| Solo Plus: My First Recital For Trumpet Music Sales
An exciting collection of 21 light classics and folk songs from around the world...(+)
An exciting collection of
21 light classics and
folk songs from around
the world, expertly
arranged for the
beginning soloist with
piano accompaniment in
the book or on the
accompanying CD.
Contents: A Frangesa ·
A Media Luz ·Allemande
· Amaryllis ·
Ahrirang · Bouree ·
Dubula (Shoot) · El
Coqui · Grand March
(from Aida) · Harmony
Rag · Matilda ·
Merry Widow Waltz ·
Minuet from Violin
Concerto K.219 ·
Plaisir d'Amour ·
Rondo Aragonesa ·
Slovakian DanceTune ·
Solace · Song of the
North · The Beautiful
Jasmine · The
Cowherd's Song · The
Happy Farmer
$18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Solo Plus: My First Recital For Clarinet Music Sales
An exciting collection of 21 light classics and folk songs from around the world...(+)
An exciting collection of
21 light classics and
folk songs from around
the world, expertly
arranged for the
beginning soloist with
piano accompaniment in
the book or on the
accompanying CD.
Contents: A Frangesa ·
A Media Luz ·Allemande
· Amaryllis ·
Ahrirang · Bouree ·
Dubula (Shoot) · El
Coqui · Grand March
(from Aida) · Harmony
Rag · Matilda ·
Merry Widow Waltz ·
Minuet from Violin
Concerto K.219 ·
Plaisir d'Amour ·
Rondo Aragonesa ·
Slovakian DanceTune ·
Solace · Song of the
North · The Beautiful
Jasmine · The
Cowherd's Song · The
Happy Farmer
$18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Baroque Sampler for Octave Mandolin Mandoline - Facile Mel Bay
Composed by John Goodin. Saddle-stitched. Book. 40 pages. Mel Bay Publicatio...(+)
Composed by John Goodin.
Saddle-stitched. Book. 40
pages. Mel Bay
Publications,
Inc #30744. Published by
Mel
Bay Publications, Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tuba Helper: Solos for the Developing Tubist Tuba et Piano [CD d'écoute] Mark Custom Music
By David Zerkel, tuba; Paolo Gualdi, piano. By Various. For tuba; piano. Mark Ma...(+)
By David Zerkel, tuba;
Paolo Gualdi, piano. By
Various. For tuba; piano.
Mark Masters. Classical.
Audio CD. Duration 49:07.
Published by Mark Custom
Music
(1)$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6765EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM). ISBN
9790365067657. This
sonata (WeissSW No. 4,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIV comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIV
comes from Weissâ??s
late â??productiveâ??
period, after 1730. The
Sonata has six movements:
Prelude, Ouverture
(including allegro and
largo), Courante,
Bourée, Menuet and
Gavotte. There is another
copy of this Sonata,
known as Parte (or
Partita) no. 11, in a
London Manuscript
(British Library Ms. Add.
30387). The London
Manuscript seems to be
incomplete. It does not
include a Menuet and a
Gavotte. The Sonata in
this Edition is based on
the Dresden Manuscript.
However, both the Prelude
and the Bourée are
coming from the London
copy. The Dresden Prelude
is regarded as spurious,
and the London Bourée
is more lively and in
balance with the other
movements. In a few
passages of the Ouverture
and the Courante I have
made some adaptions on
the basis of the London
manuscript, to create the
best of the two versions.
In the Ouverture I have
omitted the repeat
indications. There are
two Menuets in the
Dresden Sonata. One has
been crossed in the
original manuscript with
the accompanying note:
ist nicht von Mr Weis.
The other one has been
added later, probably by
the compiler of the
volumes. The original
London Prelude of this
particular Sonata is
composed in a
â??simplifiedâ?? style;
a common practice for
adding preludes to lute
sonatas in the 18th
century. I have added the
original example to my
transcribed version.
Perhaps it invites others
to make their own
arrangement. Originally,
the Sonata is written in
B flat major, a key often
used by Weiss as it is
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to G
major. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XVII (London nr.23) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6764EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM). ISBN
9790365067640. This
sonata (WeissSW No. 23,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XVII comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
It is the only London
Sonata with a title:
Divertimento à solo.
The Sonata has ten
separate movements:
Prelude (Prǣlude),
Entrée, Bourée I
and II, Gavotte I and II,
Sarabande, Menuet I and
II, and Saltarella. The
Entrée is nothing more
than an Allemande. The
Saltarella resembles the
Scottish Gigue. The pairs
of the middle
â??dancesâ?? are
intended to be played
side by side, as one
coherent movement in
which the second part
complements the musical
notion of the first part.
There are concordant
copies of the first parts
of the Bourée, Gavotte
and Menuet in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI).
Bourée I can also be
found in the Bayerische
Staatsbibliothek in
München, although it
is quite different from
the London version.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Album for my Friends Piano seul Novello & Co Ltd.
'The idea for this set of pieces initially came from writing one as a sixtie...(+)
'The idea for this
set of pieces initially
came from writing one as
a sixtieth birthday
present (I shall not
mention which one!).
Having written one
Baroque-titled piece, I
gradually added more,
until a whole suite of
Baroque dances was
completed.
The
stimulus of writing a
modern set of piano
pieces based on Baroque
models (in my case a
mixture of the English
and French Suites of
Bach) is nothing new of
course. Many
twentieth-century
composers were inspired
by the rigours of
devising new ways of
looking at Baroque
dances, and in the
process brought new life
to the forms (in the case
of Schoenberg's Piano
Suite of 1925, actually
liberating his new method
of 12- notecomposition
from theory into
practice).
For my
part, the challenge was
to write a set of pieces
for the piano which would
be technically suitable
for both young and mature
pianists, whilst still
responding to the
compositional demands of
creating interesting
material, mainly
organised through
contrapuntal means (often
just two-part
counterpoint, as in
Bourree 1 or the
Gigue),but sometimes
through harmonic means
(as in the Sarabande or
Gavotte).
In
addition, the more
personal nature of the
genesis of the album
resulted in each piece,
or dance, being dedicated
to a particular friend.
Whilst their pianistic
skills might vary quite
considerably, they all
share a great love of
music - something which
unites us
all.'
&
nbsp; -
Edward
Gregson
1
. Paul's Prelude 2.
Adam's Allemande 3.
Clare's Courante 4.
Stefan's Sarabande 5.
Gaynor's Gavotte 6.
Brian's Bourree (Bouree
1) 7. Bethan's Bouree
(Bouree 2) 8. Maggie's
Minuet 9. Gavin's
Gigue 10. Phil's
Postlude
$19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Classic Gems for Electric Bass Basse electrique [Partition] Jamey Aebersold Jazz
(Includes seven solos and one duet). Edited by Damon Mazzocco. For electric bass...(+)
(Includes seven solos and
one duet). Edited by
Damon Mazzocco. For
electric bass. Classical
and Instructional.
Collection. Bass
tablature. 20 pages.
Published by Jamey
Aebersold Jazz
(3)$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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