer
Choral Cello, Piano, SATB chorus SKU: CF.CM9714 Composed by Z. Randall St...(+)
Choral Cello, Piano, SATB
chorus SKU:
CF.CM9714 Composed by
Z. Randall Stroope. 16
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CM9714.
Published by Carl Fischer
Music (CF.CM9714).
ISBN 9781491160329.
UPC: 680160918904. Key: F
major. English. Robert
Frost. About the
work ... Few American
poems are as well known
as The Road Not Taken.
Robert Frost, the author,
is an international icon,
not unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference. Rehearsal
notes ... Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout. Z.
Randall Stroope A
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media. About
the composer ... Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
Faure). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). A
bout the work ...Few
American poems are as
well known as The Road
Not Taken. Robert Frost,
the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notes ...Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall StroopeA
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media.About
the composer ...Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Regalia - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 0.5
SKU: CF.PAS18
Composed by Carl
Strommen. SWS FS. Primer
String Orchestra. Part
march, part fanfare,
Regalia suggests a past
time with all the pomp
and splendor of a grand
celebration. To be played
with the vigor and
determination fitting a
regal setting. Set of
Score and Parts. With
Standard notation.
8+2+5+5+5+2+8+8 pages.
Duration 2 minutes, 11
seconds. Carl Fischer
Music #PAS18. Published
by Carl Fischer Music
(CF.PAS18). ISBN
9781491146330. UPC:
680160903832. 9 x 12
inches. Key: D
major. Part march,
part fanfare, Regalia
suggests a past with all
the pomp and splendor of
a grand celebration.
Written for the students
with limited experience
on their instrument,
notes and rhythms are
simple, but the students
are asked to play with
vigor and determination
fitting a regal
setting. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resolute - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS221 Composed by
Todd Parrish. Set of
Score and Parts. Duration
2 minutes, 27 seconds.
Carl Fischer Music
#YAS221. Published by
Carl Fischer Music
(CF.YAS221). ISBN
9781491162699. UPC:
680160921447. Key: G
major. Resolute was
composed to celebrate the
enduring spirit of those
who persevere and
overcome difficult
challenges with fearless
determination. Set in G
major, this triumphant
theme features a strong,
accented melody and
energetic accompaniments
that frequently utilize
double-stops for a
resounding effect. The
shadows of hardship are
heard in a brief shift to
E minor before the
victorious melody returns
with joy that defies
darkness with courageous
hope. The same way we
support each other
through trials, many
melodies and
countermelodies are
doubled between sections
to portray strength and
resolve.Resolute was
premiered by the East
River High School
Orchestra in May of 2022
under the direction of
Mr. Scott Friedberg in
honor of the
orchestra’s 4-year
anniversary, and
dedicated to the
courageous students who
continued to make music
through the pandemic,
demonstrating
determination and
tenacity in their
passionate pursuit of
musical excellence.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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