| Four Pieces -- Saxophone [Set de Parties séparées] Advance Music
E-flat Alto Saxophone & Piano SKU: AP.1-ADV7071 For E-flat Alto Saxoph...(+)
E-flat Alto Saxophone &
Piano SKU:
AP.1-ADV7071 For
E-flat Alto Saxophone and
Piano. Composed by
Paul Nash. Series; Solo;
Solo Small Ensembles;
Woodwind - Saxophone
Method or Collection.
Advance Music. Jazz.
Part(s). Advance Music
#01-ADV7071. Published by
Advance Music
(AP.1-ADV7071). ISBN
9783892214205. UPC:
805095070712.
English. Four
Pieces: Saxophone offers
a lively piece of music
that will satisfy a
variety of jazz palates.
This original suite in
four movements features
an array of jazz styles
and moods for experienced
soloists. Each movement
features a solo chorus
that (1) may be
improvised and/or played
as written by the alto
soloist, and (2) extended
for an additional
improvised piano solo if
desired.
Titles:
Restless Is the Soul of
Grace * These Words Lie
Soft * For You I've
Waited * Turning
Light. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Hymns Without Words [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Trumpet, Piano SKU: PR.114418940 For Trumpet in C and Pi...(+)
Chamber Music Trumpet,
Piano SKU:
PR.114418940 For
Trumpet in C and
Piano. Composed by
Adolphus Hailstork. Sws.
Score and parts. With
Standard notation. 28
pages. Duration 10
minutes. Theodore Presser
Company #114-41894.
Published by Theodore
Presser Company
(PR.114418940). UPC:
680160669653. 9 x 12
inches. Hailstork
names his four diverse
pieces for trumpet Hymns,
because of the hymn-like
impression of the opening
statements. These short
pieces can be played
individually or as a set,
and can well serve within
the worship service as
processional or
recessional. Four Hymns
Without Words is
available in two versions
for piano or organ
accompaniment. Music
for trumpet and organ has
a long grand history,
especially as written by
English composers. These
four pieces were written
to be used as separate
service pieces or as a
suite. I then decided to
orchestrate them as a
concert suite I had some
themes that reminded me
of church hymns,
especially processionals,
from my early years
growing up as a singer in
an Episcopal cathedral. I
kept envisioning entrance
music when I worked on
Hymns 1 and 2, then quiet
hymn (with a minor key
ending!) as might occur
in a Black church for no.
3, and, finally, a
buoyant exit song for the
recessional as the church
doors are flung open to
the sun.. Music for
trumpet and organ has a
long grand history,
especially as written by
English composers.These
four pieces were written
to be used as separate
service pieces or as a
suite. I then decided to
orchestrate them as a
concert suite I had some
themes that reminded me
of church hymns,
especially processionals,
from my early years
growing up as a singer in
an Episcopal cathedral. I
kept envisioning entrance
music when I worked on
Hymns 1 and 2, then quiet
hymn (with a minor key
ending!) as might occur
in a Black church for no.
3, and, finally,
a buoyant exit song for
the recessional as the
church doors are flung
open to the
sun.. Music for
trumpet and organ has a
long grand history,
especially as written by
English composers.These
four pieces were written
to be used as separate
service pieces or as a
suite. I then decided to
orchestrate them as a
concert suitexa0I had
some themes that reminded
me of church hymns,
especially processionals,
from my early years
growing up as a singer in
an Episcopal cathedral. I
kept envisioning entrance
music when I worked on
Hymns 1 and 2, then quiet
hymn (with a minor key
ending!) as might occur
in a Black church for no.
3, and, finally,
axa0buoyantxa0exit song
for the recessional as
the church doors are
flung open to the
sun.. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308). ISBN
9782898522253. Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
FRANCE
SCO BIRAGHI
Au
lendemain d'une
récente
expérience au sein
du jury d'un concours de
guitare, j'ai
constaté avec
grand plaisir que Giorgio
Mirto, avec qui j'avais
partagé le
rôle de
juré, souhaitait
célébrer
l'expérience du
concours - au cours de
laquelle nous avons
découvert que nous
avions eu un grand
affinité de
pensée - avec
quelque chose qui
pourrait perdurer dans le
temps et ne pas
s'évaporer comme
cela arrive souvent lors
de rencontres courtes et
occasionnelles entre
musiciens. Il l'a fait en
véritable
compositeur, ce qu'il
est, et m'a
dédié une
Suite d'une très
belle facture ÃÂ
laquelle je me suis
permis de collaborer au
moins formellement, en
suggérant des
titres pour les quatre
mouvements. C'est ainsi
qu'est née la
Suite n.1, une
pièce qui ne
respecte pas strictement
les règles
formelles de
l'époque baroque,
mais les
réinterprèt
e et les réutilise
dans une nouvelle
tonalité.
L'inspiration
évidente du
baroque tardif de
l'Ã
Âuvre m'a
amené ÃÂ
trouver des titres qui
invitaient
l'interprète
ÃÂ approfondir
l'inspiration
esthétique de
l'Ã
Âuvre. J'ai donc
suggéré
ÃÂ Giorgio de
titrer les quatre
mouvements avec quelque
chose qui reliait leur
contenu ÃÂ quatre
grands du XVIIIe
siècle.
Maîtres allemands.
Le prélude est
ainsi devenu d'Eisenach
en raison de son
atmosphère parfois
improvisée
ÃÂ la Bach, le
deuxième
mouvement, vaguement
toccata, parle un langage
d'orgue ÃÂ la
manière de
Buxtehude (qui vivait
àLübeck),
le mouvement lent a un
Qualité
haendélienne - et
Haendel est né
ÃÂ Halle - et le
dernier mouvement, loin
d'être une
véritable
Chaconne, a sans doute le
goût de cette
dernière pour la
variation et l'ostinato,
traits typiques de
Telemann qui vivait
ÃÂ Magdebourg. Les
villes qui apparaissent
dans les titres sont donc
indélébiles
aux auteurs cités.
De plus, il ne faut pas
penser que le style de
l'Ã
Âuvre soit en
aucune façon
allemand, étant
donné que Giorgio
Mirto s'exprime dans un
langage très
joyeux qui
synthétise la
modalité avec le
minimalisme, le tout
assaisonné d'un
clin d'Ã
Âil au rock
progressif Floyd de Pink.
ou un Mike Oldfield... Le
résultat de ce
mélange
d'idées,
d'inspirations et de
styles est un ouvrage que
personnellement je ne me
lasse pas de lire et de
relire, pour la
fraîcheur qui s'en
dégage et pour le
climat expressif qui
monte, se nourrissant de
plein efficacité.
On ne peut finalement pas
ignorer que la note B,
celle qui marque de
manière mineure
certaines des
Ã
Âuvres les plus
expressives du
répertoire de
guitare, depuis
l'étude de Sor qui
a fait tomber amoureux de
la guitare des
générations
d'étudiants,
jusqu'ÃÂ celle de
Frank Martin Quatre
Pièces via La
Catedral di Barrios, est
le point d'appui modal de
toute la Suite : il est
vrai que le
Prélude commence
par un accord clair en mi
mineur et s'attarde sur
une fin ouverte en la
mineur, mais il semble
presque que le mi initial
sert de une rampe de
lancement pour une suite
de l'Ã
Âuvre dans
laquelle la dominante,
c'est-ÃÂ -dire le B,
est le véritable
Nord musical,
l'étoile polaire
qui nous guide dans les
trois autres mouvements
jusqu'ÃÂ la fin de
la Chaconne de
Magdebourg. Je souhaite
ÃÂ Giorgio et
àë notre
û Suite une grande
longévité
et un destin favorable
dans le monde complexe et
complexe de la
composition contemporaine
pour guitare. Et je le
remercie encore,
flatté de son
très aimable
dévouement.
FRANCESCO BIRAGHI. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Abracadabra Performance Pieces - Trumpet Trompette [Partition + CD] - Débutant
Trumpet - Grade 1-3 SKU: BT.9781472923639 Abracadabra Brass. Abrac...(+)
Trumpet - Grade 1-3
SKU:
BT.9781472923639
Abracadabra Brass.
Abracadabra. Studies &
Exercises. Book with CD.
Composed 2017. 32 pages.
Collins Music Publishing
#9781472923639. Published
by Collins Music
Publishing
(BT.9781472923639).
ISBN 9781472923639.
English. A
fantastic collection of
14 classical showstoppers
arranged for beginner to
intermediate players.
Bringing together
well-known classics in
varied styles from the
Baroque period to the
twentieth century, this
versatile repertoire book
includes aninspirational
CD and duet parts:
everything needed to
givea great
performance.Anyone can
take centre stage and
stand in the spotlight
with Abracadabra
Performance Pieces.This
brand new book is the
latest addition to the
best-selling Abracadabra
series, offering
approachable longer
arrangements with
fantastic backing tracks
ideal for concert
performances or simply
for more musical fun. The
14 pieces showcase
anarray of classical
favourites, from Purcell
and Handel to Bizet and
Bartok, and are suitable
for beginner to
intermediate players
(Grade 1 3).The CD
contains specially
recorded performances and
supportive backing tracks
that are guaranteed to
bring extra sparkle to
any performance. Four
pieces also include a
duet part for teachers or
fellow players. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Abracadabra Performance Pieces - Clarinet Clarinette [Partition + CD] - Débutant
Clarinet - Grade 1-3 SKU: BT.9781472923622 Abracadabra Woodwind. A...(+)
Clarinet - Grade 1-3
SKU:
BT.9781472923622
Abracadabra
Woodwind.
Abracadabra. Studies &
Exercises. Book with CD.
Composed 2017. 32 pages.
Collins Music Publishing
#9781472923622. Published
by Collins Music
Publishing
(BT.9781472923622).
ISBN 9781472923622.
English. A
fantastic collection of
14 classical showstoppers
arranged for beginner to
intermediate players.
Bringing together
well-known classics in
varied styles from the
Baroque period to the
twentieth century, this
versatile repertoire book
includes aninspirational
CD and duet parts:
everything needed to
givea great
performance.Anyone can
take centre stage and
stand in the spotlight
with Abracadabra
Performance Pieces.This
brand new book is the
latest addition to the
best-selling Abracadabra
series, offering
approachable longer
arrangements with
fantastic backing tracks
ideal for concert
performances or simply
for more musical fun. The
14 pieces showcase
anarray of classical
favourites, from Purcell
and Handel to Bizet and
Bartok, and are suitable
for beginner to
intermediate players
(Grade 1 3).The CD
contains specially
recorded performances and
supportive backing tracks
that are guaranteed to
bring extra sparkle to
any performance. Four
pieces also include a
duet part for teachers or
fellow players. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Abracadabra Performance Pieces - Flute Flûte traversière [Partition + CD] - Débutant
Flute - Grade 1-3 SKU: BT.9781472923615 Abracadabra Woodwind. Abra...(+)
Flute - Grade 1-3 SKU:
BT.9781472923615
Abracadabra
Woodwind.
Abracadabra. Studies &
Exercises. Book with CD.
Composed 2017. 32 pages.
Collins Music Publishing
#9781472923615. Published
by Collins Music
Publishing
(BT.9781472923615).
ISBN 9781472923615.
English. A
fantastic collection of
14 classical showstoppers
arranged for beginner to
intermediate players.
Bringing together
well-known classics in
varied styles from the
Baroque period to the
twentieth century, this
versatile repertoire book
includes aninspirational
CD and duet parts:
everything needed to
givea great
performance.Anyone can
take centre stage and
stand in the spotlight
with Abracadabra
Performance Pieces.This
brand new book is the
latest addition to the
best-selling Abracadabra
series, offering
approachable longer
arrangements with
fantastic backing tracks
ideal for concert
performances or simply
for more musical fun. The
14 pieces showcase
anarray of classical
favourites, from Purcell
and Handel to Bizet and
Bartok, and are suitable
for beginner to
intermediate players
(Grade 1 3).The CD
contains specially
recorded performances and
supportive backing tracks
that are guaranteed to
bring extra sparkle to
any performance. Four
pieces also include a
duet part for teachers or
fellow players. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Abracadabra Performance Pieces - Violin Violon [Partition + CD] - Débutant
Violin - Grade 1-3 SKU: BT.9781472923608 Abracadabra. Studies & Exercises...(+)
Violin - Grade 1-3
SKU:
BT.9781472923608
Abracadabra. Studies &
Exercises. Book with CD.
Composed 2017. 32 pages.
Collins Music Publishing
#9781472923608. Published
by Collins Music
Publishing
(BT.9781472923608).
ISBN 9781472923608.
English. A
fantastic collection of
14 classical showstoppers
arranged for beginner to
intermediate players.
Bringing together
well-known classics in
varied styles from the
Baroque period to the
twentieth century, this
versatile repertoire book
includes aninspirational
CD and duet parts:
everything needed to
givea great
performance.Anyone can
take centre stage and
stand in the spotlight
with Abracadabra
Performance Pieces.This
brand new book is the
latest addition to the
best-selling Abracadabra
series, offering
approachable longer
arrangements with
fantastic backing tracks
ideal for concert
performances or simply
for more musical fun. The
14 pieces showcase
anarray of classical
favourites, from Purcell
and Handel to Bizet and
Bartok, and are suitable
for beginner to
intermediate players
(Grade 1 3).The CD
contains specially
recorded performances and
supportive backing tracks
that are guaranteed to
bring extra sparkle to
any performance. Four
pieces also include a
duet part for teachers or
fellow players. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Four Pieces for Clarinet, Bassoon and Piano Clarinette, Basson, Piano (trio) Potenza Music
Composed by Max Bruch (1838-1920). Arranged by Albie Micklich. For Clarinet, Bas...(+)
Composed by Max Bruch
(1838-1920). Arranged by
Albie Micklich. For
Clarinet, Bassoon, Piano.
Chamber music. Published
by Potenza Music
$32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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