| Secret Mission - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132 Composed by
Jason Taurins. Folio.
Bps. Set of Score and
Parts.
8+2+8+2+5+2+2+8+3+3+3+2+3
+1+1+2+4+12 pages.
Duration 1 minute, 41
seconds. Carl Fischer
Music #BPS132. Published
by Carl Fischer Music
(CF.BPS132). ISBN
9781491158463. UPC:
680160917068. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Secret Mission [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet,
Cowbell, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 1 SKU:
CF.BPS132F Composed
by Jason Taurins. Sws.
Bps. Full score. 12
pages. Carl Fischer Music
#BPS132F. Published by
Carl Fischer Music
(CF.BPS132F). ISBN
9781491158470. UPC:
680160917075. 9 x 12
inches. Secret
Mission is a cinematic
depiction of a spy on a
mission to defeat a
nefarious villain. This
was inspired by my love
for several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
Itas an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It's an epic journey sure
to spark your
imagination. For smaller
ensembles, the power
chords in the low brass
can be divided such that
trombones take the top
note, and euphonium the
bottom, or divide it as
is appropriate for your
ensemble. At m. 9, and as
it recurs, the students
should choose a note that
is comfortably in their
playing range that they
can play beautifully.
They should, however,
strive to choose a
different note than their
neighbor, and can change
the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music!. Secret Mission
is a cinematic depiction
of a spy on a mission to
defeat a nefarious
villain. This was
inspired by my love for
several spies and
superheroes from movies
and television series,
both serious and
humorous. With exciting
parts for all players, I
hope your imagination is
sparked by this
accessible and melodic
piece. In the opening,
the spy receives his
mission in grand fashion,
as the title sequence
rolls across the screen.
After a dramatic pause
(m. 10), the spy is on
the chase! The melody at
m. 11 depicts the spy
doing reconnaissance on
his enemy. The villain
reveals his evil plan,
and soon, the hero and
the villain face off in
an epic battle! Who do
you think wins? Is it a
serious thriller or a
hilarious cartoon? Decide
for your own as you see
the end credits scroll!
It’s an epic
journey sure to spark
your imagination.For
smaller ensembles, the
power chords in the low
brass can be divided such
that trombones take the
top note, and euphonium
the bottom, or divide it
as is appropriate for
your ensemble. At m. 9,
and as it recurs, the
students should choose a
note that is comfortably
in their playing range
that they can play
beautifully. They should,
however, strive to choose
a different note than
their neighbor, and can
change the note as this
technique recurs. The
melody at measure 11
should sound soft, light,
and sneaky! Do not let
the students get too loud
at m. 17. If anything,
this section should be
slightly softer. The
woodblock and cowbell add
a touch of urgency (like
the ticking of a clock)
and humor (I got a
fevah!). Make sure the
countermelody at m. 25
can be heard clearly. At
m. 33, dynamic contrast
is very important. If
needed, a crash cymbal
from a drum set can be
used, and both cymbals
can be struck by a
drumstick. In either
case, suspended cymbal
should be played with a
drumstick (unless
rolling: then, use a pair
of yarn mallets). I
sincerely hope you and
your students enjoy the
cinematic journey, and
thank you for choosing my
music! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Peggy Seeger Songbook: Forty Years Of Songmaking Paroles et Accords [Partition] Oak Publications
By Peggy Seeger. For Melody Line, Lyrics and Chord symbols. Folk. Sheet Music. 3...(+)
By Peggy Seeger. For
Melody Line, Lyrics and
Chord symbols. Folk.
Sheet Music. 364 pages.
Published by Oak
Publications.
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adventures of Daring Dog - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash ...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Triangle,
Trombone 1, Trombone 2,
Trumpet 1 and more. -
Grade 2.5 SKU:
CF.YPS255 Composed by
Kelly Dugger. Yps. Set of
Score and Parts.
16+4+8+8+8+4+6+4+4+4+8+8+
8+8+6+6+6+4+6+1+2+4+2+24
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS255.
Published by Carl Fischer
Music (CF.YPS255).
ISBN 9781491161531.
UPC:
680160920181. This
programmatic work depicts
our superhero Daring Dog,
as he goes on a journey
to conquer the villain.
Daring Dog is a
superhero, only... not
everyone knows it yet. We
meet Daring Dog and his
sidekick at m. 15 in the
beginning section. At m.
24, we hear as his mother
gives him a stern lecture
to stop messing around
and be more serious.
Daring Dog tries to
explain how he has saved
the world numerous times
at m. 32. At m. 42, he
decides he must do what
is necessary to defeat
the villain, despite what
his mother thinks, and
begins planning. At m.
52, we can hear him
running in the snare
drum, and the villain
approaches. Barking and
growling (flutter tongue
in flute, and growling in
brass), at m.78 the fight
is on. Measure 82 reveals
a huge terrible monster,
and Daring Dog is
terrified. He sticks out
his sword with his eyes
closed, and *POOF!* the
monster evaporates. (It
was probably imaginary
the whole time.) The end
section is a triumphant
celebration that Daring
Dog has, indeed, saved
the world again! Daring
Dog is a fun piece for
all ages! Difficult
enough to be a wonderful
recruitment piece, and
easy enough to be
playable by young bands,
this piece can truly span
all levels. Actors might
also depict the story
while the band plays for
even more fun.
 . This
programmatic work depicts
our superhero Daring Dog,
as he goes on a journey
to conquer the villain.
Daring Dog is a
superhero, only... not
everyone knows it yet. We
meet Daring Dog and his
sidekick at m. 15 in the
beginning section. At m.
24, we hear as his mother
gives him a stern lecture
to stop messing around
and be more serious.
Daring Dog tries to
explain how he has saved
the world numerous times
at m. 32. At m. 42, he
decides he must do what
is necessary to defeat
the villain, despite what
his mother thinks, and
begins planning. At m.
52, we can hear him
running in the snare
drum, and the villain
approaches. Barking and
growling (flutter tongue
in flute, and growling in
brass), at m.78 the
ï¬ght is on. Measure
82 reveals a huge
terrible monster, and
Daring Dog is
terriï¬ed. He sticks
out his sword with his
eyes closed, and *POOF!*
the monster evaporates.
(It was probably
imaginary the whole
time.) The end section is
a triumphant celebration
that Daring Dog has,
indeed, saved the world
again!Daring Dog is a fun
piece for all ages!
Difficult enough to be a
wonderful recruitment
piece, and easy enough to
be playable by young
bands, this piece can
truly span all levels.
Actors might also depict
the story while the band
plays for even more
fun. . $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs of a Disney Villain (Choral Medley) CD Chorale Hal Leonard
Choral (ShowTrax CD) SKU: HL.292591 Composed by Various. Arranged by Alan...(+)
Choral (ShowTrax CD)
SKU: HL.292591
Composed by Various.
Arranged by Alan
Billingsley. Disney
Choral. Concert, Disney,
Festival, Medley, Movies,
Show Choir. CD. Duration
295 seconds. Published by
Hal Leonard (HL.292591).
UPC: 888680931049.
5.0x5.0x0.115
inches. Every good
story needs a good
villain and Disney has
created some of the best.
Here are five great songs
that are sung by the
characters we love to
hate--Cruella de Vil from
101 Dalmations, Gaston
from Beauty and the
Beast, the Python from
The Jungle Book, Ursula
from The Little Mermaid,
and Scar from The Lion
King. $49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Beach Boys - The Little Black Songbook Paroles et Accords [Partition] Amsco Wise Publications
By Adrian Hopkins. Arranged by Matt Cowe. The Little Black Songbook. Pop and Roc...(+)
By Adrian Hopkins.
Arranged by Matt Cowe.
The Little Black
Songbook. Pop and Rock.
Book Only. 192 pages.
Wise Publications
#MUSAM999680. Published
by Wise Publications
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Villains Piano seul [Conducteur] - Intermédiaire FJH
Piano - Late Intermediate SKU: FJ.E1119 Composed by Justin Levitt. Piano ...(+)
Piano - Late Intermediate
SKU: FJ.E1119
Composed by Justin
Levitt. Piano Duet; Piano
Supplemental. The FJH
Piano Ensemble Series.
Score. The FJH Music
Company Inc #98-E1119.
Published by The FJH
Music Company Inc
(FJ.E1119). UPC:
241444403792.
English. This is a
showstopper duet with an
edge of villainy.
Performers will execute
hilarious physical moves
around the piano while
playing the main themes.
Justin Levitt is at his
best with a creative
score that is rhythmic
with hints of sinister
jazz, sure to be lots of
fun for students and
audiences. Check out
another duet by Justin
Levitt: Mansion Rag.
About FJH
Piano Ensemble
Series Cre
ative material especially
written to explore
aspects of artistic
ensemble performance. $3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Snehvides Spejl (Snow White's Mirror) Wilhelm Hansen
Libretto SKU: HL.263197 Libretto. Composed by Niels Marthinsen. Mu...(+)
Libretto SKU:
HL.263197
Libretto. Composed
by Niels Marthinsen.
Music Sales America.
Classical, Danish
Edition. Softcover. 263
pages. Duration 6600
seconds. Edition Wilhelm
Hansen #WH31402D.
Published by Edition
Wilhelm Hansen
(HL.263197).
Snow White's
Mirror is a full scale
two act dramatic opera
written for the Danish
National Opera. The opera
is a modern re-telling
for grown-ups of the
brothers Grimm's fairy
tale: Snow White is a
self-centered teenage
narcissist and the
villain of the opera;
sheends up loosing
everyone but herself,
either because she kills
them, or because they
decide they can't stand
being around her anymore.
But apparently she's o.k.
with that... The music is
intended for a large
audience: it's basically
pop music done with all
the craftmanship of a
classical composer who's
equally at home with
large scale symphonic
form, avantgarde
technique, opera singing
- and modern pop. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Plus de résultats boutique >> |