| Three Quartets for Pianoforte, Violin, Viola and Violoncello WoO 36 Piano Quatuor: piano, violon, alto, violoncelle Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Leonardo Miucci. This ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Leonardo Miucci. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Performance
score,
Set of part(s),
anthology.
WoO 36. Baerenreiter
Verlag
#BA09037. Published by
Baerenreiter Verlag
$72.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| All In One String Quartets Nos. 12, 13 & 14 Score Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Wilhelm Hansen
String Quartet - Grade 5 SKU: HL.14042989 Composed by Pelle Gudmundsen-ho...(+)
String Quartet - Grade 5
SKU: HL.14042989
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Softcover.
Composed 2014. Edition
Wilhelm Hansen #WH31937.
Published by Edition
Wilhelm Hansen
(HL.14042989). ISBN
9788759829240.
English. All In One for
3 String Quartets was
composed by Pelle
Gudmundsen-Holmgreen
in 2013 (String Quartet
No.12,13 and 14 played
simultaneously).
Gudmundsen
-Holmgreen has written a
collection of three new
string quartets: String
Quartet no. 12,
‘Each in
Each’; String
Quartet no. 13,
‘Mutual
Ordering’, and
String Quartet no. 14,
‘Well-Tuned
Sounds’. Each
quartet can be played on
its own; they can also
played simultaneously in
any combination. When all
three quartets are played
together, as they are
tonight, the combined
work is titled All in
One. About this
collection,
Gudmundsen-Holmgreenwrite
s:
'Some
years ago Kronos and the
vocal group Theatre of
Voices performed three
new pieces, which I had
written for the two
groups: one for Theatre
of Voices (Green), and
two for Kronos (New
Ground and No Ground).
They were played and sung
by each group
independently – but
also both groups together
concurrently, on top of
each other, as a final
gesture. The combined
pieces were called New
Ground Green and No
Ground
Green.
'David liked the idea
(and the result) of pairs
of quartets that could be
played both independently
and simultaneously, and
asked me if the vocal
quartet could be
transformed into a string
quartet. It could not. He
then asked me to repeat
the whole set-up with a
new pair of quartets,
adding also some
percussion instruments,
as was the case with
Green for Theatre of
Voices. Of course this
was tempting. Furthermore
David asked me to make
one of the two new
quartets a little easier
to play. 'I began to
work. The Kronos part of
the pair of quartets
turned out to be tough to
play, as David puts it.
Unfortunately the
‘easier’ one
was tough to play also!
So I had to write one
more, which was then a
little easier still (but
still not easy).
'The three new works can
be played separately and
on top of each other in
many different
combinations, resulting
in different kinds
of. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 4 "chaconne" - Score And Parts Quatuor à cordes: 2 violons, alto, violoncelle Schott
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639). ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches. Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl. $118.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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