| Pièce en Forme de Habanera Leduc, Alphonse
Alto Sax; Piano Accompaniment; Saxophone (Score and Solo Part) SKU: HL.481804...(+)
Alto Sax; Piano
Accompaniment; Saxophone
(Score and Solo Part)
SKU: HL.48180416
For Alto Sax and
Piano. Composed by
Maurice Ravel. Edited by
Viard. Leduc. Classical,
Contemporary. Softcover.
6 pages. Alphonse Leduc
#AL17680. Published by
Alphonse Leduc
(HL.48180416). UPC:
888680787530.
9.5x12.25x0.042
inches. As a
prestigious composer of
the early 20th century,
Maurice Ravel's Pièce
en Forme de Habanera
contains many features
which continue to make
the composer's music
popular and loved to this
day. Known for his
masterful melodies and
rich harmonies, Pièce
en Forme de Habanera
clearly exemplifies these
qualities through
flourishing saxophone
lines and evocative,
chordal and rhythmic
piano accompaniments.
Moreover, the Habanera
rhythms throughout the
piece create a dynamic
and exciting effect. All
of these musical elements
combined create a highly
enjoyable piece for the
alto saxophone
repertoire. In addition,
the clear print of
separate saxophone and
piano parts in this
edition add to an
irresistable purchase for
budding saxophonists. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rhythm Rescue! Chorale [Partition] Shawnee Press
Musical Activities to Expand Rhythmic Vocabulary. Composed by Lynn Brinck...(+)
Musical Activities to
Expand Rhythmic
Vocabulary. Composed
by Lynn Brinckmeyer.
Shawnee Press. Softcover.
56 pages. Published by
Shawnee Press
(HL.35031313).
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 24 Play-Along Standards With A Live Rhythm Section Trompette [Partition + Accès audio] - Facile
Trumpet - easy SKU: BT.MUSAM999251 By Lizzie Moore. Arranged by Paul Hone...(+)
Trumpet - easy SKU:
BT.MUSAM999251 By
Lizzie Moore. Arranged by
Paul Honey. Jazz. Book
with Online Audio. Wise
Publications
#MUSAM999251. Published
by Wise Publications
(BT.MUSAM999251). ISBN
9781849383530.
English. Take
centre stage and play
along with a live rhythm
section featuring Bass,
Drums and
Piano
This
collection features 24
great songs, from Jazz
and Blues standards
through Soul and Gospel
favourites and lively
Swing
andLatinnumbers.
T
he authentic CD backing
tracks will help you
achieve a more
professional
performance.
Wh
at's
included:
- Printed music - 24
pieces in melody line
arrangements
- Two
audio CDs-Professional
'soundalike' performances
of every piece featuring
a live band on CD 1, plus
backing tracks to play
along with on CD 2.
$27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flute Styles Rhythm Accompaniment - Avancé Schott
2 Flutes; rhythm accompaniment ad libitum (RHYTHM.GR) - advanced SKU: HL.4900...(+)
2 Flutes; rhythm
accompaniment ad libitum
(RHYTHM.GR) - advanced
SKU: HL.49007467
20 Duets. Composed
by Leslie Searle. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 54 pages. Schott
Music #ED 7715-01.
Published by Schott Music
(HL.49007467). ISBN
9790001080330.
9.0x12.0x0.145
inches. In this
collection, the British
jazz musician Leslie
Searle presents his own
compositions in a variety
of the most common
musical styles of modern
jazz and dance music.
With the accompanying CD
containing an audio and
play-along version of
each piece, you will
enjoy listening to the
different styles and
playing along with the
backing tracks recorded
live with piano, bass and
percussion. Those who
want to perform the
pieces without CD can use
the available
accompanying book for the
rhythm section which
contains accompanying
parts for piano, bass and
percussion. $19.99 - Voir plus => Acheter | | |
| Solo de Concours Leduc, Alphonse
SKU: HL.48182138 Trombone and Piano. Composed by Veronge De La Nux...(+)
SKU: HL.48182138
Trombone and
Piano. Composed by
Veronge De La Nux. Leduc.
Classical. Softcover. 7
pages. Alphonse Leduc
#AL23081. Published by
Alphonse Leduc
(HL.48182138). UPC:
888680836863.
9.0x12.0x0.057
inches. Composed by
Paul Véronge de la
Nux, Solo de concours is
a piece for Trombone and
Piano accompaniment
initially written for the
the Paris Conservatoire
contest. It is ideal to
demonstrate the abilities
of upper-intermediate
players. The beginning by
the Piano sounds slightly
dramatic but the piece
turns out to be really
melodious, with a hint of
nostalgia. A second part
is then introduced,
fierceful, stronger and
faster with the Trombone
Solo. The Piano then
joins the Trombone for
the last part, quite
demanding with a faster
rhythm and long phrases.
The music sounds more
cheerful, and leads to a
harmonious end. The piece
lasts between five and
six minutes. Paul
Véronge de la Nux
(1853-1911) was a French
composer. He studied at
the Paris Conservatoire
and received the Grand
Prix de Rome in 1876. $20.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Corsican Song Saxophone Alto Leduc, Alphonse
Alto Saxophone SKU: HL.48180543 For Alto Saxophone and Piano. Comp...(+)
Alto Saxophone SKU:
HL.48180543 For
Alto Saxophone and
Piano. Composed by
Henri Tomasi. Leduc.
Classical. Softcover. 3
pages. Alphonse Leduc
#AL18122. Published by
Alphonse Leduc
(HL.48180543). UPC:
888680796044. 9x12
inches. French
composer and conductor,
Henri Tomasi (1901-1971)
published his Corsican
Song for alto
saxophone and piano in
1932. As with his other
wind compositions,
Corsican Song was
well-received by
audiences. Tomasi was
born in Marseille, but
his father and mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his grandmother in to his
compositions, as is the
case with Corsican
Song. This Tomasi
work is unusual in
composition through its
exploitation of tonality,
rhythm and structure
amongst other aspects.
However, this Tomasi
piece, suitable for
advanced saxophonists,
provides an exciting,
alternative addition to
the repertoire. $14.20 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasy on 'The Wee Cooper of Fife' Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18). ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major. A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Baden Powell Revisited: Brazilian Love Songs for Guitar and Rhythm Section Guitare [Partition + CD] Music Minus One
For Guitar. Includes an authoritative, newly engraved solo part printed on high-...(+)
For Guitar. Includes an
authoritative, newly
engraved solo part
printed on high-quality
ivory paper; a digital
stereo compact disc
featuring a complete
performance of each piece
with rhythm section and
soloist, and a second
performance minus you,
the soloist. Published by
Music Minus One.
(1)$19.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
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