PARTITIONS GRATUITES : QUATUOR à CORDES
- Rhythm Song - Chamber Piece

Alto Sax; Piano Accompaniment; Saxophone (Score and Solo Part)

SKU: HL.48180416

For Alto Sax and Piano. Composed by Maurice Ravel. Edited by Viard. Leduc. Classical, Contemporary. Softcover. 6 pages. Alphonse Leduc #AL17680. Published by Alphonse Leduc (HL.48180416).

UPC: 888680787530. 9.5x12.25x0.042 inches.

As a prestigious composer of the early 20th century, Maurice Ravel's Pièce en Forme de Habanera contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Pièce en Forme de Habanera clearly exemplifies these qualities through flourishing saxophone lines and evocative, chordal and rhythmic piano accompaniments. Moreover, the Habanera rhythms throughout the piece create a dynamic and exciting effect. All of these musical elements combined create a highly enjoyable piece for the alto saxophone repertoire. In addition, the clear print of separate saxophone and piano parts in this edition add to an irresistable purchase for budding saxophonists.

Musical Activities to Expand Rhythmic Vocabulary. Composed by Lynn Brinckmeyer. Shawnee Press. Softcover. 56 pages. Published by Shawnee Press (HL.35031313).

Trumpet - easy

SKU: BT.MUSAM999251

By Lizzie Moore. Arranged by Paul Honey. Jazz. Book with Online Audio. Wise Publications #MUSAM999251. Published by Wise Publications (BT.MUSAM999251).

ISBN 9781849383530. English.

Take centre stage and play along with a live rhythm section featuring Bass, Drums and Piano

This collection features 24 great songs, from Jazz and Blues standards through Soul and Gospel favourites and lively Swing andLatinnumbers.

T he authentic CD backing tracks will help you achieve a more professional performance.

Wh at's included:

• Printed music - 24 pieces in melody line arrangements
• Two audio CDs-Professional 'soundalike' performances of every piece featuring a live band on CD 1, plus backing tracks to play along with on CD 2.
  
  

2 Flutes; rhythm accompaniment ad libitum (RHYTHM.GR) - advanced

SKU: HL.49007467

20 Duets. Composed by Leslie Searle. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Individual part. 54 pages. Schott Music #ED 7715-01. Published by Schott Music (HL.49007467).

ISBN 9790001080330. 9.0x12.0x0.145 inches.

In this collection, the British jazz musician Leslie Searle presents his own compositions in a variety of the most common musical styles of modern jazz and dance music. With the accompanying CD containing an audio and play-along version of each piece, you will enjoy listening to the different styles and playing along with the backing tracks recorded live with piano, bass and percussion. Those who want to perform the pieces without CD can use the available accompanying book for the rhythm section which contains accompanying parts for piano, bass and percussion.

SKU: HL.48182138

Trombone and Piano. Composed by Veronge De La Nux. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL23081. Published by Alphonse Leduc (HL.48182138).

UPC: 888680836863. 9.0x12.0x0.057 inches.

Composed by Paul Véronge de la Nux, Solo de concours is a piece for Trombone and Piano accompaniment initially written for the the Paris Conservatoire contest. It is ideal to demonstrate the abilities of upper-intermediate players. The beginning by the Piano sounds slightly dramatic but the piece turns out to be really melodious, with a hint of nostalgia. A second part is then introduced, fierceful, stronger and faster with the Trombone Solo. The Piano then joins the Trombone for the last part, quite demanding with a faster rhythm and long phrases. The music sounds more cheerful, and leads to a harmonious end. The piece lasts between five and six minutes. Paul Véronge de la Nux (1853-1911) was a French composer. He studied at the Paris Conservatoire and received the Grand Prix de Rome in 1876.

Alto Saxophone

SKU: HL.48180543

For Alto Saxophone and Piano. Composed by Henri Tomasi. Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL18122. Published by Alphonse Leduc (HL.48180543).

UPC: 888680796044. 9x12 inches.

French composer and conductor, Henri Tomasi (1901-1971) published his Corsican Song for alto saxophone and piano in 1932. As with his other wind compositions, Corsican Song was well-received by audiences. Tomasi was born in Marseille, but his father and mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his grandmother in to his compositions, as is the case with Corsican Song. This Tomasi work is unusual in composition through its exploitation of tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced saxophonists, provides an exciting, alternative addition to the repertoire.

Orchestra String Orchestra - Grade 3

SKU: CF.CAS18

Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).

ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.

A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantas y on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

For Guitar. Includes an authoritative, newly engraved solo part printed on high-quality ivory paper; a digital stereo compact disc featuring a complete performance of each piece with rhythm section and soloist, and a second performance minus you, the soloist. Published by Music Minus One.