PARTITIONS GRATUITES :
- Determination

Complaining Blues / Thinking It Over Blues / Free Time Blues / Determination Blues

Thinking It Over Blues / Free Time Blues / Determination Blues / Complaining Blues

Choral 3-part choir mixed Voices, Piano

SKU: CF.CM9643

Composed by Traditional Spiritual. Arranged by Catherine DeLanoy. Fold. Performance Score. 12 pages. Duration 2:30. Carl Fischer Music #CM9643. Published by Carl Fischer Music (CF.CM9643).

ISBN 9781491157152. UPC: 680160915712. 6.875 x 10.5 inches. Key: F major. English, English. Traditional Spiritual.

For the emerging mixed choir, Delanoy's arrangement of this timeless spiritual favorite offers energy, variety and is sure to inspire through its uplifting melody of hope and determination for a better life -no matter the obstacle. Concert and festival approved!.
Let Me Fly is an American spiritual which, on the surface, tells of a yearning for the promised land of heaven. On a deeper level, its early singers envisioned an escape from slavery, with the Underground Railroad serving as the chariot. In either case, the song is an uplifting melody of hope and determination for a better life, no matter the obstacle. Please take note of the layered section in mm. 55-62, which starts with Part II, adds Part I in m. 57, and completes the layering with Part III at m. 59. The repeated measures of 59-60 allow for an accompanist or soloist to improvise while the choir sings and claps along for as many repeats as desired. The number of repeats is up to the discretion of the conductor. If there is no improvisation, it is recommended that mm. 59-60 be sung three times before moving on.
Let Me Fly is an American spiritual which, on the surface, tells of a yearning for the promised land of heaven. On a deeper level, its early singers envisioned an escape from slavery, with the Underground Railroad serving as the chariot. In either case, the song is an uplifting melody of hope and determination for a better life, no matter the obstacle.Please take note of the layered section in mm. 55-62, which starts with Part II, adds Part I in m. 57, and completes the layering with Part III at m. 59. The repeated measures of 59-60 allow for an accompanist or soloist to improvise while the choir sings and claps along for as many repeats as desired. The number of repeats is up to the discretion of the conductor. If there is no improvisation, it is recommended that mm. 59-60 be sung three times before moving on.

Choral Cello, Piano, SATB chorus

SKU: CF.CM9714

Composed by Z. Randall Stroope. 16 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #CM9714. Published by Carl Fischer Music (CF.CM9714).

ISBN 9781491160329. UPC: 680160918904. Key: F major. English. Robert Frost.

About the work ... Few American poems are as well known as The Road Not Taken. Robert Frost, the author, is an international icon, not unlike Pablo Picasso, Winston Churchill or Mark Twain in their own disciplines.The poem is full of contradictions and quirks of form and structure. Perhaps that illusiveness is part of the poem's intrigue. But beyond all of the literary devices that only a few scholars may fully appreciate, this poem has taken on a sort of fanfare for the common person credo - a challenge to individualism, stepping out on one's own, and breaking the mold out of sheer determination if nothing else. Frost connects to the core of the human spirit in just a few stanzas using the analogy of a fork in a road. The message super cedes geography, culture, race or creed. Rather, it is part of the DNA of most every person on the planet - the inner desire to feel empowered to create one's own destiny, to forge a road not taken, and ultimately in doing so, to make a difference. Rehearsal notes ... Research strongly suggests that there is a direct connection between the first rehearsal and the performance. First impressions last. I find it helpful to immediately lock three concepts into place - mechanics (notes/rhythms), text/phrasing (intent and motivation) and color (timbre). Performers need to think musically from the first reading forward (first impression). The cello is very much a collaborative instrument in this work, and should be located in front of the ensemble (not to side). Lastly, let the text speak. The simplest melodic lines are often the most exposed. Keep the voices clear and transparent, floating over the top in softer passages, and singing with vibrancy and forward focus throughout. Z. Randall Stroope A definitive recording was made by the New American Voices, with Randall conducting. This can be found on Spotify, YouTube, his website (www.zrstroope), and other social media. About the composer ... Z. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel Faure). He is the artistic director of two international summer music festivals, is an Honorary Member of the National Association of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).
A bout the work ...Few American poems are as well known as The Road Not Taken. Robert Frost, the author, is an international icon, not unlike Pablo Picasso, Winston Churchill or Mark Twain in their own disciplines.The poem is full of contradictions and quirks of form and structure. Perhaps that illusiveness is part of the poem's intrigue. But beyond all of the literary devices that only a few scholars may fully appreciate, this poem has taken on a sort of fanfare for the common person credo - a challenge to individualism, stepping out on one's own, and breaking the mold out of sheer determination if nothing else. Frost connects to the core of the human spirit in just a few stanzas using the analogy of a fork in a road. The message super cedes geography, culture, race or creed. Rather, it is part of the DNA of most every person on the planet - the inner desire to feel empowered to create one's own destiny, to forge a road not taken, and ultimately in doing so, to make a difference.Rehearsal notes ...Research strongly suggests that there is a direct connection between the first rehearsal and the performance. First impressions last. I find it helpful to immediately lock three concepts into place - mechanics (notes/rhythms), text/phrasing (intent and motivation) and color (timbre). Performers need to think musically from the first reading forward (first impression). The cello is very much a collaborative instrument in this work, and should be located in front of the ensemble (not to side). Lastly, let the text speak. The simplest melodic lines are often the most exposed. Keep the voices clear and transparent, floating over the top in softer passages, and singing with vibrancy and forward focus throughout.Z. Randall StroopeA definitive recording was made by the New American Voices, with Randall conducting. This can be found on Spotify, YouTube, his website (www.zrstroope), and other social media.About the composer ...Z. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel Fauré). He is the artistic director of two international summer music festivals, is an Honorary Member of the National Association of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 0.5

SKU: CF.PAS18

Composed by Carl Strommen. SWS FS. Primer String Orchestra. Part march, part fanfare, Regalia suggests a past time with all the pomp and splendor of a grand celebration. To be played with the vigor and determination fitting a regal setting. Set of Score and Parts. With Standard notation. 8+2+5+5+5+2+8+8 pages. Duration 2 minutes, 11 seconds. Carl Fischer Music #PAS18. Published by Carl Fischer Music (CF.PAS18).

ISBN 9781491146330. UPC: 680160903832. 9 x 12 inches. Key: D major.

Part march, part fanfare, Regalia suggests a past with all the pomp and splendor of a grand celebration. Written for the students with limited experience on their instrument, notes and rhythms are simple, but the students are asked to play with vigor and determination fitting a regal setting.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2

SKU: CF.YAS221

Composed by Todd Parrish. Set of Score and Parts. Duration 2 minutes, 27 seconds. Carl Fischer Music #YAS221. Published by Carl Fischer Music (CF.YAS221).

ISBN 9781491162699. UPC: 680160921447. Key: G major.

Resolute was composed to celebrate the enduring spirit of those who persevere and overcome difficult challenges with fearless determination. Set in G major, this triumphant theme features a strong, accented melody and energetic accompaniments that frequently utilize double-stops for a resounding effect. The shadows of hardship are heard in a brief shift to E minor before the victorious melody returns with joy that defies darkness with courageous hope. The same way we support each other through trials, many melodies and countermelodies are doubled between sections to portray strength and resolve.Resolute was premiered by the East River High School Orchestra in May of 2022 under the direction of Mr. Scott Friedberg in honor of the orchestra’s 4-year anniversary, and dedicated to the courageous students who continued to make music through the pandemic, demonstrating determination and tenacity in their passionate pursuit of musical excellence.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80

Composed by Brant Karrick. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 8+8+4+4+8+16+16+4+4+4+4+4 +4+4+6+12+12+4+4+6+6+6+6+ 8+6+2+4+14+36+4 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #SPS80. Published by Carl Fischer Music (CF.SPS80).

ISBN 9781491152577. UPC: 680160910076. Key: Bb major.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80F

Composed by Brant Karrick. Symphonic Band (SPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #SPS80F. Published by Carl Fischer Music (CF.SPS80F).

ISBN 9781491153253. UPC: 680160910755.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.