PARTITIONS GRATUITES : PIANO SEUL
- The Zephyr

Chamber Music

SKU: PR.164002120

Composed by Dan Welcher. Set of Score and Parts. With Standard notation. 32+16+12+12+12 pages. Duration 16 minutes. Theodore Presser Company #164-00212. Published by Theodore Presser Company (PR.164002120).

UPC: 680160037582.

Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings.   When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements.   The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence.   The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep.   The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes.   Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.

SKU: PR.16400212S

Composed by Dan Welcher. With Standard notation. Duration 16 minutes. Theodore Presser Company #164-00212S. Published by Theodore Presser Company (PR.16400212S).

UPC: 680160037605.

Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings.   When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements.   The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence.   The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep.   The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes.   Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.

Drum Kit - Grade 5

SKU: BT.RSK200079

Rockschool Classics. Exam Material. Book with Online Audio. Composed 2018. Rockschool #RSK200079. Published by Rockschool (BT.RSK200079).

ISBN 9781789360158. English.

Learn to play rock and pop with Rockschool. These Specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Drums Grade 5 contains eight of the biggestrock tracks from the past five decades arranged for you to play in your Grade 5 exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Performance Certificate.

Featur ing:

• Red Hot Chili Peppers - The Zephyr Song
• System Of A Down - Chop Suey!
• The Smashing Pumpkins - Cherub Rock
• Metallica - Master Of Puppets
• The Who - MyGeneration
• Iron Maiden - The Number Of The Beast
• Paul Simon - Late In The Evening
• The Jimi Hendrix Experience - Hey Joe

Plus:

• Band and artist fact files with recommendedlistening
• In-depth walkthroughs of every track
• Easy-access downloadable audio
• Example tests and exercises

Performed by The Red Hot Chili Peppers. Bass Recorded Versions (Authentic note-for-note bass guitar transcriptions with notes and tab). With notes and tablature. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Performed by The Red Hot Chili Peppers. Transcribed Score (Authentic transcriptions of all instruments). Size 8.5x11 inches. 224 pages. Published by Hal Leonard.

Performed by The Red Hot Chili Peppers. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Funk rock, alternative rock and hard rock. Series: Hal Leonard Guitar Recorded Versions. 110 pages. 9x12 inches. Published by Hal Leonard.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2.5

SKU: CF.YAS107

Composed by Matt Turner. SWS FS. Young String Orchestra. Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+6+16 pages. Carl Fischer Music #YAS107. Published by Carl Fischer Music (CF.YAS107).

ISBN 9780825889202. UPC: 798408089207. 8.5 x 11 inches. Key: G major.

Matt Turner's impressive list of award-winning compositions will just keep growing as he adds pieces like this to his repertoire! Zydeco Zephyr starts out with some boogie-woogie and then moves to a fiddling style in the second half. Not only can you hear the train within the music, but this work also includes an opportunity for a soloist to improvise. An example solo is provided, but this is a great way to get your kids to express themselves musically.
Zydeco Zephyr combines elements of zydeco and bluegrass. Zydeco is a combination of many styles including Cajun, blues, and rock, and is known for its use of accordion, fiddle, and washboard. The first section of Zydeco Zephyr is influenced by doo-wop, a style zydeco musician Clifton Chenier used in his songs. The cellos introduce the second section with a “train” groove in m. 27. A solo section offers students the opportunity to improvise using a D mixolydian mode (D, E, F≥, G, A, B, C, D), and a sample solo is provided. This piece uses straighteighths (no swing!) and should be performed with a great deal of energy. Who knows, you may just make people in the audience get up and dance!Suggested listening: Clifton Chenier, King of the Bayous on Arhoolie Records.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

From START to STARDOM, the Lessons You Need. Drum Instruction. Softcover with CD. Size 8.5x11 inches. 208 pages. Published by Hal Leonard.