PARTITIONS GRATUITES : ALTO ET PIANO (OU ORGUE)
- Simple Life

Lyrics by Harry Ruby, music by Rube Bloom, arranged by Russell L. Robinson. Octavo for SAB choir and piano accompaniment. With chord names. C Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

By Harry Ruby And Rube Bloom. Arranged by Russell L. Robinson. For SoundPax (t. Sax., tpt., tbn., rhy.). Choral Octavo. Pop Choral Series. Great American Songbook; Jazz Choir. Instrumental Accompaniment. Published by Alfred Publishing.

By Harry Bloom, arranged by Russell L. Robinson. Octavo for SATB choir. C Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Words by Harry Ruby, music by Rube Bloom, arranged by Russell L. Robinson. Octavo for 2-Part choir and piano accompaniment. Series: Alfred Pop Series. 12 pages. Published by Alfred Publishing.

(with Simple Gifts). By Mary Donnelly. Arranged by George L.O. Strid. (2 part). Discovery Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

Piano; Piano/Keyboard

SKU: HL.329906

By Various. Super Easy Songbook. Pop, Standards. Softcover. 112 pages. Published by Hal Leonard (HL.329906).

ISBN 9781540084224. UPC: 840126907490. 9.0x12.0x0.372 inches.

It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes 60 simple songs ideal for beginners: All My Loving • Beauty and the Beast • Do-Re-Mi • Fields of Gold • Happy Birthday to You • I'm Yours • Love Me Tender • Morning Has Broken • People Get Ready • The Rainbow Connection • The Sound of Silence • A Thousand Years • Wonderful Tonight • You Are My Sunshine • and more.

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
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Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Arranged by Carol Tornquist. For Piano. Book; Piano Collection; Piano Supplemental. Pure & Simple. Contemporary Christian; Sacred. Easy Piano. 80 pages. Published by Alfred Music Publishing