| A Better Day Clarinette et Piano Theodore Presser Co.
(For Clarinet And Piano). Composed by Gary Schocker. For solo clarinet in Bb, pi...(+)
(For Clarinet And Piano).
Composed by Gary
Schocker. For solo
clarinet in Bb, piano.
Contemporary. Solo part
with piano reduction.
Composed MAY 16 1994.
Duration 0:06:00.
Theodore Presser Company
#114-41595. Published by
Theodore Presser Company
$25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano SKU:
PR.114422710 Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710). ISBN
9781491136072. UPC:
680160688227. DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Gibson 335 Guitar Book Livre - Pas de partitions [Partition] Backbeat Books
Electric Semi-Solid Thinlines and the Players Who Made Them Famous. Book....(+)
Electric Semi-Solid
Thinlines and the Players
Who Made Them Famous.
Book. Softcover. 160
pages. Published by
Backbeat Books
(HL.137904).
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Destination Moon Ensemble de cuivres [Conducteur] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1175838-130 Composed by Paul Raphael. Co...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1175838-130
Composed by Paul Raphael.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2017. 79 pages. De Haske
Publications #DHP
1175838-130. Published by
De Haske Publications
(BT.DHP-1175838-130).
9x12 inches.
English-German-French-Dut
ch. Destination
Moon was first
performed by Cory Band at
the 2017 European
Championships in Ostend,
Belgium, and is inspired
by the Belgian comic-book
hero Tintin. The first
part is called
‘Science’
and describes the
development of the theory
of space travel. The
second part is
‘Humanity’
which addresses human
concerns and philosophies
about our place in the
universe. The third part
is ‘The
Launch’ which ends
with a repetition of the
words ‘Earth to
Moon Rocket are you
receiving me?’ as
the rocket vanishes into
a tiny speck in the
sky.
Destinatio
n Moon werd voor het
eerst vertolkt door de
Cory Band, tijdens de
Europese Brassband
Kampioenschappen van 2017
in Oostende, België.
Het werk is ge nspireerd
op de avonturen van de
Belgische stripheld
Kuifje. Het eerste deel,
‘Science’,
beschrijft de
ontwikkeling van de
theorie achter de
ruimtevaart. Het tweede
deel heet
‘Humanity’:
het verklankt
verschillende menselijke
overwegingen en
filosofieën rondom
onze plaats in het
universum; de titel van
het derde deel is
‘The
Launch’: dit
gedeelte eindigt met een
herhaling van de woorden
‘Earth to Moon
Rocket are you receiving
me?’ terwijl de
raket verdwijnt tot hij
nog slechts een stipje
aan de hemel
is.
Destination
Moon wurde 2017 im
Rahmen der 40. European
Brass Band Championships
in Ostende (Belgien) von
der Cory Band
uraufgeführt. Als
Inspiration für das
Stück diente der
belgische Comic-Held
Tintin (Tim und
Struppi“). Der
erste Teil,
Science“,
beschreibt die
Entwicklung der
Wissenschaftler im
Bereich der Raumfahrt.
Der zweite Teil,
Humanity“,
beschäftigt sich mit
den menschlichen Gedanken
und Philosophien über
unseren Platz im
Universum. Der dritte
Teil, The Launch“,
endet mit der
Wiederholung der Worte
Erde an Mondrakete
können Sie mich
hören?“,
während die Mondrakete
als winziger Fleck im
Himmel
verschwindet.
Inte
rprété pour la
première fois par le
Cory Band aux
Championnats
d’Europe en 2017
Ostende, Belgique,
Destination Moon
s’inspire du
héros belge de BD
Tintin, dans Objectif
Lune. La première
partie au sous-titre
‘Science’
décrit la mise au
point de la théorie de
navigation spatiale par
les scientifiques ; la
deuxième partie,
‘Humanity’,
aborde les inquiétudes
et philosophies humaines
au sujet de notre place
dans l’univers ;
et la troisième partie
‘The Launch’
finit par une
répétition des mots
‘Earth to Moon
Rocket are you receiving
me ?’ tandis que
la fusée disparaît
dans le ciel. $50.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Ultimate James Horner Film Score Collection Piano, Voix et Guitare Amsco Wise Publications
Composed by James Horner (1953-2015). TV-Film-Musical- Show. Book Only. Compose...(+)
Composed by James Horner
(1953-2015).
TV-Film-Musical-
Show. Book Only. Composed
2015. 64 pages. Wise
Publications
#MUSAM1011109.
Published by Wise
Publications
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Aaron Copland: The Music of an Uncommon Man Hal Leonard
Choral (clASSrm kit) SKU: HL.9971239 Lessons and Activities Based on t...(+)
Choral (clASSrm kit)
SKU: HL.9971239
Lessons and Activities
Based on the Works of
Aaron Copland.
Resource. Americana,
Classical, Classroom
Resources, Music History.
Published by Hal Leonard
(HL.9971239). ISBN
9781423461845. UPC:
884088270995. 8.5x11
inches. Patrick
Bolek/Norma Freeman/Linda
Rann. We are
pleased to announce the
launch of the Leonard
Bernstein Young People's
Classics, a new series
for the music classroom
that presents essential
selections from the
Leonard Bernstein
recorded library with
units of study built
around them. The first in
this series features some
of the more popular works
of Aaron Copland,
including Fanfare for
the Common Man, and
his ballets Billy the
Kid, Appalachian
Spring and
Rodeo.
Make
music listening engaging
and active with
beautifully-designed
full-color listening
maps, easy-to-follow
lesson plans and
full-length recorded
orchestral versions of
Copland's music. Included
in the Classroom Kit is
the Bernstein Century
Copland CD featuring
Leonard Bernstein
conducting the New York
Philharmonic. The
Enhanced CD in the
Teacher book contains
audio folksong
recordings, full-color
PDFs of the student
booklet, student handouts
and bonus materials, all
for duplication or
projection.
Part
II features an in-depth
study of Copland's ballet
Rodeo,
specifically
“Hoe-down,”
based on the Artful
Learning transformative
learning system inspired
by Leonard Bernstein.
Working together in
learning centers,
students engage in
cross-curricular
activities that are
incorporated into the
music lessons. Available
separately: Teacher
Book/Enhanced CD, Student
Book 5-Pak, the Bernstein
Century Copland CD, and a
Classroom Kit (1 Teacher
Edition/Enhanced CD, 20
Student Books, 1 Copland
CD). Suggested for Grades
5-9. $119.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Moscow, 1941
Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By Brian Balmages. Young Band. FJH Young Band. Moscow, 1941 was commissioned by ...(+)
By Brian Balmages. Young
Band. FJH Young Band.
Moscow, 1941 was
commissioned by the Perry
Hall Middle School Band
and funded by the PTA.
Directors Nwil Fishler
and Kelly Clavell asked
that the piece be
dedicated to Larry
Bondar, a music teacher
who has been affecting
the lives of students for
over 40 years, and an
icon in the Baltimore
area. Mr. Bondar is of
Russian descent, so it
seemed fitting that the
commission be based on
one of Russia's most
famous songs,
Meadowlands. Score for
this title: B1320S.
Concert Band. Level: 2.5.
Score and Set of Parts.
Composed 2006. Published
by The FJH Music Company
Inc.
(34)$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nora's Dance Piano seul [Conducteur] Theodore Presser Co.
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by La...(+)
Chamber Music Piano
SKU: PR.140401310
Composed by Nora Holt.
Edited by Lara Downes.
Sws. Score. 8 pages.
Duration 2 minutes.
Theodore Presser Company
#140-40131. Published by
Theodore Presser Company
(PR.140401310). ISBN
9781491134153. UPC:
680160684250. 9 x 12
inches. Key: G
major. NORA’
S DANCE is a
jazz-influenced rag from
1921, and among the only
surviving compositions by
Nora Douglas Holt. A
charming and exciting
work rejuvenated by Lara
Downes’ 2021
recording for the Rising
Sun label, the rag is
both a fun 2 minutes for
pianists and audiences,
and also a fascinating
time capsule. Composed
several years after Scott
Joplin’s death,
and several years before
the Charleston pervaded
popular music,
NORA’S DANCE
blossoms with the energy
and jazz harmony starting
to emerge as The Roaring
20’s, using
ragtime and stride as the
seed for pianistic
style. My own life in
music has been driven by
a quest to find strong
female role models,
trails to follow,
shoulders to stand on. In
Nora Douglas Holt, I find
an inspiring example of
creativity, independence,
and resilience –
with a dash of
troublemaking. She was a
free spirit, a force of
nature, and she lived a
fascinating and eventful
life on her own terms.
She reinvented herself
through five marriages
and at least as many
careers. From her
beginnings at the piano
at age four, she explored
many avenues of musical
expression –
performing, composing,
music journalism,
broadcasting, teaching
– all with
inventiveness, style, and
zeal.She made the most of
the Roaring ’20s,
as an artist, socialite,
jetsetter, muse, and
patroness of the Harlem
Renaissance. In 1921 she
started an independent
arts journal called
“Music and
Poetry,†where the
charming piano solo
Nora’s Dance was
first published. I think
the piece captures
beautifully, in a little
under 2 minutes, the
energy and excitement of
those heady years.In
1926, Nora left New York
to travel the world,
performing in nightclubs
throughout Europe and
Asia. She put her
belongings in storage
before she left, and when
she came back she
discovered that many of
her things had been
stolen, including more
than 200 of her musical
compositions. She never
composed again.When the
Depression hit, she moved
out to Los Angeles, where
she studied music
education at USC, taught
music in the LA public
schools, and opened her
own beauty salon. She
returned to New York in
the ’40s and
worked as a music critic
for several major
newspapers, then launched
yet another career, this
time in broadcasting. Her
popular radio concert
series “Nora
Holt’s Concert
Showcase†broadcast
to New York’s
classical music audience,
with a focus on Black
composers and
performers.Ahead of her
time, larger than life,
full of ideas…. I
am so pleased to
introduce you to the
feisty and free spirited
Nora Douglas Holt! $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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