PARTITIONS GRATUITES : PIANO SEUL
- Knock Knock

Handbell choir (3 octaves) - Level 2

SKU: JF.MFBBG0969

Composed by G. Root. Arranged by W. Rose. Published by Fred Bock Music Company (JF.MFBBG0969).

UPC: 714245101070.

Marke d with Gusto, this arrangement is full of knocking sounds effected by mallets and martellatos. Sections of knocking are contrasted by a gentle melody, which was originally written by George F. Root.

Choral Cantata. By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 3 Flute, Contrabass, Soprano, Alto, Tenor, Baritone, Bass, SATB, Harpsichord. Piano/Vocal Score. S. 4/1. Duration 14:0. Published by Theodore Presser Company.

2-Part Choral (2-Part)

SKU: HL.379343

Discovery Level 2. Composed by Charles Strouse. Arranged by Mac Huff. Discovery Choral. Broadway, Musicals. Octavo. Duration 150 seconds. Published by Hal Leonard (HL.379343).

ISBN 9781705151198. UPC: 196288017820. 6.75x10.5x0.036 inches.

“It's the Hard-Knock Life,” from the musical, “Annie,” expresses the hardships children face living in a depression-era orphanage. As punishment for trying to escape from the orphanage during the night, Miss Hannigan has Annie and the other orphans clean their room all night.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 1.5

SKU: CF.FAS94

Composed by Matt Turner. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+2+5+5+5+8 pages. Duration 2 minutes, 26 seconds. Carl Fischer Music #FAS94. Published by Carl Fischer Music (CF.FAS94).

ISBN 9781491142981. UPC: 680160900480. Key: D major.

This piece features percussive techniques utilizing: tapping, strumming, rubbing, and brushing on string instruments. The piece's title may be tongue-in-cheek, but it asks the student to focus on their rhythmic skills. It is a creative and interesting way to break up your concert and to improve the counting and rhythmic reading skills of players.
This piece features percussive techniques; tapping, strumming, rubbing, and brushing. The piece’s title may be tongue-in-cheek, but it is also informative as it advises against using knuckles (knocking) on the wood of the instrument. Instead, tap the wood on the top (front) of the instrument with two or three fingers. In m. 27, dampen the strings with the left hand and tap on the fingerboard with the right hand. In mm. 41–48, the viola is held like a guitar; the strings are dampened with the left hand, and the right hand strums. No pitches should sound. In mm. 77–80, the right hand rubs or brushes the front of the instrument. To prevent any damage, do not strike the instruments too hard.Focus on ensemble and dynamics; the sound will carry if the rhythms are executed precisely.

By Lee Dengler. For Choral (SATB). Harold Flammer. Octavo. 12 pages. Published by Shawnee Press