| Recital Pieces (Raff, Vieuxtemps, Wieniawski) Violon et Piano Peters
By Various. For violin, piano. Raff: Cavatina, Opus 85, No.3 Vieuxtemps: Reverie...(+)
By Various. For violin,
piano. Raff: Cavatina,
Opus 85, No.3 Vieuxtemps:
Reverie, Opus 22, No.3
Wieniawski: Legende, Opus
17. Published by C.F.
Peters.
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Play-Along with Jazz [Partition + Accès audio] Hal Leonard
Choral (Book with Audio Online) SKU: HL.124232 Groovin' Styles for Cla...(+)
Choral (Book with Audio
Online) SKU:
HL.124232 Groovin'
Styles for Classroom
Instruments. Composed
by Tom Anderson.
ExpressiveArts. Classroom
Resources, Collection,
Elementary, Instruments,
Jazz. Softcover Audio
Online. 56 pages.
Published by Hal Leonard
(HL.124232). ISBN
9781480367739. UPC:
884088965358. 8.5x11
inches. Your
students will
“riff” from
the rafters with this
collection written
specifically for
classroom instruments.
Styles that groove like
dixie, swing, bebop and
hard bop are introduced
in a sequence that
reflects the overall
history of jazz as well
as levels of difficulty.
Scat singing is optional
but can add a boppin'
alternative to playing
instruments so all
students can participate.
Basic drumming feels are
included for even more
play-along opportunities.
Stand back and let the
music-making begin.
Swing, stomp and riff
until everyone is in the
groove! Full scores and
helpful teacher tips with
optional unpitched
percussion ostinatos are
provided, along with
digital access to
play-along audio
recordings and separate
PDFs of the Orff
instrument and recorder
parts. Songs include:
Saints' Stomp, Riff
Raff, Swing's the Thing,
Boppin' Robin, A la Mode,
Hard Bop Candy.
Suggested for grades
4-8. $34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Giles Swayne: Riff-Raff for Organ Orgue Music Sales
Organ - intermediate-advanced SKU: HL.14032114 Composed by Giles Swayne. ...(+)
Organ -
intermediate-advanced
SKU: HL.14032114
Composed by Giles Swayne.
Music Sales America.
Post-1900. Book
[Softcover]. 32 pages.
Music Sales #NOV360034.
Published by Music Sales
(HL.14032114). UPC:
884088488642.
11.75x8.25x0.119
inches. Born in
1946, Giles Swayne
started composing at an
early age, and in his
teens was helped by the
advice and encouragement
of his cousin Elizabeth
Maconchy, whilst studying
the piano with Gordon
Green. After leaving
school he attended Guido
Agosti's piano classes at
the 1964 Accademia
Chigiana summer school in
Siena, and that autumn
went up to Trinity
College, Cambridge, where
he studied the piano with
Phyllis Hepburn-Lee and
composition with Nicholas
Maw. In 1968 he won a
composition scholarship
to the Royal Academy of
Music. $21.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 5 in E major Op. 177 Orchestre Breitkopf & Härtel
Orchestra (Picc.2.2.2.2 - 4.2.3.0 - timp.trg.side dr - str) SKU: BR.PB-5698(+)
Orchestra (Picc.2.2.2.2 -
4.2.3.0 - timp.trg.side
dr - str) SKU:
BR.PB-5698 Lenore
- Urtext. Composed by
Joachim Raff. Edited by
Iris Eggenschwiler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 232
pages. Duration 40'.
Breitkopf and Haertel #PB
5698. Published by
Breitkopf and Haertel
(BR.PB-5698). ISBN
9790004216354. 10 x 12.5
inches. Joachim
Raff's Fifth Symphony
Lenore op. 177, composed
in 1872, reveals the
composer as a
representative of the
middle ground between
Neo-German aesthetics and
the symphonic tradition.
It owes its name to G. A.
Burger's ballade, which
is the programmatic basis
of the final movement.
Using this literary
model, Raff oriented
himself to the Berlioz
program symphonies and
the Liszt symphonic-poem
concept, on the one hand,
but on the other, he let
the three preceding
movements follow
traditional symphonic
form. Raff conducted the
Lenore symphony's
premiere in December 1872
in a concert by the
Furstliche Hofkapelle in
Sondershausen. The
concert went to his
satisfaction, although
the audience evidently
did not know what to make
of the work: [...] and
the symphony [...] was
played before this
faintly musical party.
Essentially for the
greater glory of God and
my edification, less for
that of the said public,
which seems to have been
rather horrified by it.
His friend Hans von Bulow
had, however, a great
pleasure in hearing the
symphony the following
year in Berlin. In her
preface, the editor Iris
Eggenschwiler provides
detailed information
about the work's genesis,
documents Raff's ideas
and intentions, and
facilitates a
comprehensive orientation
within the historical
context. Breitkopf &
Hartel is now presenting
for the first time with
this symphony an
orchestral work by Raff
in a modern Urtext
edition, thus also
continuing its
collaboration with the
Joachim-Raff-Gesellschaft
.In collaboration with
the Joachim-Raff-Archiv
Lachen (CH). $118.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartets Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet
(2vl,va,vc) SKU:
BR.PB-5622-07
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar. Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07). ISBN
9790004215197. 6.5 x 9
inches. With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality. $55.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quartets Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet SKU: BR.PB-5708 Urtext. Composed by Joachim Raff. E...(+)
String Quartet SKU:
BR.PB-5708
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708. Published by
Breitkopf and Haertel
(BR.PB-5708). ISBN
9790004216453. 6.5 x 9
inches. When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality. $55.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quartets Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
Study score SKU: BR.PB-5708-07 Urtext. Composed by Joachim Raff. E...(+)
Study score SKU:
BR.PB-5708-07
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708-07. Published by
Breitkopf and Haertel
(BR.PB-5708-07). ISBN
9790004216453. 6.5 x 9
inches. When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality. $55.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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