| The Real Vocal Book - Volume IV (Low Voice) Voix basse [Fake Book] Hal Leonard
(Low Voice). Composed by Various. For Voice. Fake Book. Softcover. 472 pages...(+)
(Low Voice). Composed by
Various. For Voice. Fake
Book. Softcover. 472
pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dragonhunter Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Richard Meyer. Music by Richard Meyer. For string orchestra. String Orchestra...(+)
By Richard Meyer. Music
by Richard Meyer. For
string orchestra. String
Orchestra. String
Explorer. Conductor Score
and Parts. 1 pages.
Published by Alfred
Publishing. Level: 1
(grade 1).
(32)$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Vocal Book - Volume IV Voix haute, Piano [Fake Book] Hal Leonard
(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. ...(+)
(High Voice). By Various.
For Voice, Piano
Accompaniment. Fake Book.
Softcover. 472 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tropanka and Patsh Tantz - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Ride Cymbal, Tambourine,
Tom-tom, Triangle, Wood
Block, alto Saxophone 1
and more. - Grade 3
SKU: CF.CPS264
Composed by Lauren
Bernofsky. Cps. Set of
Score and Parts.
1+8+8+4+4+8+8+8+4+4+4+4+4
+4+4+4+4+4+28 pages.
Duration 3 minutes, 39
seconds. Carl Fischer
Music #CPS264. Published
by Carl Fischer Music
(CF.CPS264). ISBN
9781491161418. UPC:
680160920006. Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tropanka and Patsh Tantz [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Flute 1,
Flute 2, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Ride Cymbal, Tambourine,
Tom-tom, Triangle, Wood
Block, alto Saxophone 1
and more. - Grade 3
SKU: CF.CPS264F
Composed by Lauren
Bernofsky. Cps. Full
score. 28 pages. Duration
3 minutes, 39 seconds.
Carl Fischer Music
#CPS264F. Published by
Carl Fischer Music
(CF.CPS264F). ISBN
9781491161746. UPC:
680160920433. Some
of the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn't know
what each piece was, but
the melodies have stayed
with me. Tropanka is one
of those tunes. Tropanka
(pronounced tro-PAHN-kuh)
is a folk dance from
Bulgaria, and the title
means stomping dance. One
can hear two repeated
notes at the end of each
phrase - this is where
the dancers stomp. Patsh
Tantz (pronounced PAHTSH
tahnts) is a classic
example of Klezmer, which
is East European Jewish
folk music. The title is
Yiddish for clapping
dance, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end. Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the earthy character
of the music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding
anniversary. Some of
the first music I
remember hearing as a
child was folk dance
music from around the
world. My parents were
avid folk dancers, and
they used to host weekly
folk dance evenings in
our basement. Some
nights, when I was
supposed to be in bed, I
would stand with my ear
to the door, listening to
this fascinating music
that drifted up the
stairs. I didn’t
know what each piece was,
but the melodies have
stayed with me. Tropanka
is one of those tunes.
Tropanka (pronounced
“tro-PAHN-kuhâ€
) is a folk dance from
Bulgaria, and the title
means “stomping
danceâ€. One can
hear two repeated notes
at the end of each phrase
– this is where
the dancers
stomp. Patsh Tantz
(pronounced “PAHTSH
tahntsâ€) is a
classic example of
Klezmer, which is East
European Jewish folk
music. The title is
Yiddish for
“clapping
danceâ€, and all the
players get the chance to
clap at certain points in
their individual part.
Klezmer music is often
quite exciting, and this
arrangement includes the
characteristic
accelerando, building
excitement as the piece
drives to the end.Both
movements should be
played rhythmically, and
as it is folk music that
would be danced to by
untrained dancers, often
wearing boots or other
flat-soled shoes, adding
weight to many of the
downbeats will help bring
out the
“earthyâ€
character of the
music. Since my
parents met while folk
dancing, I made these
arrangements (originally
in a version for string
quartet) as a gift in
celebration of their 50th
wedding anniversary. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music for String Instruments, Percussion and Celesta BB 114 Breitkopf & Härtel
Double bass (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbI...(+)
Double bass (str. (1.
group: vl/II.vaI.vcI.dbI
- 2. group:
vIIl/IV.vaII.vcII.dbII) -
small
drum.cym.tam-tam.big
drum.xyl.timp -
cel.hp.pno) SKU:
BR.OB-5555-27
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day. Symphony; Early
modern. Part. 12 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-27.
Published by Breitkopf
and Haertel
(BR.OB-5555-27). ISBN
9790004342473. 10 x 12.5
inches. In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Music for String Instruments, Percussion and Celesta BB 114 Breitkopf & Härtel
Double bass 2 (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.d...(+)
Double bass 2 (str. (1.
group: vl/II.vaI.vcI.dbI
- 2. group:
vIIl/IV.vaII.vcII.dbII) -
small
drum.cym.tam-tam.big
drum.xyl.timp -
cel.hp.pno) SKU:
BR.OB-5555-28
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day. Symphony; Early
modern. Part. 12 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-28.
Published by Breitkopf
and Haertel
(BR.OB-5555-28). ISBN
9790004342480. 10 x 12.5
inches. In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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