PARTITIONS GRATUITES : 2 ALTOS (DUO)
- Elation

Orchestra orchestra

SKU: AP.12-0571523781

The Schindowski Mix. Composed by Matthew Hindson. Full Orchestra (Full Score); Larger Works; Masterworks; Performance Music Ensemble. Faber Edition. 20th Century; Masterwork. Score. 66 pages. Faber Music #12-0571523781. Published by Faber Music (AP.12-0571523781).

ISBN 9780571523788. English.

This arrangement of Rave-Elation was commissioned by Musiktheater im Revier. The first performance was given by Ballett Schindowski, with the Neue Philharmonie Nordrhein- Westfalen conducted by Bernhard Stengel, in Gelsenkirchen, for their all-Hindson ballet Veitstanz, choreographed by Bernd Schindowski, on 24 January 2004. Rave-Elation was written for performance by the combined forces of Camerata Australia and Camerata Scotland. It uses aspects of popular music as a starting point, in particular that of the 'techno' music genre.

The piece is almost exclusively hedonistic in content, and this is deliberate. The main inspiration for the work comes from dance and 'rave' parties, especially the party-goers' single-minded indulgence in physical enjoyment.

By Sean O'Loughlin. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, clarinet 2 in Bb, bass clarinet in Bb, bassoon, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombon

Keyboards - Piano Piano Solo

SKU: AY.FRD37

Composed by John La Montaine. Keyboards - Piano. Fredonia Press #FRD37. Published by Fredonia Press (AY.FRD37).

ISBN 9790302114659.

John La Montaine's Twelve Relationships for Piano Solo consists of twelve short canons: Bold and Plain, Teasing, Plaintive, Bittersweet, Wayward, Saucy, Entreating, Piquant, Brooding, Spirited and Jubilant. It was originally composed in 1965. A canon is the strictest form of composition, in which two or more parts take up in succession exactly the same musical subject. Each of the canons in Twelve Relationships is at a different interval. That is, the second entrance of the subject begins on a different note in each canon, and that note is always different from the first entrance. Twelve different intervals are utilized in the twelve canons. Each of these canons is strict in its succession of intervals from the first note to the last. The first canon is at the octave and therefore in one and the same key. All of the others at different intervals, since they are strict, are simultaneously in two different keys. There is no other known set of canons so composed. The title Twelve Relationships may be understood in two senses. One refers to the form, the intervallic relationships mentioned above. The other refers to the content, that is, to the psychological relationships that are implied by the titles of the individual canons and which form the musical substance of the pieces. Jocelyn Mackey (Pan Pipes, music critic): Twelve Relationships contains twelve two-part canons with titles like, Plaintive, Sprightly, Saucy, Brooding. The first, Bold and Plain, is composed with imitation at the fifth, while a different interval is used in each of the other eleven. Just as the Well-Tempered Clavier contains preludes in each possible key, each possible interval of imitation is used in this set of canons. Amazing contrapuntal skill..

SKU: GI.G-007274

Composed by Chrysogonus Waddell. Sacred. Collection. GIA Publications #007274. Published by GIA Publications (GI.G-007274).

UPC: 641151072746. English.

Steven Warner and Chrysogonus Waddell first collaborated when the Notre Dame Folk Choir traveled to the Cistercian Abbey in Kentucky for a retreat. Waddell showed Warner some choral pieces he had written, but, living in an all-male community, had never heard in SATB form. Imagine their mutual elation when the Folk Choir sang the pieces as they were intended! Since then, the relationship between Waddell and Warner and the Folk Choir has grown into a cherished friendship. WLP is proud to share more works of Steve Warner and to introduce Waddell‚ compositions to a wider audience.

SKU: GI.G-007268

Composed by Chrysogonus Waddell and Steven C. Warner. Sacred. GIA Publications #007268. Published by GIA Publications (GI.G-007268).

UPC: 641151072685. English.

Steven Warner and Chrysogonus Waddell first collaborated when the Notre Dame Folk Choir traveled to the Cistercian Abbey in Kentucky for a retreat. Waddell showed Warner some choral pieces he had written but, living in an all-male community, had never heard in SATB form. Imagine their mutual elation when the Folk Choir sang the pieces as they were intended! Since then, the relationship between Waddell and Warner and the Folk Choir has grown into a cherished friendship. WLP is proud to share more works of Steve Warner and to introduce Waddell's compositions to a wider audience.

From Revelation. Composed by Patrick Hawes. Walton. Sacred. Octavo. 8 pages. Published by Walton Music (GI.WW1645).

Composed by Patrick Hawes. Walton. Sacred. 88 pages. Published by Walton Music (GI.WW1624).

From Revelation. Composed by Patrick Hawes. Walton. Sacred. Octavo. 20 pages. Published by Walton Music (GI.WW1644).