| Motets A Une Voix Et Basse Continue Partition Et Parties (lp55) Heugel
Voice (Music For Voice) SKU: HL.48188347 Composed by Gilles. Leduc. CD. 8...(+)
Voice (Music For Voice)
SKU: HL.48188347
Composed by Gilles.
Leduc. CD. 84 pages.
Heugel & Cie #HE32435.
Published by Heugel & Cie
(HL.48188347). UPC:
888680856878.
9.0x12.0x0.333 inches.
French. Motets a
une voix et basse
continue partition et
parties (lp55). Par
Gilles aux editions
Leduc. Partition / Livre
de chansons pour
Voix. $25.80 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Salve regina a due voci pour soprano, alto, 2 violons et basse continue Martin, Robert
Voice SKU: RM.RUBIN1084 Composed by Alessando Scarlatti. Voix et ensemble...(+)
Voice SKU:
RM.RUBIN1084 Composed
by Alessando Scarlatti.
Voix et ensemble divers.
Instrumental music.
Editions Robert Martin
#RUBIN1084. Published by
Editions Robert Martin
(RM.RUBIN1084). ISBN
9790560141084. $207.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ave Maria (Johann Sebastian Bach) Voix basse, Piano G. Henle
Piano Accompaniment; Vocal (Low Voice) SKU: HL.51481640 Version for Lo...(+)
Piano Accompaniment;
Vocal (Low Voice) SKU:
HL.51481640
Version for Low Male
Voice and Piano.
Composed by Charles
Francois Gounod. Edited
by Gé and rard
Condé. Henle Music
Folios. Classical.
Softcover. 9 pages. G.
Henle #HN1640. Published
by G. Henle
(HL.51481640). UPC:
196288215868.
8.25x11.75x0.071
inches. Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the workÂ
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
- most beautiful music
engravingÂ
- page-turns, fold-out
pages, and cues where you
need themÂ
- excellent print
quality and
bindingÂ
- largest Urtext
catalogue
world-wideÂ
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Methods & Treatises Continuo Bass - 6 Volumes - France 1600-1800 [Conducteur] Anne Fuzeau Productions
Continuo SKU: FZ.6222 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo SKU:
FZ.6222 Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6222). ISBN
9790230662222. 24.00 x
33.00 cm
inches. These early
music methods are in
facsimile in six books.
Volume 1: Anonyme -
BARTOLOTTI A. M. - BOYVIN
J. - BUTERNE J-B. - CARRE
A. Sieur de La Grange -
CHARPENTIER M-A. -
CHAUMONT L. - D'ANGLEBERT
J-H. - DE LA BARRE M. -
DELAIR D. - FLEURY N. -
MARAIS M. - NIVERS G. G.
- PERRINE - SAINT-LAMBERT
M. de. Volume 2: CAMPION
F. - CAMPION T. - CHERON
A. - CLERAMBAULT N. -
COUPERIN F. - DANDRIEU
J-F. - DELAIR D. -
LECLAIR J. -M. - RAMEAU
J. -P. Volume 3: Anonyme
- CAMPION F. - DORNEL A.
- FORQUERAY A. - GERVAIS
L. - GOUDAT - GUILLEMAIN
L. -G. - MONNIER Le Cadet
- MONTECLAIR M. P. de -
PINGRE A-G. - RAMEAU J.
-P. - SERRE DE RIEUX J. -
TELEMANN G. P. - TRAVENOL
L. A. Volume 4: ALEMBERT
J. Le Rond d' -
BLAINVILLE C. H. de -
CORRETTE M. - DUBUGRARRE
- GEMINIANI F S. -
LAPORTE C. de. Volume 5:
BETHISY J-L. de - BIFERI
F. (fils) - CLEMENT C-F.
- DUBREUIL J-J. - GARNIER
H. - GIANOTTI P. -
GOUGELET Madame - LABBET
A. J. - LE BOEUF - RAMEAU
J. -P. - ROUSSIER P-J. -
SIMON S. - TAPRAY J.
Volume 6: Anonyme -
BEMETZRIEDER A. -
CORRETTE M. - FROESTLER
B. - GOURNAY B. C. -
LANGLE H-F-M. - RODOLPHE
J-J. - ROUSSIER P-J.
Table of contents: Volume
1: Fleury Nicolas:
Methode pour apprendre
facilement - 1660.
Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Volume 2: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Volume 3: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Volume 4: Alembert Jean
Le Rond d': Elemens de
musique - 1752.
Blainville Charles Henri
de: Essay sur un
troisieme mode - 1751.
Corrette Michel: Le
maitre de Clavecin -
1753. Laporte Claude de:
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio: L'art de bien
accompagner - 1754.
Dubugrarre: Methode plus
courte et plus facile -
1754. Volume 5: Tapray
Jean: Abrege de
l'accompagnement - 1755.
Labbet Antoine Joseph et
Leris Antoine de:
Sentiment d'un
Harmoniphile - 1756.
Clement Charles Francois:
Essai sur
l'accompagnement - 1758.
Gianotti Pietro: Le guide
du compositeur - 1759.
Rameau Jean-Philippe:
Code de musique pratique
- 1760. Bethisy
Jean-Laurent de:
Exposition de la theorie
et de la pratique - 1764.
Roussier Pierre-Joseph:
Traite des accords et de
leur succession - 1764.
Le Boeuf: Traite
d'harmonie et regles
d'accompagnement - 1766.
Garnier Honore: Nouvelle
methode pour
l'accompagnement - 1767.
Dubreuil Jean-Jacques:
Manuel harmonique - 1767.
Biferi Francesco Fils:
Traite de musique abrege,
divise en trois parties -
1770. Simon Simon:
Theorie pratique
d'accompagnement - s. d.
Gougelet Madame: Methode
ou abrege des regles -
1771. Volume 6: Roussier
Pierre-Joseph: L'harmonie
pratique - 1775. Corrette
Michel: Prototipes
contenant des lecons
d'accompagnement - 1775.
Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: -
Conservatory Library of
Geneva (Switzerland). -
Conservatory Library of
Dijon (France). - Royal
Conservatory of Liege
(Belgique). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Royal
Library of Brussels
(Belgium). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Yale University, Music
Library of New Haven
(USA). -
Zentralbibliothek of
Zurich (Switzerland).
Anne Fuzeau Classique
propose the complete
theoretic documentation,
methods, classical music
scores on the
continuo. $459.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Messe de minuit pour Noel [Conducteur] Noten Roehr
4 voices, flutes and violins, strings and basso continuo SKU: NR.8787 ...(+)
4 voices, flutes and
violins, strings and
basso continuo SKU:
NR.8787 A 4 voix,
flutes et violons, cordes
et basse continue, H.
9. Composed by Marc
Antoine Charpentier.
Edited by Rudolf Walter.
This edition: new
edition. Choral music.
Score. With Language:
Latin. Noten Roehr #8787.
Published by Noten Roehr
(NR.8787).
Walter, Rudolf,
ed, Neuausgabe:
BA7592. $74.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lamento d'Arianna (Monodia) / Pianto della Madonna (Contrafactum) for Solo Voice and Basso continuo Voix et basse continue Barenreiter
Solo artist, Basso continuo (Soprano solo or Mezzo-soprano solo, Basso continuo)...(+)
Solo artist, Basso
continuo (Soprano solo or
Mezzo-soprano solo, Basso
continuo) SKU:
BA.BA08796 Composed
by Claudio Monteverdi.
Edited by Hendrik Schulze
and Sara Elisa
Stangalino. This edition:
urtext edition. Stapled.
Score, Part. Baerenreiter
Verlag #BA08796.
Published by Baerenreiter
Verlag (BA.BA08796).
ISBN 9790006567126. 30
x 23 cm inches. Text
Language: Italian.
Preface: Schulze, Hendrik
/ Stangalino, Sara
Elisa.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$36.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cantates francaises ou musique de chambre a voix seule et a deux avec et sans symphonie avec la basse continue - Septieme livre Anne Fuzeau Productions
By Nicolas Bernier. Edited by Jean Saint-Arroman, Philippe Lescat. Voice, instru...(+)
By Nicolas Bernier.
Edited by Jean
Saint-Arroman, Philippe
Lescat. Voice,
instrument(s) and
continuo. For Recorder,
Viola, Voice (soprano,
haute-contre).
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 117
pages
$56.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Motets a voix seule accompagnee de la basse continue Anne Fuzeau Productions
By Guillaume-Gabriel Nivers. Edited by Jean Saint-Arroman, Philippe Lescat. Voic...(+)
By Guillaume-Gabriel
Nivers. Edited by Jean
Saint-Arroman, Philippe
Lescat. Voice and
continuo (1 or 2
sopranos). For Voice
(soprano), Continuo.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Sacred.
Grade 0. 249 pages
$102.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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